Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2968
What kind of Finish.....cause I am stumped!
Results 1 to 17 of 17

Thread: What kind of Finish.....cause I am stumped!

  1. #1
    Join Date
    Mar 2007
    Location
    Cincinnati Ohio
    Posts
    424
    Post Thanks / Like

    Post What kind of Finish.....cause I am stumped!

    Is the 50's MIM strat finished in Nitro,Poly,or what?....mine is 8 years old now and its starting to yellow...its giged about 3 times a month, but lives in a smoke free atmosphere with me keeping the sweat wiped off it....what gives...its not "crazing/checking" at all cause I try to take care of it...I want it to age naturally and not too hard....that doesn't mean I don't play it like I stole it if you know what I mean. Soooooo any idea ppl.
    Guitars: Epiphone Special 2 LP modded with a SD Pearly Gates and a SD Alnico 2 flat strat pro.300K pots.Tone pros Brass Stop tailpiece.Dunlop frets dressed to .031,LSR roller nut, Spezel custom stainless steel locking tuners. Satin finished neck.Fender MIM 50's strat modded with LSR roller nut, graph tech string tree,sperzel satin chrome locking tuners, graph tech saddles,300K push pull volume for "neck on pup" and 200K tone pots.PUPS:Neck seymore duncan QP single coil for strat. Middle: Seymour Duncan JB Jr with coil tap (so actually a 9 way tone selection). Bridge: Same as neck.Amps/Cabs.2 Epi Valve Jr's, Peavey Delta Blues 1x15. Randall RG200es,Guitar research 4x8 cab loaded W/celestion super 8's and rewired for two-2x8 operation.Marshall 4x12 slant lead cab,Johnson cab 1x12.

  2. #2
    Join Date
    Aug 2006
    Location
    Germany
    Posts
    3,298
    Post Thanks / Like

    Default

    The entire Mexican series is painted with poly laquer.

    Naturally aging with poly lacquer is pretty difficult. Poly is pretty resistant and it leaves not much room for the wood to develop - it's like a tight jacket for the guitar. Of course the white plastic parts on your guitar as well as the maple neck will age - but slowly.....

    The yellowing is not normal due to my understanding. Anyway, after eight years I guess you have to live with it - I'm sorry - you can never foresay in which way the instrument develops.
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  3. #3
    Join Date
    Dec 2006
    Posts
    1,060
    Post Thanks / Like

    Default

    What do you clean it with?

  4. #4
    Join Date
    Apr 2007
    Location
    GVL FLA USA
    Posts
    4,323
    Post Thanks / Like

    Thumbs up

    Quote Originally Posted by ShortBuSX
    What do you clean it with?
    Me, I just use a cloth with some water and teeny bit of soap to keep it clean, and then lemon oil the fretboard.

    Here's what Fender says:
    http://www.sweetwater.com/store/detail/099-0508-000/ :
    "Fender Instrument Care Kit by Meguiar's
    Traditional guitar polishes often leave your guitar looking worse than before you started - leaving light scratches, a smear of oily fingerprints and a dull haze all over your guitar's body. Why use some cheap old no-name guitar polish, when you can use the same brand car enthusiasts trust on their $1 million Ferraris. Now you can! For the first time ever, Meguiar's®, the world's premiere car care manufacturer, has developed the ultimate finish care system for guitars - exclusively for Fender®! This three-step system, created by Meguiar's chemists, works on both acoustic and electric guitar finishes - new or vintage, nitro or poly.

    First, start with a light spray of FENDER MIST & WIPE finish enhancer and then wipe your axe dry with a FENDER ULTIMATE WIPE detailing cloth. This safely cleans the finished wood surfaces of dust, oil and fingerprints. FENDER MIST & WIPE can also be used to maintain a lustrous finish between regular cleaning and polishing, and removes those nagging fingerprints without buildup! FENDER SWIRL & HAZE REMOVER, a deep cleaner for fine-finished woods, can be used to remove light pick marks, sweat stains and scratches on your guitar's body and pickguard. And, it restores the original luster and depth of finish by removing hazy chemicals and cloudy swirl marks.

    Lastly, an application of FENDER POLISH & CONDITIONER nourishes your guitar's finished wood surfaces, and makes the plastic and metal surfaces shine. In the end, your instrument will feel clean and smooth - not sticky or oily (especially glossy neck finishes). Just like the day it was born. Your instrument deserves the very best, right? You've worked long and hard to acquire your dream guitar; don't settle for less. Get your own Fender Instrument Care Kit by Meguiar's and start spreading the love!"


  5. #5
    Join Date
    Dec 2005
    Location
    Olinda - Brasil
    Posts
    576
    Post Thanks / Like

    Default

    actually my tele is a oly white classic 60's and 6 years old. it's also is getting more yellow, specially on the edges of the body. I dont know what gets yellow, if its the paint under the poly or the poly itself. just use a clean rag and it will be alright. You dont need to use products on the fretboard cos yours is maple.

  6. #6
    Join Date
    Sep 2005
    Location
    Albuquerque, New Mexico, USA
    Posts
    6,009
    Post Thanks / Like

    Default

    I thought any poly finish would turn yellow like it does on furniture coated in poly. Or are there different types of poly?
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  7. #7
    Join Date
    Apr 2007
    Location
    GVL FLA USA
    Posts
    4,323
    Post Thanks / Like

    Thumbs up

    Quote Originally Posted by tone2thebone
    I thought any poly finish would turn yellow like it does on furniture coated in poly. Or are there different types of poly?
    I have an 80's MIJ Squier P-bass that has yellowed, I assume it's a poly finish:


  8. #8
    Join Date
    Mar 2006
    Posts
    2,627
    Post Thanks / Like

    Default

    Sometimes things that turn yellow can be reversed if you set them in the sun for a while. How long I don't know it is worth a try though.

    M29

  9. #9
    Join Date
    Aug 2006
    Location
    Athens, Greece
    Posts
    287
    Post Thanks / Like

    Default

    Excuse me, when you are talking about "poly", you refer to polyurethane and not polyester right? Because all MIMs are finished with the former material.
    Gearlist:
    Guitars
    - Kramer Pacer Deluxe (’87) with SD pickups
    - EBMM 25th Anniversary hardtail
    - EBMM Axis Super Sport hardtail
    - Squier CV Tele (Reliced!)
    - "Relic Wallpaper Squier ’51 (heavily modded)
    - Custom made Precision type bass with EMG pickup and custom paintjob

    Amps
    - THD Univalve
    - Tech21 Trademark 10
    - 2x12” Tube Town "flexi-back" cabinet, with Celestion Speakers

    Effects, etc
    Peterson Strobostomp, Budda Bud-wah, BYOC Script Phaser, Proco RAT (original), Boss HM-2 (modded), EHX Deluxe Memory Man, Line6 M13 Stompbox Modeller, Axon AX-100 MkII, Digitech GSP1101/Control2



    Visit my page on myspace:
    http://www.myspace.com/thegenusloci

  10. #10
    Join Date
    Mar 2007
    Location
    Cincinnati Ohio
    Posts
    424
    Post Thanks / Like

    Default

    I don't mind it aging, but as said, it doesn't let the guitar breathe...kinda saddens me they don't just spray nitro on the mexi's cause well....there in mexico and exactly where are the laws on pollution. I know thats a selfish thing to say, but it still makes me mad.
    Guitars: Epiphone Special 2 LP modded with a SD Pearly Gates and a SD Alnico 2 flat strat pro.300K pots.Tone pros Brass Stop tailpiece.Dunlop frets dressed to .031,LSR roller nut, Spezel custom stainless steel locking tuners. Satin finished neck.Fender MIM 50's strat modded with LSR roller nut, graph tech string tree,sperzel satin chrome locking tuners, graph tech saddles,300K push pull volume for "neck on pup" and 200K tone pots.PUPS:Neck seymore duncan QP single coil for strat. Middle: Seymour Duncan JB Jr with coil tap (so actually a 9 way tone selection). Bridge: Same as neck.Amps/Cabs.2 Epi Valve Jr's, Peavey Delta Blues 1x15. Randall RG200es,Guitar research 4x8 cab loaded W/celestion super 8's and rewired for two-2x8 operation.Marshall 4x12 slant lead cab,Johnson cab 1x12.

  11. #11
    Join Date
    Apr 2007
    Location
    GVL FLA USA
    Posts
    4,323
    Post Thanks / Like

    Thumbs up

    Quote Originally Posted by M29
    Sometimes things that turn yellow can be reversed if you set them in the sun for a while. How long I don't know it is worth a try though.

    M29
    In my case anyhow, the yellowing on the above bass is perfectly uniform; I think it looks great.

    If it were yellowing unevenly, though, I'd consider a "sit in the window" treatment.

    They say that the intentionally "greened" inlays on Les Paul Classics can be faded with a similar treatment of sunlight. But those don't bug me. I have a Ric 620 whose inlays look like that naturally.

  12. #12
    Join Date
    Sep 2005
    Location
    Albuquerque, New Mexico, USA
    Posts
    6,009
    Post Thanks / Like

    Default

    Quote Originally Posted by Brian Krashpad
    In my case anyhow, the yellowing on the above bass is perfectly uniform; I think it looks great.

    If it were yellowing unevenly, though, I'd consider a "sit in the window" treatment.

    They say that the intentionally "greened" inlays on Les Paul Classics can be faded with a similar treatment of sunlight. But those don't bug me. I have a Ric 620 whose inlays look like that naturally.
    You can clear up the ugly green inlays on LP Classics by letting them sit in open sunlight? Hmmmm that may come in handy someday.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  13. #13
    Join Date
    Apr 2007
    Location
    GVL FLA USA
    Posts
    4,323
    Post Thanks / Like

    Lightbulb

    Quote Originally Posted by tone2thebone
    You can clear up the ugly green inlays on LP Classics by letting them sit in open sunlight? Hmmmm that may come in handy someday.
    Dunno. I have seen people on teh intranets say that though.

    May be totally apocryphal.

  14. #14
    Join Date
    Sep 2006
    Location
    South Jersey Pine Barrens
    Posts
    1,564
    Post Thanks / Like

    Default

    Quote Originally Posted by LagrangeCalvert
    I don't mind it aging, but as said, it doesn't let the guitar breathe...kinda saddens me they don't just spray nitro on the mexi's cause well....there in mexico and exactly where are the laws on pollution. I know thats a selfish thing to say, but it still makes me mad.

    Nitro is a much more involved (translated - expensive) finishing process than poly - and it's not all about environmental law. There's wet sanding, buffing, etc, involved with nitro - higher labor costs. I don't expect too many MIM Fenders to be sporting nitro finishes any time soon.

    Even nitro coated white will yellow over time - that's just the way it is. Poly is actually a lot more durable than nitro, and can suffer tons of abuse and still come out nice and shiny. It's the refinishing that is poly's "achilles heel" - it's a mother bear to strip.

    Accept the yellowing if you truly like the guitar. It adds "character".
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  15. #15
    Join Date
    Feb 2006
    Location
    Uppah Noo Yawk
    Posts
    7,407
    Post Thanks / Like

    Default

    Just a word of caution from the resident chemist--I'd be VERY careful about putting instruments out in direct sunlight for prolonged periods (i.e. more than an hour or so). The effects of high-intensity sunlight--particularly its ultraviolet component--can be quite unpredictable. Depending upon the specific chemical nature of the material exposed, it could have a bleaching effect or it could actually cause severe yellowing, or anything in between. Personally, I wouldn't go there....
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  16. #16
    Join Date
    Mar 2007
    Location
    Cincinnati Ohio
    Posts
    424
    Post Thanks / Like

    Default

    Quote Originally Posted by duhvoodooman
    Just a word of caution from the resident chemist--I'd be VERY careful about putting instruments out in direct sunlight for prolonged periods (i.e. more than an hour or so). The effects of high-intensity sunlight--particularly its ultraviolet component--can be quite unpredictable. Depending upon the specific chemical nature of the material exposed, it could have a bleaching effect or it could actually cause severe yellowing, or anything in between. Personally, I wouldn't go there....
    +1 DVM....not to mention heat. I have seen necks warp and throw a good setup out the window at outdoor venues for people who set their guitar out in the sun....even in the cases they can bake Sucks I know but you couldn't get me to get it in the sunlight unless I was playing outside, then I would still have it in the case or in the shade until I got ready to play.
    Guitars: Epiphone Special 2 LP modded with a SD Pearly Gates and a SD Alnico 2 flat strat pro.300K pots.Tone pros Brass Stop tailpiece.Dunlop frets dressed to .031,LSR roller nut, Spezel custom stainless steel locking tuners. Satin finished neck.Fender MIM 50's strat modded with LSR roller nut, graph tech string tree,sperzel satin chrome locking tuners, graph tech saddles,300K push pull volume for "neck on pup" and 200K tone pots.PUPS:Neck seymore duncan QP single coil for strat. Middle: Seymour Duncan JB Jr with coil tap (so actually a 9 way tone selection). Bridge: Same as neck.Amps/Cabs.2 Epi Valve Jr's, Peavey Delta Blues 1x15. Randall RG200es,Guitar research 4x8 cab loaded W/celestion super 8's and rewired for two-2x8 operation.Marshall 4x12 slant lead cab,Johnson cab 1x12.

  17. #17
    Join Date
    Apr 2007
    Location
    GVL FLA USA
    Posts
    4,323
    Post Thanks / Like

    Lightbulb

    I think the person who reported doing that to fade the LP Classic inlays didn't actually put his guitar outside in the heat or other weather, iirc he set it in front of a window in a climate-controlled house (or other building).

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •