Results 1 to 9 of 9

Thread: Harmolodic Tuning

  1. #1
    Join Date
    May 2007
    Posts
    5,018
    Post Thanks / Like

    Default Harmolodic Tuning

    I listen to a lot of Ornette Coleman, and am a big fan of his "harmolodic" approach to improvisation [basically that harmony, melody and rhythm play equal parts in driving the music, none at the expense of others]. According to James "Blood" Ulmer, one of the splendid guitarists to play with Ornette, one of the ways he achieved "harmolody" was to view the guitar as having only one string, and treating the six as six parts of one string. he achieved this in part by tuning all 6 strings to the same note. i have been playing in "harmolodic d" and let me tell you something, it opens up a whole new world of improv possibility, and the tone is out of this world. try it.
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  2. #2
    Join Date
    Dec 2006
    Posts
    1,060
    Post Thanks / Like

    Default

    Sounds like how Richie Havens plays.

  3. #3
    Join Date
    May 2007
    Posts
    5,018
    Post Thanks / Like

    Default

    Quote Originally Posted by ShortBuSX
    Sounds like how Richie Havens plays.
    indeed it is a tuning haven used i think. i know he used open tunings, though i don't know enough about him to know if he tuned all strings the same, though you may already know that he does so i will defer to you.

    i do know havens played acoustic [though again, don't know if he played exclusively acoustic]. I do know that when i use this tuning with my electric it creates a LOT of harmonic overtones, and when you add the reverb, wowee!
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  4. #4
    Join Date
    Mar 2006
    Location
    Exterra Cognita
    Posts
    5,724
    Post Thanks / Like

    Default

    Yow, that's way beyond me now, but I'm glad that you're going for it.
    I pick a moon dog.

  5. #5
    Join Date
    May 2007
    Posts
    5,018
    Post Thanks / Like

    Default

    Quote Originally Posted by tot_Ou_tard
    Yow, that's way beyond me now, but I'm glad that you're going for it.
    don't doubt yourself. you'd be surprised how easy it is to play in this tuning. it may help to break you out of any habits you fall into in your regular tuning. try it!
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  6. #6
    Join Date
    Dec 2006
    Posts
    1,060
    Post Thanks / Like

    Default

    Quote Originally Posted by R_of_G
    indeed it is a tuning haven used i think. i know he used open tunings, though i don't know enough about him to know if he tuned all strings the same, though you may already know that he does so i will defer to you.

    i do know havens played acoustic [though again, don't know if he played exclusively acoustic]. I do know that when i use this tuning with my electric it creates a LOT of harmonic overtones, and when you add the reverb, wowee!
    Okay, now this makes sense to me...no RH did open tunings...this is the first Iv e ever heard of anybody tuning all the strings to D

    Makes sense, but Id be interested in the tension it puts on the guitar as well as string choices...Im interested.

  7. #7
    Join Date
    May 2007
    Posts
    5,018
    Post Thanks / Like

    Default

    Quote Originally Posted by ShortBuSX
    Okay, now this makes sense to me...no RH did open tunings...this is the first Iv e ever heard of anybody tuning all the strings to D

    Makes sense, but Id be interested in the tension it puts on the guitar as well as string choices...Im interested.
    no undue tension as everything not usually tuned to d is tuned down to get there. strings are ribbon-wound and start at .12 for the high e [which in this case is now highest d]
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  8. #8
    Join Date
    Dec 2006
    Posts
    1,060
    Post Thanks / Like

    Default

    Quote Originally Posted by R_of_G
    no undue tension as everything not usually tuned to d is tuned down to get there. strings are ribbon-wound and start at .12 for the high e [which in this case is now highest d]
    But what about the A, G, & B...are you tuning those down too or up to D?
    Im trying to figure out how this isnt adding even more tension?

  9. #9
    Join Date
    May 2007
    Posts
    5,018
    Post Thanks / Like

    Default

    Quote Originally Posted by ShortBuSX
    But what about the A, G, & B...are you tuning those down too or up to D?
    Im trying to figure out how this isnt adding even more tension?
    down
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •