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Thread: Mixo-Blues

  1. #1
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    Default Mixo-Blues

    Anyone,
    I been trying to get the mixolydian scale down visually on the whole fretboard..
    Well, while I been looking up memory help links (the mind..it just does not want to remember sometimes)
    and trying to grasp mixolydian visually on a fretboard I ran into a scale called Mixo-blues...Hybrid?
    which, I guess due to the fact I now know the blues scales and pentatonics it was easier to add
    to what I know... now 7 notes instead of 5 to 6.. (more for me to error on lol)

    Question:
    I also read (I read to much).. that SRV liked using Mixo-Blues.. R b3 3 4 b5 5 b7
    Ofcourse no-one actually points out how and where, that I found.. or picked out listening in "my" ears.
    Link showing the scale: http://jguitar.com/scale?root=A&scal...er&notes=flats
    Anyone have some good examples of this scale that are clearly heard?
    I like the sound on the 5 notes in a row per string some of the time..
    I guess any scale added..is another tool..
    This one just visually jumped out to learn the total fretboard at once again.
    Ofcourse.. knowing the notes within the scale.. I still mess that up..
    but at least I know which frets not to hit..umm 95% of the time.


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  2. #2
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    The mixolydian mode is one of my favorites to play in, and I often mix it with the pentatonic minor. Learning it definitely improved my playing a lot.

    The Beatles used the mixolydian a good bit (Norwegian Wood, She Said She Said, Taxman, etc). The Stones' "sympathy for the Devil" is mostly in mixolydian with some pentatonic in it, as is Cream's "I Feel Free". BB King plays in the mixolydian mode a lot too.

    The mixo-blues is essential too for playing acoustic country blues-style licks, such as Lightnin' Hopkins, Son House, etc.

    And the mixolydian works great for jazz, when you add a raised 7th to the mixolydian, you get the dominant bebop scale.
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    I've been callin that the blues scale forever..

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    I think thats my problem..
    they are all so similar..
    and explained so many different ways on the net.
    Say in the key of A.. or any I guess.. I got these listed correctly?
    Mixolydian - R,2,4,5,b7,7 flated 7th
    Minor Pentatonic - R,3,4,5,7 no flats
    What I thought is regular Blues - R,3,4,b5,5,7 flated 5th
    Blues Version 3 - R,3,b4,4,b5,5,b7,7,bR flated R, 5th, 7th
    Mixo-Blues - R,b3,3,4,b5,5,b7 flated 3rd,5th and 7th
    For some reason.. "looking" at the fretboard...
    Minor Penatonic, Regular Blues and the Mixo-blues just seem to jump out in the design layout overall..
    just me... found it interesting though.. and has a different voicing for sure..
    I guess dropping the 3rd and picking up the 2nd is my hangup mentally on learning Mixolydian..
    umm..at least one of'em..

    Guitarist.. thanks alot on the songs using these.. all favorites..
    might mean why these scales sound familar with out actually knowing why. (did that make sense?)


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  5. #5
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    One way to think of the mixolydian is a mix of the blues and country scales.

    If you take the minor pentatonic (the blues scale) and add the country scale to it (which is the same fingering pattern as the blues scale, its just moved down 3 frets in relation to the root), you have the mixolydian. I've seen it called the rock scale in some books.
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    I found it just easy to learn the 5 basic shapes of the Blues Scale. How there connected and what chord there based on extremely easy....

    After that then working on the components of the scale is a no brainer..

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    Quote Originally Posted by BJunior
    I found it just easy to learn the 5 basic shapes of the Blues Scale. How there connected and what chord there based on extremely easy....

    After that then working on the components of the scale is a no brainer..
    Which one is the blues scale to you Bjunior? from the group above.. it's those small additions and subtraction of the flats I guess that makes the different scales.. although they are all blues...

    Soo.. was saying.. I knew a few and Mixo-blues was a nice addition.
    Some of us (me) are slow... it's not as easy as it seems to go from one scale to another... but I progress

    Guitarist... that was way to much info..lol

    The first part on songs related to Mixo-Blues helped.. the response adding country scale threw me off... mainly... type country scale in yahoo or google.. it usually comes back with threads about there is no such thing as a country scale.. and that's when us (me) new guys get confused being internet taught.. we can only go by what we can read..

    So I looked up Mixyolian.. and pentatonic and blues scale mixed together.. slid down 3 .. and they didnt match up.. went by the link in first thread here.. there is when most things fall apart.. not having a visual that aligns..

    but, again..
    I think just adding Mixo-Blues for now got me half way there..


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    Quote Originally Posted by Justaguyin_nc
    So I looked up Mixyolian.. and pentatonic and blues scale mixed together.. slid down 3 .. and they didnt match up.. went by the link in first thread here.. there is when most things fall apart.. not having a visual that aligns..

    but, again..
    I think just adding Mixo-Blues for now got me half way there..
    Sorry, didn't mean to confuse ya! I'm not a teacher and not so good at explaining things, I guess.

    The country scale can be found inside the mixolydian mode. Say you are in the key of A...in the pentatonic minor (blues) scale, your root is the fifth fret. If you want to play the country scale in the key of A, you just slide the fingering pattern down three frets...the root is still the fifth fret A, but the finger pattern in relation to the root is down three frets. The country scale is a five note scale of notes which are all part of the mixolydian mode, just as the pentatonic minor is also.

    Hope this doesn't confuse ya any more - probably best for ya just to concentrate on one thing at a time for now anyway. Good luck and have fun!
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    I don't quite understand the question Justa. From what I can see in your first post, this isn't a scale per se; it is the blues scale with an added major 3rd.

    You can often create cool bluesy sounds by using both the minor AND the major third when you play over a chord vamp, or over a blues progression. I do this often when I improvise.
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    Quote Originally Posted by Robert
    I don't quite understand the question Justa. From what I can see in your first post, this isn't a scale per se; it is the blues scale with an added major 3rd.

    You can often create cool bluesy sounds by using both the minor AND the major third when you play over a chord vamp, or over a blues progression. I do this often when I improvise.
    Well Robert, did you try that link? Apparently they are scales.. Thats what us (me) newbies look at... and there are 5 blues scales.. one of which is a Mix of Myxolian and the original Blues scale.. As you can see..the scale patterns range from 5 note pentatonic to 9 notes in the V3 of blues scale..

    My question was who and how did they be used...guitarist answered it for me pretty well.. then confused me with country scales..lol...

    You guys playing for years..don't realize how confusing this stuff is just adding in one more note to a scale yet alone 3 new ones..


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  11. #11
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    Awright then. What most people would think of when you use the Blues scale - it has R, b3, 4, b5, 5, 7, R - that's the one. You can always add notes here and there for variation. For example, try removing the perfect 5 for a nice sound - go for the b5 instead. Another thing I often do when improvising.

    My advice - follow your ears more than anything else. If it sounds good it is good, no matter what name(s) we try to attribute to it.
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    Quote Originally Posted by Robert
    Awright then. What most people would think of when you use the Blues scale - it has R, b3, 4, b5, 5, 7, R - that's the one. You can always add notes here and there for variation. For example, try removing the perfect 5 for a nice sound - go for the b5 instead. Another thing I often do when improvising.

    My advice - follow your ears more than anything else. If it sounds good it is good, no matter what name(s) we try to attribute to it.
    Thanks Robert.. Follow your ears is the best advice...
    You just added another to my list as far as scales go..lol

    Mixolydian - R,2,4,5,b7,7 flated 7th
    Minor Pentatonic - R,3,4,5,7 no flats
    What I thought is regular Blues - R,3,4,b5,5,7 flated 5th

    Renman Blues - R,b3,4,b5,5,7 flatted 3rd and 5th.. (that might be one on the calculater under blues V1 or V2 to be honest)

    Blues Version 3 - R,3,b4,4,b5,5,b7,7,bR flated R, 5th, 7th
    Mixo-Blues - R,b3,3,4,b5,5,b7 flated 3rd,5th and 7th

    To be a newbie...is sooooo hard...

    sorry for the confusion.. can only ask of what I read and know.. Mixo-Blues exists compared to the net..


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  13. #13
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    I recommend you focus on the 7 Diatonic scales first. Go into alternative funky scales later, or you might get neck injuries from that head spinning LOL !!

    By the way, the Mixolydian scale has no major 7, it has the minor 7 (b7).
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    Quote Originally Posted by Robert
    By the way, the Mixolydian scale has no major 7, it has the minor 7 (b7).
    Well, maybe you hit on another thing.. maybe the calculater showing me all this is screwy or I read it wrong... ya know I am a newbie!!

    http://jguitar.com/scale?root=A&scal...er&notes=flats

    shows the full scale.. as this..
    Mixolydian:

    say in key of A

    A,B,D,E,bG,G so I am thinking it says
    R,2,4,5,b7,7

    is this a newbie error in reading the positions or a calculater error in naming?

    Please take the time to look at the calculater before you write me off as totally blimmie..

    and yes..this does spin a newbies head.. alot.. but at least we keep trying to learn what lessons we can.

    Pssst.... also try that pulldown there.. and see all those scale names I been mentioning and SPINNING on over the months...sigh


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    All of the diatonic scales have seven notes in them. Mixolydian is 1,2,3,4,5,6,b7. In other words, it's the major/Ionian scale with a flatted seventh. To hear it, go to your piano and play the white keys from C-to-C except play Bb instead of B.

    The "blues scale" is 1,b3,4,b5,5,b7 (aka the minor pentatonic plus the b5 "evil" note). So basically combining the two scales, you would end up with: 1,2,b3,3,4,b5,5,6,b7 (the Mixolydian plus the b3 and b5).

    My guess would be that when they talk about blues players playing this hybrid scale, they are in fact playing a combination of the major and minor pentatonic. That is quite common and there is a write-up about that on p. 119f of the September Guitar World (with EVH on the cover).

    The major pentatonic is 1,2,3,5,6 and the minor pentatonic is 1,b3,4,5,b7. Put the two together and you have 1,2,b3,3,4,5,6,b7 (the careful reader will note that if you add the b5 of the "blues" scale you get the same thing as the Mixolydian/blues combo). If you focus more on the b3, it will have a more minor tonality. If you focus more on the 3, it will have a more major tonality.

    Realize that most old blues players wouldn't have known a Mixolydian scale if it came up and bit them in the arse. They played what sounded good to them. What is traditionally known as "the B.B. King box" is neither major nor minor (no third). He'll throw in the 3 (if he's feeling happy) or the b3 (if he isn't) and the b5 to make sure it's bluesy.

    I've only found this information to be helpful inasmuch as when I'm trying to figure out a solo by ear, I understand what the heck they were trying to do. If I try to put the notes into a scale, it doesn't work. If I realize they're combining the two, it makes sense and my brain won't melt.
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    The last note would the the 8 - the octave (A). Not the major 7, as that would imply a G#, which does not exist in the A Mixolydian scale.
    Last edited by Robert; July 16th, 2007 at 06:16 PM.
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    Well, thanks anyways Robert.. I can't grasp what your saying.. Just needed to know about the calculater site at this point or if I was reading it wrong...

    in any case...guitarist answered the original question long ago and I will just go with that and believe there is a Mixo-Blues as nothing points me in another direction... appreciate the time you took to look at the calculater site...

    thank you
    Justa


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  18. #18
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    Where are you getting your interval numbers from?

    A,B,D,E,bG,G so I am thinking it says
    R,2,4,5,b7,7
    The calculator seems correct. There is no G# in that scale, that's all I meant.
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  19. #19
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    Quote Originally Posted by Robert
    Where are you getting your interval numbers from?



    The calculator seems correct. There is no G# in that scale, that's all I meant.
    I don't "SEE" where I put a G# so I am totally confused... I put a Flated G and G..

    its ok..I need a break.. I will just go with it... if it sounds good and believe the calculater works..


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