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Question about bakelite pick guards
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Thread: Question about bakelite pick guards

  1. #1
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    Default Question about bakelite pick guards

    I bought a bakelite pickguard for my Strat because I wanted a one ply black, and I like the old-timey appeal and brushed flat finish of bakelite guards. Because I refuse to make new screw holes in my beloved first lady, I paid an extra charge (for an item that took less tooling to make mind you) bringing the cost to around $50, and waited a very long time for delivery, so that I could drill the mounting holes myself to match my original guard.

    So I get it in yesterday, and I noticed immediately that the edges are not chamfered like the standard PVC 3-ply Strat pickguards. I asked a friend who has seen the old ones, and he thought that thats how the bakelite guards were, edges unfinished. Can anyone confirm this? How are the edges finished on your old Tele's? I know that Strats didn't usually come with one ply or bakelite guards, but I have heard that there were some few variations that did. Anyone seen any of these?

  2. #2
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    I think all single ply guards are unchamfered whether they're bakelite material or not. I know my matte black single ply Tele PG is. Mind you it's thick too...about as thick as a 3 ply guard. I think the reason the 3 plies are chamfered is that they won't look "so thick" around the edges. Having a tall edge like that with w/b/w around it would look funny...hence the chamfering.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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  3. #3
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    Makes sense. Thanks Tone. Have you seen or heard of one plies on Strats from the factory?
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  4. #4
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    Quote Originally Posted by navvid
    Makes sense. Thanks Tone. Have you seen or heard of one plies on Strats from the factory?
    Single plies on factory Fender Strats? Yup, my Classic 50s Strat came with a single ply pickguard. Other factory Fenders like the American Vintage series Strats also come with single ply guards. None of which come chamfered.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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    Interesting... I was thinking of finishing my edges with a slight bevel, like the three plies, to give it a softer hand feel. I'm not sure how I would go about it though. I could do it on a pin router, but I don't have regular access to one. Also, I don't think bakelite cuts nicely. It appears to be brittle.
    Guit Boxes: 87 MIJ Strat, Ibanez MIJ RG540, Korean Fender Dreadnaught, The Loar LH-500 (1934 L-5 Reproduction)

    Amp: Marshall TSL100 amp head with JCM900 1960 Lead 4 X 12 angled cab

    Effects: Crybaby, TS10 Tube Screamer, Badder Bad Monkey, Boss Metal Zone

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    Quote Originally Posted by navvid
    ....It appears to be brittle.
    Yeah, that's exactly what I'd worry about with Bakelite, which is highly cross-linked phenolic resin, i.e. pretty nearly one giant molecule. Good stiffness and dimensional stability, and very resistant to chemical/environmental attack, but very brittle. Grinding/abrasion would prolly work better than attempting to cut it cleanly.
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    I,m a marble and granite guy, you can take it to any tile shop and thay will do it no problem, or use a small block of wood with 600 grit sand paper the wet/dry kind and put a small bevel on it, just a wet sand, pretty easy, go for it
    Keith.

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    DVM (Cliff), you gotta start off replies like with ..
    "it's a liitle know fact.." ..

    Last edited by ted s; July 31st, 2007 at 07:47 PM.

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    LMAO The Cliff Claven of Guitar Forums!
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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    Quote Originally Posted by tone2thebone
    LMAO The Cliff Claven of Guitar Forums!
    More like the Cliff of Plastics and chemistry.
    Guitars: Epiphone Special 2 LP modded with a SD Pearly Gates and a SD Alnico 2 flat strat pro.300K pots.Tone pros Brass Stop tailpiece.Dunlop frets dressed to .031,LSR roller nut, Spezel custom stainless steel locking tuners. Satin finished neck.Fender MIM 50's strat modded with LSR roller nut, graph tech string tree,sperzel satin chrome locking tuners, graph tech saddles,300K push pull volume for "neck on pup" and 200K tone pots.PUPS:Neck seymore duncan QP single coil for strat. Middle: Seymour Duncan JB Jr with coil tap (so actually a 9 way tone selection). Bridge: Same as neck.Amps/Cabs.2 Epi Valve Jr's, Peavey Delta Blues 1x15. Randall RG200es,Guitar research 4x8 cab loaded W/celestion super 8's and rewired for two-2x8 operation.Marshall 4x12 slant lead cab,Johnson cab 1x12.

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    Hmm, hope I didn't P.O DVM with my wisecrack ?

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    Quote Originally Posted by ted s
    Hmm, hope I didn't P.O DVM with my wisecrack ?
    Nah he's a pretty resilient guy.

    Tell us how your pickguard comes out navvid.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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    Quote Originally Posted by ted s
    Hmm, hope I didn't P.O DVM with my wisecrack ?
    Nah, hard to argue with the truth! What can I say--I'm a chemist by training and it comes out from time to time!

    Hey, Tone! That guy up above in the US Postal Service carrier suit--maybe he's seen my Muff clone pedal! (inside joke)
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  14. #14
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    Quote Originally Posted by duhvoodooman
    Nah, hard to argue with the truth! What can I say--I'm a chemist by training and it comes out from time to time!

    Hey, Tone! That guy up above in the US Postal Service carrier suit--maybe he's seen my Muff clone pedal! (inside joke)
    hahaha for all we know maybe he left it at with Sam!
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  15. #15
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    Here's another question. Were the old bakelite guards shielded on the inside of the pot routing area? Should I shield mine? As a physicist, I am inclined to shield the whole back of the cover, but one thing I have realized over the years is that it is the subtleties and nuances of noise that give certain guitars their charm. By most electrical engineering standards, the superior guitar is the one with the highest gain and lowest noise (i.e. something with active EMG's), and certainly there is a market for that sound. I even dig it for some things, but what I really want right now is some old Sprague bumble bee caps. There are a lot newer, more advanced caps out there, but I am going for authenticity. But again I digress...

    So shielding or no shielding - any opinions?
    Guit Boxes: 87 MIJ Strat, Ibanez MIJ RG540, Korean Fender Dreadnaught, The Loar LH-500 (1934 L-5 Reproduction)

    Amp: Marshall TSL100 amp head with JCM900 1960 Lead 4 X 12 angled cab

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  16. #16
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    What kind of pups are you putting into the pickguard? Were they noisy to begin with? I shielded mine on my MIM Standard only because the static off the top of the guard was annoying. I taped the whole entire back with aluminum tape I got from Home Depot. It eliminated the static but there is still some hum from the vintage spec pups (neck and middle)....I have a Dimario Virtual Vintage Blues pup in the bridge which is dead quiet. It's up to you...if you think it's gonna bother you then try it without the shielding first.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  17. #17
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    Cutting plastic sucks, and bakelite especially sucks. You have to use a high spindle speed, and make your cut quick and get out. Otherwise the plastic heats up quickly and melts. Also, most milling and drilling bits are up spiraled cutters. This means they want to lift the work once they make the cut. If you are drilling and you aren't careful to really hold down your part, it wil be jolted off the table as soon as the bit makes it through. I actually broke the edge of the pickup slot with the least clearance. Fortunately, it won't be noticeable when I put the pickup screw in. Still, it really pissed me off, and I put a scratch or two on my new guard. Was bound to happen eventually though, and now I know just how tricky bakelite is to cut. I'm just anal enough though that I'll probably buy another so I can get it perfect...
    Guit Boxes: 87 MIJ Strat, Ibanez MIJ RG540, Korean Fender Dreadnaught, The Loar LH-500 (1934 L-5 Reproduction)

    Amp: Marshall TSL100 amp head with JCM900 1960 Lead 4 X 12 angled cab

    Effects: Crybaby, TS10 Tube Screamer, Badder Bad Monkey, Boss Metal Zone

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