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The "G" String
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Thread: The "G" String

  1. #1
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    Default The "G" String

    This post is to calm Tone down from being bored, at work no less. It has no relationship to a Fret Net member of the same name.

    The question is: why is the "G" string on a guitar so hard to keep in tune? I normally have to find a happy medium between the open "C" chord, the open "G" chord and the open "D" chord. If I set the "G" string with the tuner the "C" and "G" chords are right on target. But the "D" chord is off.

    Can anybody explain this phenomenal?
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  2. #2
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    What I'm wondering is what happened to a member named The G String.

    Tim the G string was normally wound like on acoustic guitars. People got tired of broken nails and fingers trying to bend those wound strings so companies started making them unwound. Problem with that is that there is very little tension placed on that unwound string at the pitch it's tuned to so it tends to feel and sound wobbly. Thanks for the interesting post btw. +1
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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  3. #3
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    So let me get this straight--the raison d'etre of the FretNet has degenerated to one of keeping Tone entertained??
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  4. #4
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    No, he is not being entertained. He is "moderating"!
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

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  5. #5
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    Quote Originally Posted by duhvoodooman
    So let me get this straight--the raison d'etre of the FretNet has degenerated to one of keeping Tone entertained??
    Well since I don't post videos like Robert does and since he's gone I noticed that it's been pretty slow in here lately. Good word choice there...raison d'etre.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  6. #6
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    Default The "G" String

    Try taking a look at this explanation, it seems to cover just about every thing.

    http://images.onstagemag.com/files/46/0202Setuptxt.html
    '71 Martin D-18
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  7. #7
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    The guitar is intrinsically an imperfect instrument. It's all a balancing act.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

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  8. #8
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    Quote Originally Posted by duhvoodooman
    So let me get this straight--the raison d'etre of the FretNet has degenerated to one of keeping Tone entertained??
    Guitar playing is all about Tone..
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

  9. #9
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    Does anyone here run a wound G string on their electrics?
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  10. #10
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    Quote Originally Posted by WackyT
    Does anyone here run a wound G string on their electrics?
    Almost always.
    '71 Martin D-18
    Agile AL-2000
    Epi Elitist LP "Tak"
    Epi Sheraton 2
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  11. #11
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    Quote Originally Posted by weeladdie
    Almost always.
    What strings do you use to do that? I might try it.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
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  12. #12
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    Quote Originally Posted by WackyT
    Does anyone here run a wound G string on their electrics?
    I always have. In a video I've got on playing countryish steel pedal-type bends on guitar, the instructor suggested getting a g string that was unwound...I've thought about that, but I'd have to switch to much lighter strings (although I do suppose I could just get a lighter g string, but having a g string that's around the same weight as my high e string just strikes me as weird). I've gotten pretty used to bending that wound G string now....I like the tone of the thicker strings.

    A while back I told my girlfriend that i broke my g string...she gave me the weirdest look. Then I explained to her that it was a guitar string!
    Electrics: Epiphone Les Paul Standard (w/S.D. pups - JB-4/bridge, SH-'59 neck), Fender Fat Strat (Mexican), Squier Fat Tele, Squier '51, Agile Valkyrie III, Ibanez Artcore AF75, Washburn OS OE30 Delta King, Dean Vendetta XM (w/ Dimarzios, D-Sonic/bridge, Air Norton/neck), Silvertone archtop (late 60s/early 70s), Titan EG-1 strat, Gibson G-3 bass, Fullerton strat

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  13. #13
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    Quote Originally Posted by sunvalleylaw
    What strings do you use to do that? I might try it.
    D'Addario EXL110W, 10-46.

    To me the unwound G string sounds like it never stretches out and settles down properly.
    '71 Martin D-18
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    Epi Sheraton 2
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  14. #14
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    Quote Originally Posted by weeladdie
    D'Addario EXL110W, 10-46.

    To me the unwound G string sounds like it never stretches out and settles down properly.
    Great. I run D'Addario 10-46s as it is, so will just look for the set with the wound G string. My local shop has a separate wound G I can try too. Might as well try it I say!
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  15. #15
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    Wound G's feel so good on an acoustic. They always sound in tune also, especially when fretting chord structures on the G, B & E unison all the way up the neck.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  16. #16
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    I've been wAAAyyy busy & away from The Fret.

    But somewhere in my nightmarish delrium I heard little wee laddie voices telling me that Tone was bored...so (several days late) I arrive to find that that damn suckin' sour G-string that drives me nuts is being discussed.

    Will trying a wound G srew cut too large a groove in the nut to go back to sour skinnys?


    Hi-ho fretters!
    I pick a moon dog.

  17. #17
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    Quote Originally Posted by tot_Ou_tard
    I've been wAAAyyy busy & away from The Fret.

    But somewhere in my nightmarish delrium I heard little wee laddie voices telling me that Tone was bored...so (several days late) I arrive to find that that damn suckin' sour G-string that drives me nuts is being discussed.

    Will trying a wound G srew cut too large a groove in the nut to go back to sour skinnys?


    Hi-ho fretters!
    You might find the wound string sticking in the nut when tuning sometimes, it's about a thousandth of an inch thicker than the unwound (.018 vs .017).

    It won't recut the nut on it's own though.

    Even if you opened up the nut you could still go back to the unwounds with no problem.

    HTH
    '71 Martin D-18
    Agile AL-2000
    Epi Elitist LP "Tak"
    Epi Sheraton 2
    Fender Standard Strat (MIM)
    G&L ASAT Classic Bluesboy
    Schecter C-1+
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  18. #18
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    Quote Originally Posted by weeladdie
    You might find the wound string sticking in the nut when tuning sometimes, it's about a thousandth of an inch thicker than the unwound (.018 vs .017).

    It won't recut the nut on it's own though.

    Even if you opened up the nut you could still go back to the unwounds with no problem.

    HTH
    Yes it does help. Thanks wee-one.
    I pick a moon dog.

  19. #19
    pes_laul Guest

    Default

    ok wait you mean the guitar string right?!
    hmmmm maybe its the intonation?

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