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A question about amps with no master volume
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Thread: A question about amps with no master volume

  1. #1
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    Default A question about amps with no master volume

    How do these kind of amps work?

    Is the power tube always cooking at the same level & the volume controls the the input signal to the preamp tube (which of course changes the input to the power tube)?

    Is turning the amp down & turning the level up on a boost pedal essentially the same as turning the amp up & turning down the level on the pedal?
    I pick a moon dog.

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    I'll take a crack at this since no one has responded yet.

    Quote Originally Posted by tot_Ou_tard
    How do these kind of amps work?

    Is the power tube always cooking at the same level & the volume controls the the input signal to the preamp tube (which of course changes the input to the power tube)?
    For the simplest explanation take a Valve Junior or Tweed Champ: two gain stages (a 12AX7) in the preamp driving a single ended Class A output stage. The volume control in these two amps is between the two gain stages. In both cases it is a 1meg pot acting as a variable grid load resistor on the second gain stage. When the pot is turned all the way up, the resistance is maximum and allows all of the signal amplified by the first stage to pass into the grid of the second stage. Which is then amplified again and sent to the output stage. When the pot is turned all the way down, the grid is at ground potential and no signal is allowed to pass.

    The grid load resistor on the power tube, be it the EL84 in the VJ or the 6V6 in the Champ, acts the same way: it creates resistance to ground on the power tube's grid which allows the signal to pass. In both of these amps this is where you'd put the master volume. For example you could wire in a 250k pot for the 220k grid load resistor on the 6V6 tube's grid in the Champ to make a master volume. Same with the VJ.

    In a Class A amp (whether SE or push pull) the output section is drawing current from the power supply and dissipating power whether or not there is a signal present.

    It gets more complicated with push pull amps as most of them are Class AB, and have phase inverters. In a push pull amp you can put the master volume before the phase inverter or after it.

    My understanding of Class AB circuits is that the tubes idle at a lower current draw when there is no signal present, and start to draw current when a signal is applied to the power tubes (i.e., turning the preamp volume control up).

    Quote Originally Posted by tot_Ou_tard
    Is turning the amp down & turning the level up on a boost pedal essentially the same as turning the amp up & turning down the level on the pedal?
    Based on my limited understanding, I would say yes, a booster pedal is mainly a gain stage placed before the first preamp stage. So you're adding gain with the boost and subtracting it by turning down the volume control.

    tung
    I was just a regular guy. My only super power was being invisible to girls.
    - Dave Lizewski, Kick-A$$

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    Spectacular info Steve! That was exactly what I was looking for.


    Quote Originally Posted by tunghaichuan
    Based on my limited understanding, I would say yes, a booster pedal is mainly a gain stage placed before the first preamp stage. So you're adding gain with the boost and subtracting it by turning down the volume control.

    tung
    From what you said before, it seems like these would act differently as the amp volume affects how much of the post pre-amp signal gets through to the power tube, while a booster affects the strength of the input signal to the preamp.

    It would seem that if the amp volume is cranked & the "booster" pedal set way below unity then there would be very little preamp distorsion.

    If the booster way cranked and the volume was way down, then there would be a lot of preamp distorsion.

    In both cases the signal strength to the power tube would be the same, but the character of it would be different.

    Am I wrong? I'll have to go to my basement lab & do some experiments.

    Thanks!
    I pick a moon dog.

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    It's good to have a guru in our midst! :
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

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    I agree. Be ready to turn on your consulting meter for future questions you're going to be inundated with Tung. ude:
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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    Quote Originally Posted by Plank_Spanker
    It's good to have a guru in our midst! :
    : : :
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    Quote Originally Posted by tot_Ou_tard
    Spectacular info Steve! That was exactly what I was looking for.


    From what you said before, it seems like these would act differently as the amp volume affects how much of the post pre-amp signal gets through to the power tube, while a booster affects the strength of the input signal to the preamp.

    It would seem that if the amp volume is cranked & the "booster" pedal set way below unity then there would be very little preamp distorsion.

    If the booster way cranked and the volume was way down, then there would be a lot of preamp distorsion.

    In both cases the signal strength to the power tube would be the same, but the character of it would be different.

    Am I wrong? I'll have to go to my basement lab & do some experiments.

    Thanks!
    Like I said, I have limited knowledge. But I agree with your assessment. To be sure, you'd have to calculate the voltage gain levels of the various stages.

    One thing that many guitar players don't realize is that even though the theoretical gain of a 12AX7 triode is 100, a lot of the time the actual real world gain is closer to 50 due to the chosen values for plate and cathode resistors.

    steve
    I was just a regular guy. My only super power was being invisible to girls.
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    Quote Originally Posted by Plank_Spanker
    It's good to have a guru in our midst! :
    Well, I wouldn't really call myself a "guru." I know just enough to be dangerous A lot of concepts in electronics still confuse me :

    I really could use some formal electronics education.

    tung
    I was just a regular guy. My only super power was being invisible to girls.
    - Dave Lizewski, Kick-A$$

  9. #9
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    Quote Originally Posted by tunghaichuan
    I know just enough to be dangerous A lot of concepts in electronics still confuse me :

    I really could use some formal electronics education.
    Same here, x 10!!
    DVM's Ever-Expanding Gear List:

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  10. #10
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    Quote Originally Posted by tunghaichuan
    Well, I wouldn't really call myself a "guru." I know just enough to be dangerous A lot of concepts in electronics still confuse me :

    I really could use some formal electronics education.

    tung
    Ain't it the truth. I know that I've got some BIG holes that need filling in...

  11. #11
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    I'm an electronics tech by trade, but I deal mostly with radio and radar. Give me a good schematic, and I could probably ham fist my way around a guitar amp - but not the guys that really know their stuff with them.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

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    Quote Originally Posted by Bloozcat
    Ain't it the truth. I know that I've got some BIG holes that need filling in...
    Shouldn't they be there? That's how the sound gets *out* of an acoustic guitar. No need for electricity--or electrical theory.
    I pick a moon dog.

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