.....why is a minute of time....60 seconds? Why isn't it 80 seconds? Or 100 seconds? Who decided it was going to be 60 seconds?
.....why is a minute of time....60 seconds? Why isn't it 80 seconds? Or 100 seconds? Who decided it was going to be 60 seconds?
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
Accurate Mechanical Clocks
In 1656, Christiaan Huygens, a Dutch scientist, made the first pendulum clock, regulated by a mechanism with a "natural" period of oscillation. (Galileo Galilei is credited with inventing the pendulum-clock concept, and he studied the motion of the pendulum as early as 1582. He even sketched out a design for a pendulum clock, but he never actually constructed one before his death in 1642.) Huygens' early pendulum clock had an error of less than 1 minute a day, the first time such accuracy had been achieved. His later refinements reduced his clock's error to less than 10 seconds a day.
Around 1675, Huygens developed the balance wheel and spring assembly, still found in some of today's wristwatches. This improvement allowed portable 17th century watches to keep time to 10 minutes a day. And in London in 1671, William Clement began building clocks with the new "anchor" or "recoil" escapement, a substantial improvement over the verge because it interferes less with the motion of the pendulum.
In 1721, George Graham improved the pendulum clock's accuracy to 1 second per day by compensating for changes in the pendulum's length due to temperature variations. John Harrison, a carpenter and self-taught clock-maker, refined Graham's temperature compensation techniques and developed new methods for reducing friction. By 1761, he had built a marine chronometer with a spring and balance wheel escapement that won the British government's 1714 prize (worth more than $10,000,000 in today's currency) for a means of determining longitude to within one-half degree after a voyage to the West Indies. It kept time on board a rolling ship to about one-fifth of a second a day, nearly as well as a pendulum clock could do on land, and 10 times better than required to win the prize.
Over the next century, refinements led in 1889 to Siegmund Riefler's clock with a nearly free pendulum, which attained an accuracy of a hundredth of a second a day and became the standard in many astronomical observatories. A true free-pendulum principle was introduced by R.J. Rudd about 1898, stimulating development of several free-pendulum clocks. One of the most famous, the W.H. Shortt clock, was demonstrated in 1921. The Shortt clock almost immediately replaced Riefler's clock as a supreme timekeeper in many observatories. This clock contained two pendulums, one a slave and the other a master. The slave pendulum gave the master pendulum the gentle pushes needed to maintain its motion, and also drove the clock's hands. This allowed the master pendulum to remain free from mechanical tasks that would disturb its regularity.
UPDATE:
Chaucer's Tretise of the Astrelabie, perhaps the first scientific treatise written in the English language, deals with many uses of the instrument including finding the time. [4] He first explains how to calculate the angular length of "the arch of the day, that some folk callen the day artificiall, fro sonne arisyng tyl it go to reste" (Conclusioun 7) and then moves onto "the day vulgar, that is to seyn fro spryng of the day unto verrey night" (Conclusioun 9). To work out the length of the relevant hours in degrees, one divides the "arch of the day" by twelve. Then he moves on to his favoured method of counting hours:
Conclusioun 11: To know the quantite of houres equales.
The quantite of houres equales, that is to seyn the houres of the clokke, ben departed [divided] by 15 degrees alredy in the bordure of thin Astrelaby, as wel by night as by day, generaly for evere. What nedith more declaracioun?
Wherfore whan thou list to knowe hou many houres of the clokke ben passed, or eny part of eny of these houres that ben passed, or ellis how many houres or parties of houres ben to come fro such a tyme by day or by night, know the degre of thy sonne, and ley thy label [alidade] on it. Turne thy ryet [rete] aboute jointly with thy label, and with the poynt of it rekne in the bordure fro the sonne arise unto that same place there thou desirest, by day as by night.
Last edited by Tim; February 15th, 2006 at 01:28 PM.
Guitars:
Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
Acoustic: Seagull S6.
AMPs: VOX AD30VT, Peavey Envoy 110.
Modelers: V-AMP 2, Digitech RP-100A.
Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.
Wow! The Fret Net is better than Discovery Channel!
I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009
i thought i decided for it be 60....my first choice was 69 but my wife wouldn't let me
Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TROriginally Posted by just strum
Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic
Amps: Fender Super Champ XD
Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah
In the same vein.....why is a complete circle 360 degrees? Why isn't it 400 degrees? Who makes up these absolutes?
Do we see colors or taste food the same way as the next person?.......
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
come on guys...watch the matrix...it will explain everything...it's all in the programming!
ww
Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TROriginally Posted by just strum
Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic
Amps: Fender Super Champ XD
Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah
Red is gray, and yellow white, but we decide which is right....Moody Blues.Originally Posted by Tone2TheBone
I'll try one of those "yellow submarines" thanks. They taste just like chicken.
Quoted from "Days of Future Pass" - The Moody Blues! They are my favorite band.Originally Posted by Guild6
Guitars:
Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
Acoustic: Seagull S6.
AMPs: VOX AD30VT, Peavey Envoy 110.
Modelers: V-AMP 2, Digitech RP-100A.
Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.
Just wanted to pop in one of my favorite lines. Although it's not the Moody Blues, it's a line that grabbed me from PF Dark Side of the Moon
And all you touch and all you see
Is all your life will ever be.
Mark
* Loud is good, good is better!
Originally Posted by just strum
Those early progressive rock bands came up with a lot of good one liners. It must have been the drugs that enhanced the brian cells.
Guitars:
Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
Acoustic: Seagull S6.
AMPs: VOX AD30VT, Peavey Envoy 110.
Modelers: V-AMP 2, Digitech RP-100A.
Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.
Yeah and every once in awhile I catch "glitches" in the program too.
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
my whole life is a glitch
ww
Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TROriginally Posted by just strum
Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic
Amps: Fender Super Champ XD
Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah
And who decided that a foot would be made up of twelve inches instead of ten? Although in the US our system is ingrained in most of us, doesn't a system like the metric system, based on multiples of ten, make so much more sense? What great knucklehead came up with inches, feet, and yards?
Who decided how big an acre would be, and why?
And then of course, last, but certainly not the least, in the famous words of Bill Cosby, "What's a cubit?"
Rob Smith
I AM the bass player!
GUITARS: '93 ZON Sonus 4, '85 G&L L-2000 (Mahogany), '05 Schecter Stiletto Custom 4, '06 SX SJB-62MG (Fretless), '07 Squier Bronco (project), '06 Ibanez AEB10E-BK acoustic bass, '70s Epiphone OO-sized acoustic, '94 Peavey Reactor (extreme makeover edition)
AMPS: '03 Ampeg BA115 bass combo, '86 Peavey MkIV Series 400 bass head, SWR Workingman's cabs, 2x10" & 1x15", '00 Peavey Micro Bass
Yes, embrace the metric system!
10mm = 1cm
10cm = 1dm
10dm = 1m
1000m = 1km
10km = 1 metric mile.
Got it?
I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009
too complicated
Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TROriginally Posted by just strum
Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic
Amps: Fender Super Champ XD
Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah
Did I not read somewhere the Anderson Cooper designed the 360?
Guitars:
Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
Acoustic: Seagull S6.
AMPs: VOX AD30VT, Peavey Envoy 110.
Modelers: V-AMP 2, Digitech RP-100A.
Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.
Exactly Rob thats what I'm talking about. Who makes up this stuff? And why?
Tim - The CNN reporter?
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
T2TB,
Yes, One in the same.
Guitars:
Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
Acoustic: Seagull S6.
AMPs: VOX AD30VT, Peavey Envoy 110.
Modelers: V-AMP 2, Digitech RP-100A.
Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.
T2TB sounds like some terminator character!
I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009