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Hey you master carpenters!
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Thread: Hey you master carpenters!

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  1. #1
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    Default Hey you master carpenters!

    I want to build a speaker cabinet but have ZERO carpentry skills, so I'm looking at Lopoline cabs, specifically the 1x12 models. They look very well made, and the price seems more than fair. Thinking I'll probably try one of those new Warehouse Guitar Speakers Celestion Vintage 30 knockoffs in it.

    Haven't decided on whether to go with the closed or open back version. Opinions/advice??
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  2. #2
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    If you are going to copy then copy a great design, Ear Candy.

    http://www.earcandycabs.com/

    This has a ported mahogany plywood speaker board and birch cabinet. They are amazing cabinets.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  3. #3
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    Lopoline, Ear Candy, and Avatar all have 1X12 models that appear well made. Finger jointed or dovetail jointed construction is the strongest with finger jointed being the preferred "vintage" style.

    As to open vs. closed back design, it all depends on what you're looking to get out of the cabinet. Closed back cabs project the sound in a fairly tight cone, while the open back type surround the area around the cabinet with less forward projection (although it's still substantial). If you're trying to project your sound to the back of a larger room, closed back does it best (think Marshall stacks in an auditorium). Closed back cabs also deliver a fuller low end. If you want a wider sound that covers a broader area, open back is best. Open back also makes it easier for band mates to hear you as well.

    I really like the semi-open back type, personnally. It incorporates the positive features of an open back, and it gives you a higher degree of bottom end and projection than a straight open back as well.

    Just my $.02 opinion, feel free to give me change back if you think it's over-valued....

  4. #4
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    A little birdie told me about THIS GUY who recently started selling speaker cabs on eBay. The buyer feedback thusfar is stellar, and the price is certainly right. Construction quality looks excellent, and he will build to order. I think I may go with one of these, since they look very comparable to the Lopo 1x12's. The Avatar and Ear Candy stuff looks great, but is more than I want to spend.
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

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  5. #5
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    I'd jump on that one DVM, especially if you get the panel shown in the picture that makes it a closed back if you want. The price is right, and dado joint construction is good and strong.

    Doing your own cabinet would be fun, but unless you already have a router, a table saw (or a good circular saw), maybe a drill press, and a bunch of hand tools, it's expensive to get started. If you buy those tools just to make a couple of cabinets for yourself, you can't justify the cost.

    The other down side of buying these tools, is if your wife sees what you can do with them, she'll think of all sorts of honey-do projects for you....:

    Dumb like foxes, they are...

  6. #6
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    Yeah, I'm not about to dive into carpentry at this point. Getting into electronics has been expensive enough! Not to mention the potential "honey-do" exposure you quite correctly point out, BC!

    I'm just waiting to hear back from the eBay guy on what he charges to ship. If it's reasonable, I'll make the deal. Already have the colors picked out--tweed tolex with oxblood grill cloth. I like the "classics"! The removable back plate is an extra $10, but well worth it, IMO....
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

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  7. #7
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    It would seem the biggest thing to consider of the first three vendors is shipping cost personally I like the Snake skin cabs the best

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    I made my own cabinet from scratch over the summer, Its made from a 10 inch radio shack all range woofer, for my bass. It's made out of particle board, which is pretty light, and has an overall good speaker. If my new band works out I'll also be making a 412 for bass out of the same, and I'd probably use celestion speakers as well, the material doesn't matter, all that matters is the speaker and the connectibility, guitars generally use quarter-inch or banana plugs, while bass uses AXL, speakon, quarter-inch and banana plugs. personally, I find that AXL or banana plugs are the best. Another thing to consider is the reactivity of the speaker.
    "the emperor is rich, but he cannot buy another year"
    -anonymous chinese person

    "the thief is sorry for being hung, not for being a thief"
    -anonymous

    "We are not nationalities, we are not races, we are not political parties, we are not social classes, we are not cultures, we are not subcultures, and we are not churches, but when all things are said and done, the guns are shot, the riots have died down, one thing is true, and that should preceed all other things, we are, without division: HUMAN BEINGS, is that not good enough an excuse stop shooting people, and letting others starve to death?" -Pie_man_25

  9. #9
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    Quote Originally Posted by pie_man_25
    ....the material doesn't matter, all that matters is the speaker and the connectibility....
    Ummm, sorry to disagree, but that's just not so. Cabinet material as well as method of construction very definitely has an impact on tone, for better or worse. Guitarists simply wouldn't pay premium prices for well constructed cabinets if there was no sonic benefit. A premium speaker might sound good in almost any cabinet, but it will definitely sound better--more open, resonant and articulate--in a properly sized and constructed cabinet made of a quality material such as Baltic birch.

    BTW, my AB Custom Audio 1x12 cab is in the mail and I already received the speaker, so should hopefully be assembling and testing it out by mid-week....
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  10. #10
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    If you're talking about sound reproduction as in a stereo system, then particle board is a very good material to use. It's good because it is very dense and does not color the tone of the recorded music. It is nuetral or sterile in terms of the tone.

    With a musical instrument you are creating the sound, not merely reproducing it. If one agrees that the type of wood a guitar is made of, the type of pickups and how they're wired, or the type of amp and speaker combination are all important to the final tone, how can one then argue that the speaker cabinet material has no bearing on the tone? The musical creation is above all, a product of the talent of the musician. But the tone is a sum of all the ingredients in the signal chain...including the speaker cabinet.

    Do wory, pie_man...we were all young once and had ideas that we later found out weren't very valid. It's how you learn. You have an advantage though that many of us never had. You've got a forum like this where you can get answers. We used to have to rely on each others' erroneous opinions until we stumbled accross someone who knew better...and in many cases, that took a long time

  11. #11
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    Quote Originally Posted by Bloozcat
    If you're talking about sound reproduction as in a stereo system, then particle board is a very good material to use. It's good because it is very dense and does not color the tone of the recorded music. It is nuetral or sterile in terms of the tone.

    With a musical instrument you are creating the sound, not merely reproducing it. If one agrees that the type of wood a guitar is made of, the type of pickups and how they're wired, or the type of amp and speaker combination are all important to the final tone, how can one then argue that the speaker cabinet material has no bearing on the tone? The musical creation is above all, a product of the talent of the musician. But the tone is a sum of all the ingredients in the signal chain...including the speaker cabinet.
    before we get into a senseless argument, you should realize that I respect your opinion, but I see different logic and am merely stating that logic:

    in my own opinion, the wood of a guitar affects tone because although the pickups are picking up that signal, the wood is what's being the soundboard for the strings vibrations and that different woods react differently under different situations, while in a speaker cabinet the following applies:

    1) the speaker is what is doing the vibrating, and therefore the size, cone material and magnet matters.

    2) the wood is usually a ply, or particle board any ways, which offer little in the way of natural vibration.

    3) although the size of the speaker cabinet does matter because of the resonance frequencie (larger cabs, lower resonance frequencie, smaller cab higher frequencie), the species of wood is usually chipped to hell and glued together, which in my opinion, offers little in the way of tone.
    "the emperor is rich, but he cannot buy another year"
    -anonymous chinese person

    "the thief is sorry for being hung, not for being a thief"
    -anonymous

    "We are not nationalities, we are not races, we are not political parties, we are not social classes, we are not cultures, we are not subcultures, and we are not churches, but when all things are said and done, the guns are shot, the riots have died down, one thing is true, and that should preceed all other things, we are, without division: HUMAN BEINGS, is that not good enough an excuse stop shooting people, and letting others starve to death?" -Pie_man_25

  12. #12
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    Quote Originally Posted by pie_man_25
    before we get into a senseless argument, you should realize that I respect your opinion, but I see different logic and am merely stating that logic:

    in my own opinion, the wood of a guitar affects tone because although the pickups are picking up that signal, the wood is what's being the soundboard for the strings vibrations and that different woods react differently under different situations, while in a speaker cabinet the following applies:

    1) the speaker is what is doing the vibrating, and therefore the size, cone material and magnet matters.

    That's sort of like saying; "The strings are what's doing the vibrating, and therefore it's the pickup magnets and windings that matters". Most would agree that, while this is true, the wood used in an electric guitar plays a major role in tone as well. Put your hand on the speaker cabinet while the speaker is vibrating. Now try to tell me that the cabinet is not vibrating also. Every object that vibrates, does so at it's own resonant frequency.

    2) the wood is usually a ply, or particle board any ways, which offer little in the way of natural vibration.

    The vintage Fender cabinets are made of pine board, which is not ply, nor is it particle board. It's board lumber. Yes, many cabinets are made of birch ply, but that's still a far cry from particle board which is a heterogeneous sawdust that's held together with a lot of glue.

    3) although the size of the speaker cabinet does matter because of the resonance frequencie (larger cabs, lower resonance frequencie, smaller cab higher frequencie), the species of wood is usually chipped to hell and glued together, which in my opinion, offers little in the way of tone.

    While the size of a speaker cabinet does matter if one is trying to achieve the optimum resonant frenquencies, but that's only true with closed back cabinets that are sealed and air tight. Besides, that is only true if one is trying to accurately reproduce already established frequencies, as in recorded music. Creating music with an instrument is another matter altogether. You are trying to create a particular tone and everything in the signal chain contributes to this, including the speaker cabinet construction. Again, the pine cabinets are not chipped and glued together.


    Another factor in formulating my opinions regarding speaker cabinet construction is empirical evidence. Close to my home is a custom guitar shop that was, before they moved, right next door to a custom amp shop. The owners of both shops are tone obsessed. About two years ago, they jointly constructed several speaker cabinets with a variety of woods, in a variety of configurations, and with a variety of finishes/coverings. They even experimented with several different baffle boards and cabinet backs. The results of their experiments proved beyond a shadow of a doubt to everyone who was a part of the tone test (at least eight people in all, including me), that choice of wood makes a tremendous difference in the tone of a cabinet. The types of finish/coverings also make a big difference along with the baffle board construction.

    My opinions on speaker cabinets prior to this was based on a lot of anecdotal evidence from individual cabinets I had used and information from others' experiences. I was fortunate to have seen and heard a much more comprehensive study, first hand, in a controlled experiment. Let me tell you, the results surprised a lot of us, and many long held notions about tone had to be abandoned in the face of the evidence. But more important than seeing our pre-concieved notions validated, was the enlightenment that came from learning that we were wrong. No one likes to have their opinions repudiated, but I personally would much rather learn that I was wrong and correct it, than to forever cling to an erroneous opinion.

    I'm just trying to pass along that which I was so fortunate to have been privy to....

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