I don't know much about acoustics but I have 2 of them. I like the tone of traditional dreadnoughts...mahogany back, neck and sides with a crispy sheet of Sitka Spruce on top. The Spruce top will only get better with age that's why most older acoustics sound reallllly good and the material compliments the warm deep tone of mahogany. When I say traditional dreadnought I mean the body styles and thickness of guitars like Martins and some Gibsons. Thinner bodies aren't as loud and thick sounding but are sometimes made larger in size to compensate. Picking and strumming on materials such as this is a pleasant experience. Some people prefer a much darker presentation though and that's why some material on the tops are made out of wood like cedar.
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz