very good question strum! in my experience with my Les Paul it has to do with the intonation, when the screw is turned they will travel farther one way than the other.
Does anyone know why the flat side of the saddle on strings 1, 2, and 3 face the headstock and 4,5, and 6 face the opposite way?
A friend of mine was a a guitar show and spoke to a Gibson engineer and the engineer had no idea why they are done that way. I've heard of people setting them up after purchase so that all of the flat sides face the headstock, but still have yet to find a reason why they are half and half as stock set-up.
Mark
* Loud is good, good is better!
very good question strum! in my experience with my Les Paul it has to do with the intonation, when the screw is turned they will travel farther one way than the other.
Guitars: 99 Gibson ES-335,1985 Gibson Les Paul 59 Reissue,Schecter C1 Artist,Squire 51,Peavey Generation Triple/single EX,Fender Deluxe Fat Strat, Cortez Acoustic,Epiphone Acoustic.
Effects: Arion SCH-1 Chorus,Boss BD2,Bad Monkey,Boss DD3 Delay,Boss GE-7 EQ ,Arion SOD-1 overdrive,TC Electronic Nova Repeater Delay,Ibanez Tone-Lok DE7 Delay/Echo.
Amps: B52 AT-212 100watt all Tube ,FMJ SS(being restored),1=Epiphone Valve Junior Head and 2 matching Cabs, Hughes& Kettner Edition Blue 15DFX, Crate V18 112,Fender Super Champ XD,Fender 25R Frontman Series II.
Bingo! 335. It has to do with setting intonation. The breaking point of the string over the saddle is off center, so having them face one way or another puts the breaking point closer to the bridge side or closer to the nut/headstock side giving you a few millimeters of extra travel as you adjust the saddle to set intonation.
Trev
Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)Acoustics:Washburn D10CEQSB, Yamaha FG160E
Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5
Yep, the direction they face is a variable in setting intonation, and partially because of the Gibson/Epi's bridge being set at an angle, not perpendicular to the nut, much like an acoutic guitar's bridge saddle may be angled or 'graduated'.
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
That'd be a funny looking guitar : Talk about bending them strings I think you're going for "parallel" hereOriginally Posted by wingsdad
Trev :
Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)Acoustics:Washburn D10CEQSB, Yamaha FG160E
Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5
Doh!: Yep.Originally Posted by t_ross33
As you can see, I flunked geometry
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.