Page 1 of 2 12 LastLast
Results 1 to 19 of 22

Thread: Can You "Learn" to be a Guitar Phenomenon?

  1. #1
    Join Date
    Aug 2006
    Posts
    827
    Post Thanks / Like

    Default Can You "Learn" to be a Guitar Phenomenon?

    I thought I'd post this after seeing Joe Bonamassa last night and being totally blown away by his abilities, tone, vocals, and well, everything! The guy was without a doubt phenomenal. That was the best concert I think I've EVER been to (yes, he was THAT amazing).

    My question (or conclusion) is this: Can someone learn to play that great, or is a special gift that you either have or don't?

    I consider myself to be above average in skills, and have been playing since I was 9 (I'm now 47). No matter how much I practice and play, I'll never reach the skills of Joe Bonamassa or Joe Satriani for that matter.

    I came to the conclusion that some people have a "gift" for music and in this case guitar playing...something you can't learn. Look at SRV and Hendrix for example...both were self-taught, couldn't read music, knew very little about music theory, but blew so many people away. They were able to pick up the guitar and become "guitar gods".

    What do others think? Just curious....Can you really learn to be that great, or is it a trait that some people just have? Granted, these guys totally destroy the "normal curve" and are definite outliers, or exceptions.
    Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.

    Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.

    Pedals: Digitech Bad Monkey.

  2. #2
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    Great question. My feeling is there is a gift that guitarist like Joe have, but the difference with Joe and other greats is they capitalized on it. These people dedicate almost every waking hour to playing the guitar or any instrument. As kids they lock themselves in their room and absorb the music and fine tune their feel of the music. Another factor is the influence that drives them, not just the music, but family and/or friends that they have around them. When I watch a great guitarist one of the first things I notice is they "feel" the music almost as if they are being led by some magical force.

    Here is an interview with Joe that really gives a nice background of his dedication. Again, the gift was there, but he capitalized on it.



    Mark
    * Loud is good, good is better!

  3. #3
    Join Date
    Apr 2007
    Location
    Broomfield, CO
    Posts
    562
    Post Thanks / Like

    Default

    No. Learning the mechanics of any art form is only the beginning. From there either you have the "gift" or you don't.
    Guitars (All Lefty): Fender MIM Wine Red Telecaster
    Washburn D10SCELHBK
    Greg Bennett (Samick) Avion AV3/LH/CS
    Franken-Strat (Maple Neck / Black Body & Pickguard / 2-Point Tremolo / GFS Alnico Single-coil Pups / Gold Hardware)
    2 Fullerton Standard Strats; Sunburst w/ GFS Overwound P'ups and Black w/ GFS Lil Killer Rail 'Buckers
    Fullerton Deluxe Dreadnought
    Amp: Blackheart BH1HS Killer Ant Half Stack (Bitmo Ant Eater Kit)
    Crate V18-112 (Goodsell RGM Speaker / Accutronics Tank / Switch R4 - R10 Mod)
    Pignose G40V (Jensen MOD Speaker / DC Heater Mod / Pentode:Triode Switch)
    Fender Champion 30 Reverb (Accutronics Tank / Jensen MOD Speaker)
    Speaker Cab: Lopo 1x12 Tweed Convertible w/ Eminence GB128 Speaker
    Pedals: Korg ToneWorks AX1000G, AX5G, & AmpworksG Modeling Signal Processors
    Boss DS-1 (Rectifier Tri-Gain Plus Mod); CS-3 (Opto Plus Mod); SD-1 Super (GT Mod); GE-7 (Plus Mod)
    Fender PT-100 Tuner
    E.H. Big Muff Pi (US)
    S.D. Pickup Booster
    Ibanez CF7 Chorus/Flanger
    Alesis NanoVerb
    ART Tube MP Studio (OPA2604 Op Amps) (On Champion 30)
    Behringer NR100 & OD100

  4. #4
    Join Date
    Sep 2007
    Posts
    398
    Post Thanks / Like

    Default

    Quote Originally Posted by WackyT
    No. Learning the mechanics of any art form is only the beginning. From there either you have the "gift" or you don't.
    I totally agree. Some people have "the gift" and others don't. Anyone can learn the basics, but it takes a special talent or gift to reach that phenom level. Same with altletics....that's why there is only "one" Michael Jordan, Lance Armstrong, Mia Hamm....etc

    GG
    Guitars: Washburn D10S, Washburn J28SDL, Washburn D56SW, Washburn F52SW, Washburn WI67PRO, Squire Standard Strat, Squire Tele Custom II, Squire '51, Agile AL-3100, Switch Wild IV Signature, Squire Classic Vibe 50's Tele

    Amps: Vox AD30VT, Epiphone VJ Combo, Crate Palomino V8, Vox DA5

    Pedals: Digitech Bad Monkey, Boss Blues Driver, Danelectro: PB&J Delay, Tuna Melt Tremolo, Chicken Salad Vibrato

  5. #5
    Join Date
    Jul 2007
    Posts
    158
    Post Thanks / Like

    Default

    None of you will ever play like me as well as I can.

  6. #6
    Join Date
    Aug 2006
    Posts
    827
    Post Thanks / Like

    Default

    Quote Originally Posted by R.B. Huckleberry
    None of you will ever play like me as well as I can.
    Thank God for small favors
    Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.

    Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.

    Pedals: Digitech Bad Monkey.

  7. #7
    Join Date
    Jul 2007
    Posts
    158
    Post Thanks / Like

    Default

    Quote Originally Posted by TS808
    Thank God for small favors


    You know it!

  8. #8
    Join Date
    Aug 2006
    Posts
    827
    Post Thanks / Like

    Default

    Quote Originally Posted by R.B. Huckleberry
    You know it!
    Yes, many of us are beyond banging out the riff to "Smoke on the Water"

    Just goofing around!!
    Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.

    Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.

    Pedals: Digitech Bad Monkey.

  9. #9
    Join Date
    Jul 2007
    Posts
    158
    Post Thanks / Like

    Default

    Quote Originally Posted by TS808
    Yes, many of us are beyond banging out the riff to "Smoke on the Water"

    Just goofing around!!

    I know!


    btw, many a player has played that Smoke on the Water riff...incorrectly. Bwahahahaha!!

  10. #10
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    I think the answer would be yes. Generally, there are people who have greater musical "aptitude" than others. I think the one thing that ties all of my various and sundry guitar heroes together is an undying devotion to playing guitar. They just can't put it down. Which is precisely why I'll never be a great guitarist--I've got too many other "distractions." Having said that, most of these "distractions" I consider to be good things and wouldn't trade them for the world.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  11. #11
    Join Date
    Sep 2005
    Location
    Albuquerque, New Mexico, USA
    Posts
    6,009
    Post Thanks / Like

    Default

    I agree with both marnold's reply and ts808's. Both reasons have real merit. Practice makes perfect however the god's bestow their grace upon a selected few.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  12. #12
    Join Date
    Apr 2006
    Location
    NW Missouri,
    Posts
    4,097
    Post Thanks / Like

    Default

    My opinion...
    If you are totally consumed and obsessed with one thing, and one thing only, you can reach your full potential by striving to totally excel, understand, and own that one thing as your own.
    Someone else may be more consumed, or more adept, or both.
    How bad do you want it?
    And, isn't there something more important in your life?
    Of course, there's nothing wrong with wanting to be the best........
    and humans are never so satisfied as when learning something new, and putting their minds and bodies to use........ just a thought......
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

  13. #13
    Join Date
    Aug 2006
    Location
    Germany
    Posts
    3,298
    Post Thanks / Like

    Default

    One have to make that one decision:
    "I want to become a great guitar player".

    If one really put all heart and blood into it then one can become a super guitarist. But then there is no room for other things.

    Focus is the key. and with focus and believing in oneself one can easily achieve set aims.

    Those great guitarists that we hear are not only god-bedowed. The time where others go out with their girlfriends and hang out with friends and party all night long, our dear guitar super heroes sit home alone and learn stuff like modes, speed picking, jazz-comping and all these tings we feel we do not have the time to learn.
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  14. #14
    Join Date
    Aug 2006
    Posts
    827
    Post Thanks / Like

    Default

    Think about it though, Joe Bonamassa was on stage with BB King when he was something like TWELVE YEARS OLD. Something there tells me that he had some kind of in-born gift, where he could hear music differently than most people, and also some special gift to navigate a guitar so well. At 12, I was still playing "Home on the Range" and going through guitar lessons....Years of guitar playing and practice got me to where I am today, but no matter how much I play/practice, I don't have that "gift" to reach that level of skill. I have to work alot harder to stay halfway decent.
    Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.

    Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.

    Pedals: Digitech Bad Monkey.

  15. #15
    Join Date
    Aug 2006
    Location
    Germany
    Posts
    3,298
    Post Thanks / Like

    Default

    Quote Originally Posted by TS808
    Think about it though, Joe Bonamassa was on stage with BB King when he was something like TWELVE YEARS OLD. Something there tells me that he had some kind of in-born gift, where he could hear music differently than most people, and also some special gift to navigate a guitar so well. At 12, I was still playing "Home on the Range" and going through guitar lessons....Years of guitar playing and practice got me to where I am today, but no matter how much I play/practice, I don't have that "gift" to reach that level of skill. I have to work alot harder to stay halfway decent.
    1. Joe's dad used to have a vintage guitar shop. Guess where Joe has spent most of his time?
    2. Joe has the ability to listen to records and fully understand and absorb the music.
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  16. #16
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    Quote Originally Posted by TS808
    Think about it though, Joe Bonamassa was on stage with BB King when he was something like TWELVE YEARS OLD. Something there tells me that he had some kind of in-born gift, where he could hear music differently than most people, and also some special gift to navigate a guitar so well. At 12, I was still playing "Home on the Range" and going through guitar lessons....Years of guitar playing and practice got me to where I am today, but no matter how much I play/practice, I don't have that "gift" to reach that level of skill. I have to work a lot harder to stay halfway decent.
    TS, I have to agree with you. You can take a number of people, expose them to the same environment, use the same methods and same teachers/instructors and the outcome isn't going to be the same. I don't care if there is equal participation and dedication, a gifted person will most likely come out ahead. That is not to say that the person that is not "gifted" won't be a really good guitarist, but there will be that missing element that will eventually separate the two.

    To me, the "gifted" person feels something in the music or enters another world that only few can enter. As strange as it sounds, there is a magical place that these people seem to enter.

    edit: Another thing to point out, this is another one of those subjective topics. Based on my current ability, I look at a few of the members here as being "gifted" when it comes to their playing ability. Although people like Joe B. are in a league of their own.
    Last edited by just strum; November 23rd, 2007 at 09:36 AM.
    Mark
    * Loud is good, good is better!

  17. #17
    Join Date
    Nov 2005
    Location
    All over Texas...
    Posts
    4,071
    Post Thanks / Like

    Default

    I dunno, I go back and forth on this issue. Some guys have a gift for music (Steve Vai comes to mind), and can compose brilliant, well thought out pieces of music. To be sure, he put in thousands of hours of practice, but in my mind, he has a style that can't be copied.

    Then there are others, like Keith Richards, who isn't the most technically proficient guitarist on the planet, but has pure attitude in spades. His longevity and creativity with the tools he was given makes him great IMO.


    I don't think BB King will be doing any high speed pentatonic runs, either, but he embodies the blues in a way that few have, or ever will. He is expressive and a model of the right note, at the right time.
    Guitars:
    Fender 2006 MIM Fender Stratocaster HSS in 3TS
    Ibanez RG 570 with a bridge Invader
    ESP M II Deluxe with a Tune-o-Matic bridge
    Eleanor, the magical, mystical Road Worn wonder Tele
    Blackstar HT Club 40

  18. #18
    Join Date
    Jul 2007
    Posts
    158
    Post Thanks / Like

    Default

    Quote Originally Posted by Katastrophe
    I dunno, I go back and forth on this issue. Some guys have a gift for music (Steve Vai comes to mind), and can compose brilliant, well thought out pieces of music. To be sure, he put in thousands of hours of practice, but in my mind, he has a style that can't be copied.

    Then there are others, like Keith Richards, who isn't the most technically proficient guitarist on the planet, but has pure attitude in spades. His longevity and creativity with the tools he was given makes him great IMO.


    I don't think BB King will be doing any high speed pentatonic runs, either, but he embodies the blues in a way that few have, or ever will. He is expressive and a model of the right note, at the right time.

    And that is why I love the guitar: there is no one way to be phenomenal!

  19. #19
    Join Date
    May 2007
    Posts
    5,018
    Post Thanks / Like

    Default

    Short answer, yes, I believe you can teach yourself to become a master of the instrument.

    The best example I can give is Charlie Parker who had no formal training in music at all. After constantly being told when he was young that he was a terrible saxophone player, Bird developed a grueling practice regime, spending years playing up to 15 hours a day until he became the player that completely changed the way people heard and played jazz.

    Now, this is not to say that if you lock yourself in a room 15 hours a day for 3 years and do nothing but play guitar you will become Bill Frisell, but that kind of dedication and devotion to honing your craft can only have beneficial results. Taking that technical mastery of the instrument and finding your own voice with it is something else entirely, and that is what separates "musicians" from "artists.":
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

Page 1 of 2 12 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •