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What effects rig/pedals do you have and use?
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Thread: What effects rig/pedals do you have and use?

  1. #1
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    Default What effects rig/pedals do you have and use?

    I was just wondering what effects you guys use? I myself have a Digitech RP250

    And I don't think I'm going to get a new pedal anytime soon, it has amazing effects and sounds really high quality for Digital effects. The Wah is pretty rockin compared to most other multi-effect processors. There are amazing effects from flange and phaser, to whammy and ya ya. And it has a built in whammy pedal while being cheaper than the real whammy pedal itself. My only gig, I used this and it went great. So if anyone needs all the effects for a great price, I recommend at least looking at this one. It's supposed to be perfect for recording too, which I will do as soon as I buy the usb cable.

    and a lotta the Presets are awesome!

    Here are its features:

    AudioDNA2 DSP super-chip

    30-preset Quick Start Tone Library

    30-preset Quick Start Effects

    Chain Library

    89 total models

    54 Effects models - up to 11 at a time

    Genuine Lexicon reverbs

    21 Amp/Preamp/Acoustic models with A/B switching

    Up to 5-second delay

    14 cabinet models based on vintage Fender*, Marshall* and Vox*

    60 Factory / 60 User presets

    2 x 2 streaming USB I/O

    1/4 in. Stereo Outputs

    1?8 in. Stereo Headphone Out

  2. #2
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    I have a Lexicon LXP-1 and all the pedals you see in my sig.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  3. #3
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    I have the Digitech RP 250 also.
    I like it for recording, or using the headphone out for quiet playing when the family is asleep. I can get some good sounds by tweaking the presets 'till I like 'em, but usually use effects pedals individually playing through my amphs.
    Here's why.....
    I can add/remove just on effect, and not scroll through presets.
    e.g. I have distortion, echo, turned on, want to add tremelo, then more OD, then chorus, then turn off the dist. and OD, but add vibrato for a clean sound.
    That's alot of user presets, and deciding which effect to assign to the expression pedal. I can stomp the Danelectro's on and off just as easy.
    But if you like tweaking the presets, it's alot handier to carry around.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

  4. #4
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    It's all in my signature.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  5. #5
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    Quote Originally Posted by Spudman
    It's all in my signature.
    What he said. My EX-7 is basically a subset of your Digitech. I've heard that the samples are of higher quality on the EX-7, but I've never A/B'd it. There are also things like the Space Station which I don't think is on any other product.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  6. #6
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    I've got a J-Station with a J-8 pedel set that serves me quite well.
    I'll grant, the learning curve is a little steep on this one, but then, It's an older system!

    My only complaint is that it doesn't have a lot of memory, like the newer ones.

    I've tried and owned others that were less complicated to program but, in spite of the convience, they just don't sound as good/full to me.

    Attachment 1402

    Attachment 1403
    "Life is not a journey to the grave with the intention of arriving safely in a
    pretty and well preserved body, but rather to skid in broadside, thoroughly
    used up, totally worn out, and loudly proclaiming--WOW--What a ride!!!"
    -Stuart Wilde-

    "If the only tool you have is a hammer, you tend
    to view every problem as a nail."
    -Maslow-

    "Religion is sitting in a church thinking about fishing.
    Spirituality is fishing and thinking about God."
    -Unknown-

  7. #7
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    Quote Originally Posted by Spudman
    It's all in my signature.
    Amen!!

    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  8. #8
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    Currently using a Digitech GNX3000 that I picked up from fellow Fretter BJunior (using it for live gigs and starting to use it for home recording as well with favorable results). Running XLR out to the PA board with Speaker Emulation "On" as well as 1/4" out to my Peavey for on-stage monitoring independant of the signal going to the PA with Speaker Emulation "Off" - super cool feature IMHO. : Running everything in mono until we upgrade our board - running out of channels. This thing sounds freakin' awesome in stereo!

    Patches are easy to program ahead of time with the Digitech software and intuitive to tweak on the fly if need be. Each patch allows me to switch between 2 amp channels as well as turning on and off a stompbox, a modulation effect and a delay.

    I still have some pedals that I intend to use for smaller gigs that wouldn't require running my guitar rig thru the PA - probably a compressor and either a Blues Overdrive or the Turbo Distortion depending on my mood

    I have an Digitech RP-80 that is a pretty good little pedal and intro into the world of modelling. I've gigged with it, but won't go back to it now. Might sell it or keep it for the kids as they've started to show some interest in guitar. I had a custom "2-buck" suitcase pedal board a la Robert, but it has been mothballed for now as well.

    Starting to GAS for a really nice tube amp - in which case I'll revert to a pedal 'ore, but will have to wait for the necessary disposable $$$.

    Trev
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


  9. #9
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    Quote Originally Posted by Spudman
    It's all in my signature.
    Ditto. I use really all of them, but don't use the Wah as much yet, as I still don't have the hang of it, and haven't been playing Wah-ish songs.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  10. #10
    pes_laul Guest

    Default

    my line 6 floor pod and a dunlop crybaby though I do have a DOD overdrive from the 70's or so and like 5 danelctro mini pedals but I dont use them

  11. #11
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    Right now, my pedals are fairly simple:

    EH Holy Grail > Boss CH-1 Chorus > Radial Tonebone Trimode.......for the Germino, which is A/B/Y'ed with a Johnson Millennium modeler using a Framptone Amp Switcher.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  12. #12
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    Sounds like a sweet setup.
    How do you like the Radial Trimode?
    I've been thinking of that or the Plexitube for a dual high gain sound.
    Any thoughts, is one "better" than the other?
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

  13. #13
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    Quote Originally Posted by oldguy
    Sounds like a sweet setup.
    How do you like the Radial Trimode?
    I've been thinking of that or the Plexitube for a dual high gain sound.
    Any thoughts, is one "better" than the other?
    I've never used a dirt box before in all of my years, but I can honestly say that this Trimode sounds great! The thing that sold me on the Trimode besides the sound was it's dual distortion channels. You can set one for rhythm, one for lead, or just set up two distortions any way you want. The distortion on it sounds very warm and organic- no fizz or "can of bees".

    The Plexitube is voiced more "British" than the Trimode, which is based on the Tonebone Classic. Either way, I don't think you'll go wrong. Radial builds some seriously good gear.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  14. #14
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    Quote Originally Posted by Plank_Spanker
    I've never used a dirt box before in all of my years, but I can honestly say that this Trimode sounds great! The thing that sold me on the Trimode besides the sound was it's dual distortion channels. You can set one for rhythm, one for lead, or just set up two distortions any way you want. The distortion on it sounds very warm and organic- no fizz or "can of bees".

    The Plexitube is voiced more "British" than the Trimode, which is based on the Tonebone Classic. Either way, I don't think you'll go wrong. Radial builds some seriously good gear.
    Thanks, I knew they were both dual channel, and you could set up 2 OD's w/ them, just wondered how natural they sounded. Sounds like they're good.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

  15. #15
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    My pedal boards are pretty simple and basic. I have two one for my Fender Prosonic combo and one for my Fender Super-Sonic head and cab.
    The Prosonic is a metal MONSTER so I dont need any additional crunch. I run a George Dennis Wah, Boss CS-3 modded with the Monti Allums Opto kit, Boss BD-2 modded with the Monty mod H2O set up to give me a light overdrive on the clean channel, Rocktron Deep Blue Chorus and a Boss DL-3.
    With the Super Sonic I run another Dennis wah, Boss CS-3 with the standard Monti mod, Rocktron Vertigo and in the loop I run a Line 6 Echo Park. I have the channel switches for both amps mounted in there boards
    I use the Prosonic for the heavier stuff and the SS for more classic rock and New Country.
    Guitars
    Washburn's
    Chicago Custom Shop USA's 1995 MG 122,100,102,120, 1994 MG-122, one off 1994 Prototype, 1999 WM-4, 200 3-ST Stealth
    Carvins 1990 Pearl Pink reverse headstock X220C, 1991 Sapphire Blue Flame V220R.
    Accoustics
    LTD 88 Takamine

    Amps
    Fender Prosonic combo
    100 watt custom one off Prosonic head
    Fender 2/12 cab
    2 Avatar 2/12 cabs- Blond Oxblood with 75's and Red with Black Vin 30's
    Yamaha 4/12

  16. #16
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    Arrow Pedal Collection,

    Hartke Bass Attack, Boss CE-20 Chourus Ensemble Dimensional Processor, Boss Bass EQ, Boss OD3, Radial Pro D.I. :
    God Wants Spiritual Fruit, Not Religous Nuts!

  17. #17
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    Blues Driver (stock) > Bad Monkey > Boss TR-2 > Boss DD-3, err that's it. Sometimes just one of the overdrives to kick the "Marshall" side of my TM60.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  18. #18
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    I am using a Boss Metal Zone for grins and a Bad Monkey with a Monte Allums
    modded Boss DS-1 before the Monkey. I add a little Reflector reverb and that is about it.

    One thing that interests me is switching between two amps. I see some of you do that. How do you go about that? I know you can A/B the front end but what about sharing the speakers with two amps, how do you do that with one switch?
    I want to A/B my Marshall clone with a nice clean Fender amp down the road?

    M29
    Last edited by M29; December 28th, 2007 at 08:50 PM. Reason: Clear some confusion

  19. #19
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    Quote Originally Posted by duhvoodooman
    Amen!!

    It's official Vood a pedal whore .
    I pick a moon dog.

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