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G&L ASAT opinions.
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Thread: G&L ASAT opinions.

  1. #1
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    Default G&L ASAT opinions.

    Does anyone have opinions about the the various models of G&L ASATs?

    Classic, Special, Bluesboy, Custom.

    Solid, semihollow.

    I've been drooling over Special semihollows &/or Bluesboy &/or Custom .

    Are the USA models that much better than the Tributes?
    I pick a moon dog.

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    As someone who owns two Fenders and no G&Ls I must say that every properly set up G&L that I have played has been of superior in build quality to any equivalent Fender I have played. They are fantastic instruments. I have not played any Tribute models but I haven't heard many good things about them.
    Patrick

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    I'll second hubberjub on G&L's quality over Fender's. After all, the G&L Factory is on Fender Ave. in Fullerton, CA. Leo built it to start making Music Man guitars and amps in the 70's. Then he sold that company to Ernie Ball to partner up with George Fullerton and revive the spirit of the company they grew to glory together only to have to sell to CBS in '65.

    I got a Tribute ASAT Special 5 years ago because I couldn't afford the USA ASAT model I longed for, but it was still better than any affordable non-USA Fender I'd tried.

    A year later, my dealer got back the ASAT Semi-Hollow I'd lusted for, as it got traded back in. Now it was $500 less and I traded the Tribute back to nail this:


    This particular model was custom ordered with a number of finish upgrades. It happens to be identical to the 'poster-boy' shot of the model on the G&L Website. Technically, while they don't call it a 'Special Semi-Hollow' it's an ASAT Special by virtue of its wider, 'hotter' ceramic magnet pickups than those of the ASAT Classic, compared to Gibson P-90's by some folks. Dunno if that's fair. But they are definitely different in character -- more bite, growl -- than the pups on the Classic. Specials also have the Saddle Lock Bridge, an incredible, massive locking bridge/stop tailpiece unit, and don't string through the body. The saddles lock together, and a block sits into the body, much like a Strat's Trem block. Leo designed this thing. Genius.

    The ASAT Classic is similar to a 'standard' Fender Tele, with a 'traditional' 6-brass saddle Tele 'barrel saddle' style bridge and stringing through the body. The G&L 'MFD' ceramic magnet pickups on these models wipe any USA Fender Tele's stock pickups, IMO. Tight & Twangy, like a Tele should sound.

    Bluesboys are basically a Classic with an alnico mag humbucker in the neck position.

    ASAT Deluxes are kind of a Special, using the Saddle-Lock Bridge with 2 humbuckers.

    There's other limited run ASATs...the Will Ray is a killer.

    All USA ASAT's are stock with a 7.5" radius soft C neck, more or less similar to a 50's Fender Tele. They can be custom ordered with any of 4 other 12" radius neck profiles. Bodies are alder or swamp ash. (mine is swamp ash with tone chambers).

    Tribute ASAT's are made since about 2002 in Korea for G&L (G&L's first Tributes were made in Japan back in the 90's), and are available in limited finish/fingerboard options as a cost-containment factor. But they have the same USA G&L pickups as their American counterpart models. The bridge hardware is similar spec, but cheaper grade metal, and the pots and switches are Mighty Mite vs. CTS used in the USA models. Tuners are Gotoh on the Tribute, Schaller (I think) on the USA's. Also, their necks are all a bit tighter U-shape with a 9" radius. (kind of weird...but that makes them Tibutes, not G&L's). Bodies are basswood or swamp ash.

    You could say G&L Tribute is to G&L what MIM Fender is to Fender. You get a G&L spec guitar for about 1/3 the price of a USA G&L.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

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    Can you say more about the Magnetic Field Design pups on the Special?

    The only complaints that I've head about them is that they sound too hi-fi.

    What's your experience Father of the Wing?
    I pick a moon dog.

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    Yes, the US made ones are much better that the Tribute series, which doesn't impress me at all. My friend runs a music store and he has some Tribute guitars. Those ones he has are on par with a Squier, at best.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
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    Quote Originally Posted by Robert
    Yes, the US made ones are much better that the Tribute series, which doesn't impress me at all. My friend runs a music store and he has some Tribute guitars. Those ones he has are on par with a Squier, at best.
    Does he have any US models? Have you played any Robert?
    I pick a moon dog.

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    No, he doesn't have any US models. I have played one of those, and it was a great guitar. Lots of quality. Unfortunately, I didn't like the neck. It was very V-like - too much for my liking.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
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    Quote Originally Posted by Robert
    No, he doesn't have any US models. I have played one of those, and it was a great guitar. Lots of quality. Unfortunately, I didn't like the neck. It was very V-like - too much for my liking.
    Thanks, I've never played a V-neck so I don't know whether I'd like that or not. They do make different necks, however.
    I pick a moon dog.

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    Quote Originally Posted by tot_Ou_tard
    Can you say more about the Magnetic Field Design pups on the Special?

    The only complaints that I've head about them is that they sound too hi-fi.

    What's your experience Father of the Wing?
    Hi-Fi?

    Both types of MFD's have adjustable pole pieces. The soapbar MFD's with more windings on the Special are higher output. An ASAT Classic Deluxe gives you one of each.

    I've A-B'd a Classic and a Special and they (the soapbars such as the Special's) are also less susceptible to 60cycle hum.

    MFD's are ceramic magnet pups. The pups on a G&L Legacy, as on my Fender Strats are alnico mag. My ASAT is quieter, needs less preamp to get edge than either of my Strats, and also is more sensitve in reacting to vol/tone. pots.

    I'd had 3 different Fender Teles over time, the last one about 25 years ago. None were as versatile in tone as this.

    Robert: G&L (USA) has 5 simple neck profiles options. A V-shape 12" radius w/ 1 5/8" nut is one custom option, so the one you played isn't typical.

    Here's the link to G&L's site. For more on pickups and necks, etc, see 'Features' and 'Options'. To check out the various ASAT models, go to 'Instruments'. On that page, there's the link to the Tribute Series, too.
    G&L
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

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    Thumbs up Asat,

    Awewsome bass! A G&L is superior to a Fender.
    You have one of the best basses money could buy my friend! :
    God Wants Spiritual Fruit, Not Religous Nuts!

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    G&L makes good guitars, and I have kind of a special one. In 1998 the discussion board G&L Tribute Page commissioned a batch of custom ordered G&Ls which are semi-hollow mahogany body, bird-eye maple neck with ebony fretboard, saddle-lock bridge, and with the G&L S500 pickup set. The S500 setup is essentially a Stratocaster setup with a mini toggle that allows you to combine neck and bridge pickup, or even all 3 pickups in addition to the normal 5 Strat pickup combinations. I had gotten back into guitar playing a couple of years before that and I treated myself to one of these: I have #22 out of the 25 that were made.



    Wingsdad already explained the difference between the Tribute line (actually it was weird that G&L picked this name for the line of guitar years after the existence of the independent discussion board by the same name; G&L now does administer the discussion board) and the US G&L lines. I have actually heard good things about the Tribute line.

    To clarify even a little more. Some years ago G&L built a line of guitars in Japan for the Japanese market, and they called them Tributes. These were not meant for the US market and were rarely seen in the US. They did not build these guitars for very long. A few years ago G&L started the import Tribute line manufactured in Korea with a large Tribute logo on the headstock, underneath it it says G&L in small font. In the last year or so the import Tributes are now built in Indonesia. These now have a large G&L logo on the headstock and says Tribute in small font underneath. So if are looking at G&L guitars look carefully at the logo on the headstock so you can tell whether it is US-made or imported.

    I've been a regular on the G&L discussion board since 1999.

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    Just to clarify, I have indeed tried some Tribute guitars that seemed very nice. It's just these latest I tried that really surprised me, not in a positive way.

    Don't take my word for anything! If you want a Tribute, go and try them and judge for yourself. Sour grapes can happen to anyone.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
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    Quote Originally Posted by Robert
    Yes, the US made ones are much better that the Tribute series, which doesn't impress me at all. My friend runs a music store and he has some Tribute guitars. Those ones he has are on par with a Squier, at best.

    That was my experience with their strats as compared to the Fender MIM and Highway One strats I was trying out, when I was shopping for mine. I cannot really comment on the ASATs. There is a really nice looking one, but not a Tribute, in the store here. I have not played it, but it looks really sweet.
    Steve Thompson
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    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
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    Yow Aeolian, nice Space Tone there with your ASAT!

    Must make a nice pair.
    I pick a moon dog.

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    Quote Originally Posted by tot_Ou_tard
    Yow Aeolian, nice Space Tone there with your ASAT!

    Must make a nice pair.
    By now you've probably figured out that my credit limit is much higher than my talent quotient.

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    Aeolian-
    Congrats on that gorgeous custom ASAT...with the S500 setup, it probably smokes any Nashville Tele.

    Guess I should have kept on going to the G&L Discussion site (guitarsbyleo.com). I had no idea they've gone to Indonesia now for the Tributes, but it really comes as no surprise. Thanks for that very good info on identifying them. The earliest Korean-made ones, like my '03 ASAT Special, were very good.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

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    Quote Originally Posted by wingsdad
    Hi-Fi?

    Both types of MFD's have adjustable pole pieces. The soapbar MFD's with more windings on the Special are higher output. An ASAT Classic Deluxe gives you one of each.

    I've A-B'd a Classic and a Special and they (the soapbars such as the Special's) are also less susceptible to 60cycle hum.

    MFD's are ceramic magnet pups. The pups on a G&L Legacy, as on my Fender Strats are alnico mag. My ASAT is quieter, needs less preamp to get edge than either of my Strats, and also is more sensitve in reacting to vol/tone. pots.

    I'd had 3 different Fender Teles over time, the last one about 25 years ago. None were as versatile in tone as this.

    Robert: G&L (USA) has 5 simple neck profiles options. A V-shape 12" radius w/ 1 5/8" nut is one custom option, so the one you played isn't typical.

    Here's the link to G&L's site. For more on pickups and necks, etc, see 'Features' and 'Options'. To check out the various ASAT models, go to 'Instruments'. On that page, there's the link to the Tribute Series, too.
    G&L
    The people who say that they are hi-fi must be reacting to the ceramic pups. I've read that most just love them. I wouldn't know, having only had a couple of minutes with a Classic Custom.

    The G&L's are definitely something I'm thinking about.
    I pick a moon dog.

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    The G&L that I showed in the previous picture has ceramic pickups. If you want to hear what it sounds like here's a sample. The lead is played on this guitar with the neck and middle pickups. This was recorded through a J-Station instead of a real amp. In case you are curious, the rhythm parts are played on a different guitar, one that has humbucker pickups.

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    Quote Originally Posted by aeolian
    The G&L that I showed in the previous picture has ceramic pickups. If you want to hear what it sounds like here's a sample. The lead is played on this guitar with the neck and middle pickups. This was recorded through a J-Station instead of a real amp. In case you are curious, the rhythm parts are played on a different guitar, one that has humbucker pickups.
    Sounds good. The temptation keeps growing.

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