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Graduating to new strings?
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Thread: Graduating to new strings?

  1. #1
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    Default Graduating to new strings?

    I always heard of people... when they ask my what strings i use i say... 0.009 and they say... well... i've "graduated" to new strings... which i never really understood..

    but today i was jamming an old hubert sumlin tune " killing floor" and my 0.009 broke... wasn't even hard on the strings... i play guitar everyday (always my squier thesedays), for about an hour - 2 hours... should I "Graduate to heavier strings" or just keep replacing my 0.009. Lately i've been breaking the 0.009 alot..

  2. #2
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    Firstly, where do they break? You might have a burr on the bridge saddle.
    Secondly, 10's are the recommended beginning guage for tone. They may be harder to push at first, but if you are a big guy it shouldn't take long before it feels comfortable. You'll notice an improvement in tone right away with heavier strings.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  3. #3
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    I've never broken a string in almost 30 years of playing. At least not that I can remember. I bend the crap out of them too.

    I replaced the 10s on my Strat and went back to 9s again. 9s to me are my gauge. I can play with 10s or even thicker but 9s have sweet highs that I like and just feel GOOD. If you want to try a different brand of strings try DR Tite-Fits. I put a set of them on my Strat and they sound really good and feel great.

    When I put them on at first I thought I wasn't going to like them because they felt like they were slipping when I bent them at the tuning posts. Once I got enough tension on them they felt slinky...loose. I put the rest on and they all felt like they were slipping too but I managed to get them on anyway. I tuned up to correct pitch and tension and so far they haven't slipped. The tone to me is solid. Nice and bright and the lower strings have a defined sound. I dunno I just think they're different and they sound and play really great. Just a thought.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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  4. #4
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    been playing for a a good long while now... no burrs on these saddles... polished myself, I'm starting to figure it just may be my strings... or maybe my technique is tainted.. anyways, it broke at bridge, which is first that happened... i'll break her down and examine the bridge and see if theres anything there.

  5. #5
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    I read somewhere that Billy Gibbons uses .008s. I used to think it was important for me to have .010s on my guitar. All I got for it was sore fingers and less of an inclination to play my guitar.

    As Spudman said, I'd check the saddle. My guess is that is the source of the breakage rather than the string itself.
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  6. #6
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    Yeah could be defective strings. I take it back I did break some acoustic strings once when putting them on! Tuning to pitch and then blink...it was a goner. Sometimes you get bad strings.

    Marnold - Yeah I've heard that before too. Nelskie should know he knows all about Billy. I just prefer the feel of 9s thats all. They bounce off the fret board the way I like them too. It's just a buttery feeling. Tone wise I have a spankin' low end tone so no problem there. Different strokes I guess...I just went back to something that feels more at home for me.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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  7. #7
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    Quote Originally Posted by marnold
    I used to think it was important for me to have .010s on my guitar. All I got for it was sore fingers and less of an inclination to play my guitar.
    Yeah, I know--I mention SRV w-a-a-a-y-y too much. But I just finished reading an interview with his guitar tech, who said he generally used a .013 E, though he did tune down to E flat. Can you even imagine doing some of those outrageous Albert-King-on-crack bends with cable like that?? The dude must of had just incredible hand and finger strength! Plus, I'm sure many of you have read the stories about him ripping off callouses while playing and gluing them back on his fingertips with Super Glue. I guess it's not easy to be a blues legend!
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  8. #8
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    I normally break my stings while stretching them after installation. After that I never broke one either. I never wait until one brakes to change strings. When they sound like they play a terrible chord or not able to stay in tune, I change them.
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  9. #9
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    Dude Stevie's hands were huge. Look at them. Skinny guy. Big hands. Crazy. Of course he was a god too though so.....
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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  10. #10
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    Quote Originally Posted by tone2thebone
    Dude Stevie's hands were huge. Look at them. Skinny guy. Big hands. Crazy. Of course he was a god too though so.....
    Yes, absolutely--huge, powerful hands. I wonder how much of that was genetic and how much was the fact that we was doing those outrageous bends since he was about 10 years old! Probably some of both....
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  11. #11
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    I usually buy "custom light" sets, which are 009 to 046. I really like the Elixir strings.
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

  12. #12
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    Get a set of 13-56 strings and put them on tuned down a whole step. It isn't that bad, but use a really heavy pick.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  13. #13
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    Quote Originally Posted by Spudman
    Get a set of 13-56 strings and put them on tuned down a whole step. It isn't that bad, but use a really heavy pick.
    Not one of those little, plastic "plectrum" things. A REAL pick--like miners use! This will give you ungodly tone!
    DVM's Ever-Expanding Gear List:

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  14. #14
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    I ment plectrum, but manly men use the tip of a good ol' True Temper shovel for that guage.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  15. #15
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    This post got me thinking...not to hijack the original thread...so maybe I'll post it on another thread....
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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  16. #16
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    Quote Originally Posted by tone2thebone
    ...so maybe I'll post it on another thread....
    So Tone? Are you saying picks and strings don't mix?
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

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  17. #17
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    Tim - No...I posted my thought in another thread go see.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  18. #18
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    Oh boy I'm in trouble. I can't find the egg hidden in the thread. Can you give me a hint?

    Never mind I found it !!!
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

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