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A440 or step down tuning for you?
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Thread: A440 or step down tuning for you?

  1. #1
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    Default A440 or step down tuning for you?

    Or both?

    Which of your guitars gets the Eb tuning and which of yours get the A440?

    My Strat - Eb naturally

    My Les Paul - Eb

    My PRS SE Custom - A440

    My Acoustics - A440
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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  2. #2
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    Eb for my Strat (what else for an SRV fanatic??), A440 for the Epi LP and my son's Tele (don't make me say it, Swede.... ).
    DVM's Ever-Expanding Gear List:

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  3. #3
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    Ok I need some help here. I thought tuning down to “Eb” was for 12 string guitars and guitars with heavy strings such as .013. This is helps save the neck from the heavy tension. Then the player uses a capo on the first fret to bring it back to “E”. Other lowered tuning would be the dropped tuning for slide guitar. Then again I never knew why they dropped the tuning for slide guitar anyway?
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

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  4. #4
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    Tim - Tuning "down" to Eb is optional without regard to the need for less stress for heavy strings on a guitar etc. It's just a matter of playing taste and usually a matter of being in the same key as some of our guitar heros so as to learn some of their songs while listening to them and playing along. Tuning down to Eb does sound heavier though because it's a lower key and thats why a lot of Rock and Metal bands tune down. They also tune down so that their vocalist can hit some of the higher notes as they scream.

    Slide tunings are tuned so that when you play all the strings open they'll be as if you were playing a chord without having to fret anything. Open A and G tunings for example are great in blues slide playing. The slide rides perpendicular to the strings and so when the guitar is tuned to open chords it's much more pleasant sounding to play that way...although you can still play slide with standard tuning.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  5. #5
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    Thanks Tone! Another piece of valuable information from the man who knows. Maybe now I understand why I can seem to harmonize with some of the CD song tracks I try to play with. It’s the hidden factor of tuning down to “Eb”. Now is this just the 6th string and/or the 1st string or are all 6 strings tuned down ½ step?

    There is a wealth of knowledge from all the guys on this site. I appreciate all that you share. And thanks again to you T2TB. I will try some of those CDs I placed off to the side because they were too hard to figure how to be in tune with. Rock & Roll here I come!
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

  6. #6
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    Tim - No problemo. Tune your E to Eb and then tune the rest of the strings as you normally would (as if you were tuning them to E). I'll bet you thats why some of your songs don't match up.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  7. #7
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    Godin Radiator (Eb)
    Squier '51 A440
    1978 Epiphone 12string- Eb

  8. #8
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    I always tune to A=440hz
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

  9. #9
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    Quote Originally Posted by tone2thebone
    Tune your E to Eb and then tune the rest of the strings as you normally would (as if you were tuning them to E).
    so then A would be Ab.....G would be Gb?

    ww
    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
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  10. #10
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    Nope! Just the low "E" string to "Eb". All else stays the same.
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

  11. #11
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    Yikes!! No, Tim, that's not what T2TB meant! Turn your first string down to Eb and then tune the rest of the strings to that. So you ended up tuned Eb, Ab, Db, Gb, Bb, Eb. Tuning just the low E down a half-step would sound terrible!
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

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  12. #12
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    Quote Originally Posted by duhvoodooman
    Turn your first string down to Eb and then tune the rest of the strings to that. So you ended up tuned Eb, Ab, Db, Gb, Bb, Eb. Tuning just the low E down a half-step would sound terrible!
    and then just play normally...same scales, chords, etc.?

    ww
    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
    Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic

    Amps: Fender Super Champ XD

    Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
    Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah

  13. #13
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    Thanks VooDoo. That was good catch on your part. Here I was giving advice that I did not completely understand.

    Warren, sorry about miss-leading you on that question. I was scratching my head on tuning down the “E” string. But said hey these guys know more than me.

    This leads to the next question. If a guitar player tunes down to “Eb”, then does the rest of the band need to do the same?
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

  14. #14
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    Quote Originally Posted by Tim
    Warren, sorry about miss-leading you on that question. I was scratching my head on tuning down the “E” string. But said hey these guys know more than me.
    no prob tim....hey we need to plan another jam (pm me some of your available dates)

    ww
    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
    Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic

    Amps: Fender Super Champ XD

    Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
    Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah

  15. #15
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    Quote Originally Posted by Tim
    This leads to the next question. If a guitar player tunes down to “Eb”, then does the rest of the band need to do the same?
    That would generally be the case, yes. The piano player is pretty much screwed, though, and will probably end up playing in a lot of flat/sharp keys! Tough on the horns, too, I would guess....
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

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  16. #16
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    Quote Originally Posted by duhvoodooman
    That would generally be the case, yes. The piano player is pretty much screwed, though, and will probably end up playing in a lot of flat/sharp keys! Tough on the horns, too, I would guess....
    so then what is the advantage to tuning down? I just tuned my strat knockoff to Eb and it sounds good but is there a real advantage to tuning down?

    ww
    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
    Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic

    Amps: Fender Super Champ XD

    Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
    Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah

  17. #17
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    Warren – I believe Tone said that back in an earlier thread.

    To quote T2TB: “Tuning down to Eb does sound heavier though because it's a lower key and that’s why a lot of Rock and Metal bands tune down. They also tune down so that their vocalist can hit some of the higher notes as they scream”.

    There maybe more to it. Let’s wait for other Fretters to give us some words of wisdom.
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

  18. #18
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    Tuning down makes it easier to play heavy gauge strings. It also changes the harmonic characteristics of the notes. ie. string tension coupled with vibration.
    Most modern keyboards have a detune function that lets them instantly transpose the whole keyboard. Horns? That is tough. I suggest going a whole step then Capo as needed.
    Detuning will take some pizazz out of some tunes. Makes them seem sluggish or weak because the vocals aren't in a good pitch to project. If you are just creating your own music then by all means detune.

    I love the character of my Strats detuned. It makes the bottom a bit more spongy and compressed sounding. The sympathetic vibrations change also and the whole guitar seems to vibrate more. I like it. Les Pauls can use heavier strings detuned. Nice feature that. More tone, easier to play and ballsy as all get out.
    If you go to open mics and jams tuning down will be a problem. Take two guitars one in A440 and one not.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  19. #19
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    thanks spud,

    i don't think i'll be going to open jams anytime soon ....i will experiment with it a little since i don't have too worry about any horn sections and such either.

    ww
    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
    Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic

    Amps: Fender Super Champ XD

    Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
    Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah

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