Congrats!
I have a couple acoustics, but really know nothing of acoustic guitars.
On Wednesday my Takamine EG 360 SC in sunburst arrived. I couldn't wait to get home and unpack the guitar. Man was I nervous, especially because I won this guitar and the whole matter was special to me.
The Tak is the perfect example of devoted craftsmanship. The overall look is perfect, the frets are perfect as is the nice mother of pearl inlays and bindings and on the distinctive points where Tak worked with glue you see no remainders. The two tone sunburst looks like the sinking sun, the transfer from black to the nice brown-orange is very floating. The back of the guitar is a discrete glossed choco brown wood that lets you see the wood's grain. The touch and fell is really exceptional.
The headstock has the typical Tak form. The tuners are kept in pearl and the mechanic itself is gold.
The neck is meaty and you must be a player who likes meaty necks to really enjoy this. I would say it is more of a Gibson acoustic style neck, but do not underestimate these necks, this one especially is fast. I couldn't go wrong with this, as you might know I play all my guitars with high string action and I chose the fat necks, so if you are interested in a Tak of that series, go and play one before ordering it.
The string action is medium I would say, no buzzing and perfect tones when you play with a slide. The intonation leaves no wishes.
The preamp does a very good job. It's the standard three band with built in tuner. This tuner is one of the best tuners I have used so far. This little thingy is absolute precise.
What does it sound like then? Well, it is not as loud as I thought, although it's loud in a way. The sound is very brilliant and the spectrum is perfectly balanced between bass, middel and treble. The tone response is very very direct and this Tak really breathes when you play. Where other guitars sound muddy and tones suffocate in the middle range, the Tak sounds totally unboxy and makes each note live and shine. I know it is very hard to describe this, but I really couldn't believe what I heard...man I am going to make my miles on this one for sure.
Plugged it in with my Gearboxsoftware (Piezacoustic Amp) it sound even 100% better than unamplified. It is so vivid that you really have to learn how to handle it! The overtones just fly out of this guitar.
It is a privilege to me owning such a beautiful instrument. I would have never bought such an expensive electro acoustic had I not won this competition, so I do not take this for granted. This guitar awards you with a beautiful sound and feeling and it "forces" you to write songs. Furthermore due to the fantastic playbility it gives you the opportunity to develop your playing further and to go ahead to unknown ground.
I have made some test clips yesterday, but I still try to improve my amp preset and then I will post a clip for you guys.
I hope you enjoyed my review - yes I am writing very "flowery", but hey did you never ever fall in love with a beautiful instrument?!?
Greetz
Jimi
"A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)
Congrats!
I have a couple acoustics, but really know nothing of acoustic guitars.
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Great review! I am glad you like it. I look forward to your clips. I ready what you said about clarity across the board, high middle low, but would you say it is "scooped" at all in presentation of those sounds, like an equalizer set with highs and lows emphasized over mids? More or less, does it have the traditional rosewood back and sided dreadnought sound? I am very interested in Taks when I consider a nicer acoustic someday. And I know what you mean by falling in love with a beautiful instrument. The acoustics that have done that for me are way outside my price range however.Originally Posted by Jimi75
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Jimi, Congrats on the new guitar. I hope you will grace the forum with some audio.
Mark
* Loud is good, good is better!
Sounds nice , Iwould describe my Tak EC340SC almost word for word as your 360. My buddy has the 360 and last night we got together with some other friends and I took my 340, he was blown away by how close they were to being a perfect match to each other in feel and playing. I'm very impressed with what I have seen from Takamine and the price is not bad at all.
Cool Jimi...got any pics? I didn't notice any on this thread?
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz