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Thread: Digitech RP series question

  1. #1
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    Default Digitech RP series question

    Some modellers (Korg, Line 6, V-amp 2) have amp/cab models and FX (trem, rotary, wah, chorus, flange, etc) but they don't have much in the way of distortion. I noticed the Digitech RP series does. So, you RP users, are the distortion models on the RP's any good?? Passable?? Lousy???

  2. #2
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    The amp models have adjustable gain. Combined with the OD/distortion pedal models, they are very usable. Add in the compressor/gate function, and you can make the RP-250 (the one I own) sound good. After A/B'ing it for a month with my POD 2.0, I got rid of the POD.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
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    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
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  3. #3
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    I've got an RP80 which I use for playing at my desk, through the computer - and the more substantial RP3 which I play through a Marshall power amp, Alesis Quadraverb 2 and an 8x12 stack. Neither will produce a tube sound but both are very useable.

    When I play electric I almost always prefer heavy distortion, kind of that looooong sustain, 80's metal buzz with that "thump" in the palm muted notes. Both units satisfy that requirement, at least for playing at home.

    For years and years my main processors were ADA's MP1 and later the MP2 (holy grail of heavy metal tube-preamps) but when the MP2 started crapping out I grabbed the RP3 as a (relatively) cheap and quick substitute. That was around four years ago and I still haven't gotten the MP2 fixed. I do still plan to but the RP's make it much less of a priority.

    Here's a very short clip of the RP80 through the computer: http://s56.photobucket.com/albums/g1...urrent=121.flv
    You can't really tell much by it but it's the only thing I have handy.
    Dreadman
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  4. #4
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    Dread....was that on a preset or a custom patch....and if custom can you share the settings here?

    I have had the RP80 for 2 years and I am giving it to my son next weekend when he comes to visit. I personally have only found about 3 usable sounds out of the thing....Preset 6, 19 and I think 27 or 28 the rest is noise to my ears.

    Now I do hear great things out of the RP250 with the artist modeling features....the Eddie Van Halen model with a little added flanger sounds really cool through EMG actives on a Les Paul clone.
    Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic

    Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT

    Effects: Rocktron Delay | BBE Free Fuzz | Big Muff Pi | Boss Flanger | Bad Monkey | Jekyll and Hyde | Cry Baby Wah | Boss EQ | Behrenger TU300 Tuner |



  5. #5
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    I've got an EX-7 which is a kissing cousin of the RP series. I think I prefer my TO800 to the TS-9 model on my EX-7 if I'm using that model alone. If I'm also using a wah or something, the TS-9 model seems to blend better. Not sure why.

    I've used the Big Muff and Boss Metal Zone models. Both sound pretty much like the real deal to me, but I've never A/B'd them. The Big Muff can give me that Iommi tone in no time flat.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

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    I really enjoy hearing Oldguy with his RP250..nice sounds!

    I have the Marnold EX-7 () and the more I mess with this thing the more I like it..
    There is something about blending that ts-9...
    thanks for pointing out this pedal once again Marnold..:


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  7. #7
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    Kazz - My RP80 is the one that I won in Rockets puzzle contest. When it got here I just took it out of the box and plugged it in (didn't read any instructions or even try to make my own pre-sets, I don't know if he made up any pre-sets or even which bank of presets is factory vs. user. It's #58 on that clip though.

    Another nice thing about the RP80 (and probably other RP's) is the built in drum machine. Not a million options or beats but real handy for jammin'.
    Dreadman
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  8. #8
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    Quote Originally Posted by marnold
    I've used the Big Muff and Boss Metal Zone models.
    Two great pedals. Anyone have any idea if the new Big Muff Pi's are different from the originals? The only one I've tried (back in the 80's) was made in the 70's and it made some great sounds.
    Dreadman
    My Guitars

    I didn't hear ya, there was something bluesy in my ear

  9. #9
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    Quote Originally Posted by Justaguyin_nc
    I have the Marnold EX-7 () and the more I mess with this thing the more I like it..
    Me too. I'm really liking the Rotovibe sound and the Leslie. I use an outside source for dirt.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  10. #10
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    Quote Originally Posted by oldguy
    The amp models have adjustable gain. Combined with the OD/distortion pedal models, they are very usable. Add in the compressor/gate function, and you can make the RP-250 (the one I own) sound good. After A/B'ing it for a month with my POD 2.0, I got rid of the POD.
    i just got the rp-250.....haven't had time to mess with it yet....gonna go get an auxiliary cord today so i can plug my ipod into it with backing tracks on it....that was one of the main reasons i chose the rp-250....the auxiliary in....i also like that you control settings with knobs and not pressing buttons to go through a bunch of menus...it certainly has lots of features and i'm sure it will take me a long time to get it all figured out but i think for playing with headphones and for use between my guitar and my mac (with built in usb) for recording it is just the ticket.

    ww
    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
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  11. #11
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    Quote Originally Posted by warren0728
    i think for playing with headphones and for use between my guitar and my mac (with built in usb) for recording it is just the ticket.

    ww


    Not only does he flip pancakes naked.....but he is a mac user too....thats 2 strikes.....
    Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic

    Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT

    Effects: Rocktron Delay | BBE Free Fuzz | Big Muff Pi | Boss Flanger | Bad Monkey | Jekyll and Hyde | Cry Baby Wah | Boss EQ | Behrenger TU300 Tuner |



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