Is that the last of your Washies Strum?
I'm probably putting this on E-Bay this weekend, but figure I would post it here if anyone is seriously interested. PM me and make an offer.
It's a 2005 model that I purchased in September of 2006.
Currently sells at web stores for $690. Guitar comes with bone saddle, the famous Dreadman tuner buttons that you heard about and strung with D'Addario EJ16 Lights. Also comes with a Planet Wave sound hole humidifier.
The guitar plays well, but a professional set-up will enhance the playability.
Some additional info:
Full, deep bottom end and balanced hi end response.
Highly figured maple back & sides combined with a solid spruce top give the jumbo Washburn J28SDL Cumberland Maple Acoustic Guitar a powerful low end without sacrificing sweet mids & highs. The classy abalone rosette ties in with the snowflake abalone fingerboard inlays and gold Grover 18:1 gear ratio tuners. Natural finish.
Washburn J28SDL Cumberland Maple Jumbo Acoustic Guitar w/case Features:
* Solid spruce top
* Quilted maple sides and back
* Maple neck with trussrod
* Tortoise shell pickguard
* Signature black and white top binding
* Rosewood headstock veneer
* Neck and headstock binding
* Rosewood fingerboard and butterfly bridge
* Exclusive gold Grover 18:1 gear ratio tuners with ebonite buttons
* Abalone rosette
Washburn J28SDL Cumberland Maple Jumbo Acoustic Guitar w/case Includes:
* Includes hardshell case
Mark
* Loud is good, good is better!
Is that the last of your Washies Strum?
That would be it for now. As is usually the case, I was playing it tonight and started second guessing my decision, but I have to make room for new additions and the money it takes to get those new additions - you know the drill as well as anyoneOriginally Posted by Pike
Mark
* Loud is good, good is better!
yepOriginally Posted by strumsalot
Mark
* Loud is good, good is better!
Guess we've really lost you to the Dark Side.
BTW, I wish I had the funds...I would make you an offer.
Chad
my guits
A real beauty, Strum - you sure? And your LAST acoustic - c'mon, everybody needs at least one acoustic! So fess up, to what realms is the gas leading you astray?
I hate to see it Strum. But for anyone who's interested I'll vouch for the Cumberland and for Strum. She's a sweet guitar, jumbo with solid top. And the bone saddle's a plus. She's a real cannon.
+ I purchased a guit from Strum for CB, her EA20, ebay would be lucky to have a dude like this.
Ok, gotta get away from the mushy stuff and get back to my center . . . you suck dude.:
Guitars and other stringed instruments: Washburn D10S, Washburn EA52SWCE, Washburn Cumberland J28SDL, Washburn D46S12, D'Aquisto Centura, Rover RM-50B Mando
Amps and Cabs: Behringer AT108, Firefly Tube Amph, Blackheart Little Giant BH5H, Shiner's Custom Cab v.1.0
". . . because without beer, things do not seem to go as well . . ." Brother Epp, Capuchin Monastery, Munjor, Kansas 1902
LAST ACOUSTIC? Dude, now you really suck. Ya' gotta keep just one.
Guitars and other stringed instruments: Washburn D10S, Washburn EA52SWCE, Washburn Cumberland J28SDL, Washburn D46S12, D'Aquisto Centura, Rover RM-50B Mando
Amps and Cabs: Behringer AT108, Firefly Tube Amph, Blackheart Little Giant BH5H, Shiner's Custom Cab v.1.0
". . . because without beer, things do not seem to go as well . . ." Brother Epp, Capuchin Monastery, Munjor, Kansas 1902
Whew, thank goodness for the last line, I was worried I was getting ready to read xxxxoooooOriginally Posted by luvmyshiner
Mark
* Loud is good, good is better!
Strum, your passion to learn, to improve, has progressed since you've gotten away from acoustics and into playing electrics. Easier action, more variety of sounds and tones at your fingertips with the electrics makes for more ways out of 'ruts' with the broader horizon.
So, its adios to your last acoustic? Frankly, the J28SDL is a really nice maple jumbo, great bang for the buck (like most Washies). But...
As your only acoustic, it's really not the most 'versatile' or 'all-around' type to have. So parting with it to focus on electric actually makes sense. Some day, perhaps when you've reached something of a 'comfort zone' in your playing progress after sticking with that lesson program you've just gotten into, you may long for an acoustic.
When & if that time comes, you'll probably be best off hunting down an a/e cutaway mahogany backed dread. If you're only gonna have one acoustic and electric's your main squeeze, IMHO, that's a go-to type. Versatile, all-around performer. And you'll want the option to plug in.
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
Great advice Wings, and you know Strum, Scarborough Fair's just not going to sound the same on an electric.
Guys, anyone that knows me from pre-fretnet and those that have come to know me since joining, realize that I will not go acousticless for long. Right now I have the calling and I must pursue the path of the electric to become the master of my dojo which for me pertains to my training of musical arts.
It's a beautiful guitar, but the money will be best served adopting another electric. Every Washburn acoustic I've sold, I regretted doing so after it was gone, and this one will be no different.
Mark
* Loud is good, good is better!
We have been this route before....and of course we are still a week before my bonus check comes in....blast.
Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic
Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT
Effects: Rocktron Delay | BBE Free Fuzz | Big Muff Pi | Boss Flanger | Bad Monkey | Jekyll and Hyde | Cry Baby Wah | Boss EQ | Behrenger TU300 Tuner |
Thanx, Pike, ol' friend You've been on the Strumster to get ScarFair down with the tab/whatnot you provided him for...eternity?Originally Posted by Pike
Actually, I think SF sounds pretty cool fingerpicked on a Strat, pup pos. 2 or 4, clean, with a dash of chorus and/or slow, wide-sweep phase shift...maybe some cascading delay set by tap-tempo.
Give it a whirl, Strum :
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
Pike encouraged me to learn finger picking and I do try on occasion, but I have not dedicated myself to practicing it. When I go in to take advantage of the mentoring portion of the lesson program, I might pursue an instructor that specializes in finger picking.
Mark
* Loud is good, good is better!
:Originally Posted by just strum
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
Although, it might even sound better:Originally Posted by Pike
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
You guys (the forum) make abstaining from GAS very difficult and you make selling a guitar very difficult. We all can't be like Spud and Bryan or there would be no guitars left in the world.
Marnold, : on the video.
Mark
* Loud is good, good is better!