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Thread: Help on selecting a mixer!

  1. #1
    Join Date
    Aug 2006
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    Default Help on selecting a mixer!

    Hello all!

    After a long absence I'm back; with a question, of all things!

    I have decided to add a small scale analog mixer in my setup, for a number of reasons I will elaborate on later. My main requirements are:

    1. At least 4 mic preamps with selectable phantom power
    2. Direct outs on 4 channels at least
    3. Ragged construction, able to withstand live usage
    4. Ease of setup and use



    I need what I’d call a “multi-function” mixer. It shall be used for recording, solo or session practice/songwriting as well as live gigs. This is what I have in mind:
    • Recording: I have a good multi-channel firewire recording interface. I intent to route at least four of the mixers channel direct outs to four inputs of the card. I seldom use more than 3 inputs at the same time and, anyway, the soundcard already has 2 high quality preamps. But it would be nice to have everything patched up semi-permanently. Also, the soundcard’s outputs shall be routed to the mixer and monitoring/playback shall be handled by the mixer’s controls.

    • Practice/Songwriting: I’d be able to route signals from the guitar amp(s), guitar synth (probably on a stereo channel), rhythm machine, bass DI, keyboards etc, etc to the mixers inputs and create either a main mix or a submix according to needs. Please note that (1) and (2) refer to (practically) two aspects of the same (home studio) setup.

    • Live: There is primary a need for handling my guitar signals in a trio live situation. Let me explain: I need my “main” guitar sound (one or two channels), the signal from my Roland GR-20 guitar synth and, perhaps, a piezo signal also. To complicate things even more, a looper pedal/rack needs to be connected to the mixer’s main aux/send (in order to be able to loop both the “guitar” and “synth” signals). My current looper is a Boss RC-2 and I’ll most probably have to upgrade to something “heavier” in the future, for live use… I’ve never done this live before and any feedback will be appreciated but that’s a totally different thread.

      In any case, for live use, I was thinking of creating a stereo submix and sending this “already processed” to the main console, possibly setting up even my own monitoring through my mixer. Also for smaller venues, there might be even possible to only use our own mixer and connect directly to the house PA. In fact many clubs in town have inferior mixers than the ones I have in mind…


    These are the requirements, now, on to the contestants: I have narrowed the selection between the Soundcraft Spirit M8 and Mackie 1642 VLZ3. Both seem more than capable of fulfilling my current and future needs.

    http://www.soundcraft.com/product_sh...?product_id=24
    http://www.mackie.com/products/1642vlz3/

    Has anyone any experience with these mixers? Pros and cons? The Mackie is more expensive than the Soundcraft, do you think it’s worth it, considering my scenario? Also, if you think there is some other mixer I should consider, please do so.

    Thank you!
    Gearlist:
    Guitars
    - Kramer Pacer Deluxe (’87) with SD pickups
    - EBMM 25th Anniversary hardtail
    - EBMM Axis Super Sport hardtail
    - Squier CV Tele (Reliced!)
    - "Relic Wallpaper Squier ’51 (heavily modded)
    - Custom made Precision type bass with EMG pickup and custom paintjob

    Amps
    - THD Univalve
    - Tech21 Trademark 10
    - 2x12” Tube Town "flexi-back" cabinet, with Celestion Speakers

    Effects, etc
    Peterson Strobostomp, Budda Bud-wah, BYOC Script Phaser, Proco RAT (original), Boss HM-2 (modded), EHX Deluxe Memory Man, Line6 M13 Stompbox Modeller, Axon AX-100 MkII, Digitech GSP1101/Control2



    Visit my page on myspace:
    http://www.myspace.com/thegenusloci

  2. #2
    Join Date
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    Default

    The Mackie is better featured (multi bus, more flexible assignment) but the Soundcraft has the luxury of longer faders. I'd say the Mackie was the more versatile recording desk while the Soundcraft is a good bet for live use where multiple bus assignments can just be confusing (it's handy to have a sub for drums though if you mike them). Those are my thoughts but, from your criteria I'd say the Mackie is what you're after.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  3. #3
    Join Date
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    On this side of the pond the Mackie is $110 US cheaper.

    Soundcraft: $760
    Mackie: $650
    I pick a moon dog.

  4. #4
    Join Date
    Sep 2006
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    We use a Mackie CFX20 board. It has been plenty used and plenty abused........................and we've never had a problem with it.

    Mackie might not be the absolute best, but it's a great bang for the buck. I would not hesitate to buy a Mackie board.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

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