Page 1 of 2 12 LastLast
Results 1 to 19 of 31

Thread: Suggestions for a blues/clean home amp

  1. #1
    Join Date
    Jul 2007
    Location
    Plymouth, MA USA
    Posts
    2,077
    Post Thanks / Like

    Default Suggestions for a blues/clean home amp

    Hey guys 'n gals,

    I'm looking for an at-home amp in the price range of the Vox ad30vt. I usually like a clean amp sound that would be good for blues/jazz (like Robert's tone on the John Hiatt stretch of his 'my blue guitar' video). Any suggestions?

    Thanks! TJC

  2. #2
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    How about a Vox AD30VT?
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  3. #3
    Join Date
    Jul 2007
    Location
    Plymouth, MA USA
    Posts
    2,077
    Post Thanks / Like

    Default

    The Vox is certainly an option - I just didn't know if there might be a better choice since I won't use most of the amp models on the ad30vt

  4. #4
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Well, for a good, clean tube tone, with a good dirt channel, try a Peavey Classic 30, found used priced pretty reasonably. Works great for blues tones, and takes pedals well. Does most things but real metal tones.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  5. #5
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    In that price range, it's hard to beat the Vox. Maybe the Roland cube amps can get some of those sounds, but really, the Vox Rox. Can't go wrong with a rhyme like that.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  6. #6
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Quote Originally Posted by Robert
    In that price range, it's hard to beat the Vox. Maybe the Roland cube amps can get some of those sounds, but really, the Vox Rox. Can't go wrong with a rhyme like that.
    http://www.thefret.net/showthread.php?t=1828

    Maybe $300ish.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  7. #7
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    I still say for a home amp played at low volumes, the Vox is hard to beat. A good tube amp will give you a better clean tone, but not at low volume, according to my old ears. Do I need to play "The River Knows Your Name" through my Vox on a video clip for ya?


    Or you can get the amp I used on that clip - http://cgi.ebay.com/Reverend-Hellhou...QQcmdZViewItem
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  8. #8
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Hmm, I don't think I meant to quote your response as though I was disagreeing. I meant to edit my own post to add info to my suggestion.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  9. #9
    Join Date
    Feb 2008
    Location
    Mulhouse Alsace (France)
    Posts
    1,066
    Post Thanks / Like

    Default

    A good alternative is the Laney LC15, it's a tube amp and delivers a raunchy tone even at low volumes thanks to it's master volume. i have one at home for training and for small rehearsals room

    That's the amp that I use in most of my (modest) pedagogic lessons
    Guitars:
    1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings

    Amps:
    Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface

  10. #10
    Join Date
    Nov 2007
    Location
    Kent, UK
    Posts
    2,353
    Post Thanks / Like

    Default

    The Fender Superchamp XD looks good too. Tube power stage, good clean tone and a modelling channel for anything else. It's only 15 watts but on the evidence of other 15 watt tube power stages it should have a reasonable amount of volume.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  11. #11
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    One of the advantages of the AD30VT is the output control on the back. It's a nice feature when you have to keep the sound down and don't want to lose the tone.

    I also find that I don't play mine at 30 watts and the setting is usually somewhere around 20 to 25. However, I do on occasion take it up to 30.

    I'm not sure how many of you with the 30 or 50 tend to lower the output, but it's a feature I use a lot.
    Mark
    * Loud is good, good is better!

  12. #12
    Join Date
    Jul 2007
    Location
    Plymouth, MA USA
    Posts
    2,077
    Post Thanks / Like

    Default

    [QUOTE=Robert] Do I need to play "The River Knows Your Name" through my Vox on a video clip for ya?


    Well, sure! While you're at it, shoot it close on your left hand, and I'll get the added benefit of figuring out how to play it!

  13. #13
    Join Date
    Mar 2006
    Location
    Exterra Cognita
    Posts
    5,724
    Post Thanks / Like

    Default

    Robert what model would you use for Jazz? Boutique Clean? The Roland Cubes have a JC Chorus model that'd work well for Jazz.
    I pick a moon dog.

  14. #14
    Join Date
    Mar 2008
    Location
    Quebec
    Posts
    1,750
    Post Thanks / Like

    Default Canadian made Amp..

    I bought this Traynor 40 watts 4 years ago for $800. canadian and it sounds big , clean or overdrive ..Got a celestion vintage 30 or you can get the smallest one, 20 watts too ..These are versatile amps ,playin Jazz , Blues etc..

    I have no problem compare these traynors to all kind of fender or so and there canadian made ..

    http://www.traynoramps.com/products....&cat=63&id=252

    Sound samples :

    http://www.traynoramps.com/default.asp?p1=4&p_id=37

    Blazes :
    Last edited by Blaze; March 30th, 2008 at 06:43 AM.
    My SoundClick -- Rubber Band -- Jazz Trio

    --Quebec made 1978 Norman B-30 , Martin Dc 15E , Suzuki Archtop
    -- Fender Start Reissue 57 , Ibanez AR 300 , Peavy Falcon ,Xaviere Xv600,
    -- Fender Telecaster , Charvel_Jackson , Framus Lapsteel
    --Rc boost,Ts9 ,Coolcat-ToD,GGG Fuzz Face, Boss Ce2 , Rc Booster ,Tone driver , Boss dd2 , Boss Gt8 (effects _effects loop)
    --Amp:Traynor Ycv40 wr -- Blackstar HT5-- Car :Toyota Tercel 1999..

    / `--'(
    < [] []////////|:::-)
    \_.--.(

  15. #15
    Join Date
    Feb 2008
    Location
    North of the Equator: I am a Southerner, Southern Ontario!
    Posts
    2,041
    Post Thanks / Like

    Default

    I would say my favourite home amp was the Blues Junior. 15 watts that sounds like 40. That is until I got my 65 Deluxe Reverb Reissue. Clean, beautiful tone. 22 watts and if you decide to head out it can stand alone or be mic'd. This amp gave me the tone I have been searching for, forever.
    I also have a Blues Deluxe Reissue, and a Custom Vibrolux, but they are pretty loud 40 watters. Overkill for me, but I was "searching", and I hate to part with gear!
    The Blues is alright!

    Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
    Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde

    Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
    2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD

    Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.

  16. #16
    Join Date
    Mar 2006
    Location
    Exterra Cognita
    Posts
    5,724
    Post Thanks / Like

    Default

    Quote Originally Posted by ZMAN
    That is until I got my 65 Deluxe Reverb Reissue. Clean, beautiful tone.
    I played one for a short time once. Beautiful clean tone indeed.
    I pick a moon dog.

  17. #17
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    I don't like using the Vox AD50VT for jazz. It doesn't have the right kind of bass response for getting the tone I like when I play jazz. No, I'd use my Heatseeker or Hellhound for that purpose.

    The Traynors and Fender Deluxe are both great blues and jazz amps.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  18. #18
    Join Date
    Sep 2007
    Location
    High & Dry, Southern California
    Posts
    1,483
    Post Thanks / Like

    Default

    Quote Originally Posted by tot_Ou_tard
    Robert what model would you use for Jazz? Boutique Clean? The Roland Cubes have a JC Chorus model that'd work well for Jazz.
    No question a small tube amp (5-30 Watts, 8-12" speaker) willl be a fine amp for clean jazz and blues of all types.

    But most lack a headphone out, and unless I missed something, it's not clear if that might be a must for your situation, tj. The only one I've come across with one is the Peavey ValveKing Royal 8. That amp's been discussed around here a bit. Anybody know of any others? Not sure, but I think the new little Fenders mentioned here have it.

    The original Roland Jazz Chorus 120 was the 'Holy Grail' of clean for Jazz players. So naturally, the JC120 model is on all the Cubes and Roland/Boss amp modelers and Digiatal Audio Workstations.

    The 'Black Face' model on the Cubes, etc. is based on a Fender Twin Reverb. Another 'Holy Grail' of the 'Fender Clean' sound, and for Blues tone.

    Of course, played 'out loud', since both those amps were open-back 2x12's, whatever modeling sound you get is going to be a simulation somewhat short of 100% the mark without at least tht type of speaker output. The operative term is 'simulation'.

    I had a Cube 30 (new model out now, I forget the exact model number) & it's is in the same price range as the AD30VT. I only let it go because I preferred a different amp for potential 'playing out'.

    I have a MicroCube as a compact practice amp, and used in direct-out mode (headphone jack for the obvious intent, or as a DI), if you A/B it with any of its Big Brothers in the series, you'll find them virtually identical in sound. It's purely a matter of how loud you need it for any 'live' play as to which Cube you'd need.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  19. #19
    Join Date
    Jun 2006
    Location
    Humboldt, Saskatchewan, Canada
    Posts
    1,399
    Post Thanks / Like

    Default

    Quote Originally Posted by Robert
    I don't like using the Vox AD50VT for jazz. It doesn't have the right kind of bass response for getting the tone I like when I play jazz.
    That's because you STILL haven't dropped the hammer on your 335-type axe You just can't get jazzy with all those single coil guitars you have laying around. Something with a nice creamy smooth neck 'bucker is in order. Come on! Get with it! You're falling behind. You haven't picked up a new guitar in over a YEAR : :

    Oh, to keep on topic... my vote is for the Vox AD30VT. I think you'll find nifty uses for the other onbaord models and the ability to dial back the output and headphone out make it an ideal home amp. Only thing lacking is a CD input for jammin' along with a backing track.
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


Page 1 of 2 12 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •