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Thread: G&l Guitars

  1. #1
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    Default G&l Guitars

    Does anyone know what ASAT stands for? I picked one up at my local shop last night, it sounded very nice. It was one of the Tribute models, made in Indonesia, but the quality was pretty good. Any opinions on G&Ls?
    I was reading about the history of G&L guitars on their website, I couldn't find what ASAT stands for.

  2. #2
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    ASAT is an acronym for an anti-satellite system from what I recall reading. Leo Fender and George Fullerton tend to like names along those lines.

    I have 2 US made G&Ls, one is a ASAT-style semi-hollow mahogany guitar with 3 MFD pickups, the other is an L-2000 bass. Both are excellent instruments. The import G&Ls are also supposed to be quite good, but I would recommend trusting your ears and your hands on those (the same with any other instrument).

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    ASAT = Another Strat, Another Tele. Or so the industry humourists would have it. As for models, if you want one guitar to do everything, the Comanche takes a lot of beating.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

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    aeolian is correct

    From the G&L site

    ASAT is a military abbreviation for "anti-satellite"; the name was suggested by author Richard Smith after he read an article about the Air Force's ASAT missile. Both Leo Fender and Dale Hyatt reportedly liked the image of a guitar shooting down things in space, and hence the name "stuck". The name is often (incorrectly) interpreted to mean "After Strat, After Telecaster".
    Mark
    * Loud is good, good is better!

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    They're the best American-made electric guitar today, dollar for dollar. Period.

    For lots of reasons. In a nutshell, because they're 'guitars by Leo'.

    I have 2 of them. An ASAT Semi-Hollow (headstock in my AV) and a Comanche. Soon I'll have a 3rd. It's still at the factory. I ordered it 4 weeks ago. Just sold a Fender JP-90 bass and am deciding (about 75% sure) on selling my Tacoma Koa jumbo to cover it.
    Last edited by wingsdad; April 9th, 2008 at 07:27 AM.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

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    Quote Originally Posted by wingsdad
    They're the best American-made electric guitar today, dollar for dollar. Period.

    For lots of reasons. In a nutshell, because they're 'guitars by Leo'.

    I have 2 of them. An ASAT Semi-Hollow (headstock in my AV) and a Comanche. Soon I'll have a 3rd. It's still at the factory. I ordered it 4 weeks ago. Just sold a Fender JP-90 bass and am deciding (about 75% sure) on selling my Tacoma Koa jumbo to cover it.
    Mark
    * Loud is good, good is better!

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    Quote Originally Posted by just strum
    : Not yet, Strum. Not yet. But I get buzzed when my cell rings and I recognize my GAS Station's number...
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

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    Quote Originally Posted by wingsdad
    They're the best American-made electric guitar today, dollar for dollar. Period.
    Debatable. Ernie Ball seems to be doing something right when you look at how many artist signature guitars they have. I'd say they are the two best affordable American made guitars. :

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

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    Quote Originally Posted by Spudman
    Debatable. Ernie Ball seems to be doing something right when you look at how many artist signature guitars they have. I'd say they are the two best affordable American made guitars. :
    True, true. Agreed. Ernie Ball MusicMan is overlooked. :

    Funny, though, isn't it? That these 2 best affordable American made guitars are both post-CBS Leo enterprises, starting G&L with Fullerton after selling his MM stuff to Ball?
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  10. #10
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    Too bad other companies don't practice as these do. They are smaller companies that are dedicated to quality and service. This is something that much of the competition seem to overlook in the pursuit of the almighty $.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  11. #11
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    Quote Originally Posted by Spudman
    Too bad other companies don't practice as these do. They are smaller companies that are dedicated to quality and service. This is something that much of the competition seem to overlook in the pursuit of the almighty $.
    That's a big +1, Spuds.
    Companies like G&L, EB/MM, and Heritage don't require the dealer to carry a minimum $ volume of inventory to keep the 'privelege' of the franchise. They may (and do) produce limited quantity runs of a certain specifically outfitted & limited color choice model, at a set special price, so a dealer can stock a couple of those. But in the end, those are more or less 'samples' upon which one can base a personalized factory order by the dealer.

    The order for my new G&L was placed 4 weeks ago. At the time, the dealer was told it will be a minimum of 6 weeks, as much as 14 weeks, for the guitar to get done. That's because there's other orders ahead of mine. They work in batches of similar models, but they don't crank them out with a cookie cutter, hitting a production quota for the day. I'm OK with that. Take your time, folks. I know they're building it by hand, and with care. I'm prepared to wait til June for this thing. If it comes any sooner, it will be like Christmas coming early, that's all.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  12. #12
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    Quote Originally Posted by wingsdad
    True, true. Agreed. Ernie Ball MusicMan is overlooked. :

    Funny, though, isn't it? That these 2 best affordable American made guitars are both post-CBS Leo enterprises, starting G&L with Fullerton after selling his MM stuff to Ball?
    I already have a EBMM. The little I've seen from G&L they are great guitars.

    I've seen a couple of Comanches on the German ebay and I sometimes regret not bidding on them... Particularly a purple custom colored one, a few months ago... :

    They seem to sell at fair second hand prices, even in Europe.
    Gearlist:
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    - EBMM 25th Anniversary hardtail
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    - "Relic Wallpaper Squier ’51 (heavily modded)
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    - Tech21 Trademark 10
    - 2x12” Tube Town "flexi-back" cabinet, with Celestion Speakers

    Effects, etc
    Peterson Strobostomp, Budda Bud-wah, BYOC Script Phaser, Proco RAT (original), Boss HM-2 (modded), EHX Deluxe Memory Man, Line6 M13 Stompbox Modeller, Axon AX-100 MkII, Digitech GSP1101/Control2



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  13. #13
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    Yeah, G&L has a weaker re-sale value.

    Which is fine with me: I plan on keeping my ASAT Special. Been 5 years so far.

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