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Thread: If you want a new G&L tele

  1. #1
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    Default If you want a new G&L tele

    Mark
    * Loud is good, good is better!

  2. #2
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    I didn't see it had a reserve, I thought someone might get it for $800. Auction closed with no winner.

    Nice guitar - a real GAS producer.
    Mark
    * Loud is good, good is better!

  3. #3
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    That's a nice guitar. I've always been impressed with G&L but they don't hold their value very well. They are a great buy used.
    Patrick

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    Quote Originally Posted by hubberjub
    ... but they don't hold their value very well. They are a great buy used.
    Sorry, but I have to agree and disagree on that point, hub.

    First. they're a great buy, period.

    True, as far as standardized limited run production models like this one that go to market new based on special pricing:
    ASAT Classic Limited Run Model

    Models like this fare about as well as standard USA Fenders in terms of percentage of MSRP. My local G&L dealer had a run of Legacy's like this that went new for $799. One came back on a trade about a year later and went 2nd hand for $650.

    Custom order models like that orange Bluesboy are another matter. They hold value better than say, a Fender American Vintage Series 62 ReIssue Strat that hits the street new at about $1,400 -$1,500 and then sells used 6 months later for $1,000. But even that's a standard production model, nothing custom about it.

    That e-bay seller also seems a bit slimy to me in his representation. Here he's got a customized ASAT Special at a BIN price. I know for a FACT that unless G&L raised the option prices within the last 4 weeks, he's inflated the list pricing on a couple of the options, and thus jacked the MSRP up higher than actual price.

    ASAT Special custom order

    Aeolian is another fretter here who knows a lot more about G&L's, is active in the G&L discussion board for I think 10 years, and I'd be interested in what light he might shed on this issue.
    Last edited by wingsdad; April 13th, 2008 at 10:11 PM.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  5. #5
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    Sorry wing. I wasn't putting down G&Ls. They are great guitars. I believe they are putting out better guitars than Fender is. I just think that Fenders standard production models hold their value better than G&Ls standard production model. Would this stop me from buying one? No. I typically buy only used guitars anyway. Hamer is another example of this. They build stellar guitars that are just an absolute bargain used. Forgive me if I offended your brand of choice. It was not my intent. I have an odd obsession with economics.
    Patrick

  6. #6
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    No offense taken, hub I know you appreciate an unsung but well-made guitar, witness your Heritage.:

    Seriously, though...take a closer look at the downward trend developing over the past 2 years of USA standard production model Fenders holding their resale value. As a matter of economics, marketing being an economic function, Fender's moves the last couple of years with Heinz's 57 Varieties of the American Standard Strat & Tele aimed at almost every conceivable niche demographic have taken a toll on their resale values.

    G&L's standard models, on the other hand, have remained pretty stable over the last 10 years, with customization at the dealer order stage creating the variations. And yes, resale values on G&L's about 3 years ago were relatively low compared to Fender. But that trend has been gradually reversing.

    I think I'm trying to prove any point here, though, because regardless, if anyone thinks of resale value as an important factor in why they should buy a partilcular guitar that they otherwise fall madly in love with, then they should probably not buy the guitar, quit playing, sell all their gear, and go buy a Porsche with the proceeds.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

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