Results 1 to 9 of 9

Thread: Squier Strat - Cast Bridge

  1. #1
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default Squier Strat - Cast Bridge

    I was at the music shop for lessons Saturday and the owner was showing a customer a Squier Strat and commented that it had a cast bridge. I was on my way to the lesson room and didn't get to take a look, then forgot about it on my way out.

    I was under the impression that Squier Strats and even Fender Strat MIM's had a stamped bridge. Anyone have any info on Squiers with cast bridge?

    I didn't even check out the price.:
    Mark
    * Loud is good, good is better!

  2. #2
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    I searched the Squier website and could not find anything about the cast bridge. I might take a ride over after work tomorrow to look at this a little closer.
    Mark
    * Loud is good, good is better!

  3. #3
    Join Date
    Sep 2007
    Location
    High & Dry, Southern California
    Posts
    1,483
    Post Thanks / Like

    Default

    Usually a cast bridge, or saddles, common on inexpensive import guitars like that is made from a die-cast soft metal alloy (a derogatory term would be 'pig metal') as opposed to the denser milled, solid steel or brass type used on more expensive models, like in this case, American Fenders. You probably won't perceive an obvious difference unless you disassemble -- remove the bridge and look at the underside.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  4. #4
    Join Date
    Mar 2007
    Posts
    135
    Post Thanks / Like

    Default

    FYI
    All of my Squiers have steel bridge plates. Even the Affinity Tele.
    All of my Squiers came with cast saddles.
    All of my Squiers now have steel, either cast

    http://store.guitarfetish.com/upststsafitr.html

    or stamped/bent steel. (model dependant)

    http://stores.ebay.com/SOUTHEAST-MUS...QQftidZ2QQtZkm

    I believe the VM Squiers have stamped/bent steel saddles. (the ones I've seen do!)
    Mexican standards have stamped steel.
    Mexican Classic series have stamped steel.

    The argument over tonal differances was won by steel, when my wife thought I had a new guitar and all I had done was change the saddles.
    In her words "It sounds fuller, richer, more complete!"

    They all catch steel now and for asthetics, I prefer nickel plating.

    I'm done rambling now.
    Last edited by Dauntless; April 30th, 2008 at 08:24 AM. Reason: add links
    "Life is not a journey to the grave with the intention of arriving safely in a
    pretty and well preserved body, but rather to skid in broadside, thoroughly
    used up, totally worn out, and loudly proclaiming--WOW--What a ride!!!"
    -Stuart Wilde-

    "If the only tool you have is a hammer, you tend
    to view every problem as a nail."
    -Maslow-

    "Religion is sitting in a church thinking about fishing.
    Spirituality is fishing and thinking about God."
    -Unknown-

  5. #5
    Join Date
    Sep 2005
    Location
    Jensen Beach, Florida
    Posts
    2,145
    Post Thanks / Like

    Default

    Although it appears that he didn't say this directly, he could have been speaking of the trem block on the bridge, which is cast metal on the Squires.

    Some of Fender's inexpensive bridge saddles are cast metal though, and not stamped steel. I don't know how much effort is put into the making of the castings that Fender (or others) use. With the advances in metalurgy over the years, a casting can be made using centrifical force in the casting process, which forces the air bubbles out of it. If a good grade of steel is used, it also re-aligns the molecules of the metal in a more uniform and stronger configuration. This can be done for individual parts in a mold, or as bar stock to be milled into the parts afterwards. If the finished part is then heat treated, it would make for a very hard finished product. If it's a good grade of steel (like GFS's stainless saddles), it would probably work as well or better than stamped and bent steel. If die cast pot metal is used as wingsdad mentioned, the metal would have a dull, dead sound to it (no "ping" when dropped on a hard surface). And that would definitely impact the tone negatively.

  6. #6
    Join Date
    Feb 2008
    Location
    North of the Equator: I am a Southerner, Southern Ontario!
    Posts
    2,041
    Post Thanks / Like

    Default

    I am sure he was referring to Cast saddles as Dauntless mentioned. I have 8 Strats and the MIM, MIJ Strats all have stamped steel saddles. All of my Squiers have cast saddles.
    An interesting side note: My 50th Anniversary Deluxe Strat has gold plated cast saddles. I was very interested to see that. So I don't think it is a bad thing to have cast saddles. The other MIA Strat that I had used the stamped saddles.
    I have done a comparison from my latest Deluxe Squiers to the MIA 50 Ann. Strat, and all of the measurements including body, neck thickness, and width mic identically. So The Squier is very close to the 50th including the saddles.
    The major thing that gives sustain to the Strat is the Block. Recently in 2006 The MIM Strat went to a solid block and that was a major upgrade. Most Squier modders change the hardware from stock to a solid block, and stamped saddles.
    The Blues is alright!

    Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
    Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde

    Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
    2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD

    Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.

  7. #7
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    I'm taking off Friday and I might take a trip over to the music store to clarify.

    As I noted, the guy referred to it as a cast bridge, but I didn't have time to take a look.
    Mark
    * Loud is good, good is better!

  8. #8
    Join Date
    Feb 2008
    Location
    North of the Equator: I am a Southerner, Southern Ontario!
    Posts
    2,041
    Post Thanks / Like

    Default

    Hey JS I tried to do some research on the types of bridges, saddles, and blocks used on the Fender Strats over the years. The information is very generic and gives year ranges for different types. The orginals were stamped and then cast later. What they used on the Squiers is pretty sketchy but I still have other sources.
    What did they say at the shop?
    The Blues is alright!

    Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
    Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde

    Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
    2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD

    Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.

  9. #9
    Join Date
    Aug 2006
    Posts
    827
    Post Thanks / Like

    Default

    Alot of the Mexican Fender strats I bought in the past had cast "vintage style" bridge saddles. Although still much better than a number of saddles I've seen on more expensive guitars, I did notice that over time, the cast saddle screws do tend to strip.

    It's an easy fix though...rather than go for the expensive Callaham upgrades, a nice set of Graph-Tech saddles is a very nice addition to the MIM strats.
    Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.

    Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.

    Pedals: Digitech Bad Monkey.

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •