DVM, I was curious about that too. I have the three saddle set up and I was thinking that setting intonation would be difficult since two strings occupy one saddle.
This being new to me, I was curious if I was missing something.
Hey Vood, how come you got away from the original 6 saddle bridge ?
Pros/cons ?
I've always thought I would leave my Nash bone stock but I could be persuaded.
thanks
Ted
DVM, I was curious about that too. I have the three saddle set up and I was thinking that setting intonation would be difficult since two strings occupy one saddle.
This being new to me, I was curious if I was missing something.
Mark
* Loud is good, good is better!
Hit the TDPRI forums and search for three compensated saddle. You will find more information than you ever cared to know. Many will claim that it can't be a Tele without it. I'm not smart enough to know the difference, but then again my favorite bridges are made by a guy named Floyd.
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
Thanks. You guys throw stuff out like TDPRI and other terms and/or places and I am clueless. However, I Googled and found it.Originally Posted by marnold
Mark
* Loud is good, good is better!
Good call. Sorry. For future visitors to this thread, this is the TDPRI.Originally Posted by just strum
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
No need to be sorry, but if you haven't heard I've been living in a cave the last few years. I get on here and people talk about product and use terminology I never heard of, but that's why I'm here - to learn and be motivated. Oh, and have fun.:Originally Posted by marnold
Mark
* Loud is good, good is better!
Only 3 barrels for me,but im OG like that
"I love being alive and I will be the best man I possibly can. I will take love wherever I find it and offer it to whoever will take it... seek knowledge from those wiser and teach those who wish to learn from me."
"Develop your talent, man, and leave the world something. Records are really gifts from people. To think that an artist would love you enough to share his music with anyone is a beautiful thing."
Duane Skydog Allman
You come to a point in your life when you really don't care what people think about you, you just care what you think about yourself." - Evel Knievel
see someone did it again, gotta go Google.Originally Posted by mrmudcat
Mark
* Loud is good, good is better!
Believe it or not, you can also get there via: http://www.telecaster.comOriginally Posted by marnold
It's such a better URL, I can't understand why they don't use it.
Visit Crash Pad at:
http://www.CrashPadBand.com
http://www.facebook.com/CrashPadBand
Gear List/Pics:
http://krashpad.fortunecity.com/brian.html
Read a review:
http://www.ink19.com/issues/july2002.../crashPad.html
Originally Posted by ted sJust a matter of personal preference, really. I always liked that classic & distinctive Tele 3-saddle bridge look, and the brass saddles do give a slightly rounder tone to take a little harshness off the edge of the Tele twang, esp. on the bridge p'up. I went with compensated saddles specifically because of the potential intonation issue, and they seem to address it pretty well; not quite dead-solid-perfect intonation by tuner measurement, but certainly close enough by ear for my modest needs and the type of music I play. Heck, if it was good enough for titans like Roy Buchanan, James Burton, Albert Collins, Danny Gatton and countless others, it's good enough for the likes of me!Originally Posted by just strum
DVM's Ever-Expanding Gear List:
Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE
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Ugly...?
Beautiful...?
Hang one around your neck, plug it into a good tube amp...
...and let your ears decide...:
I never really liked or hated them.
Whenever I saw someone else playing one it was "oh, so and so plays a tele"
and I never gave it much more thought.
Then I played one myself and I'm hooked!
My cheapest guitar is now my "go to" that I find myself playing all the time.
I can't explain it, it just IS.
Eric
Guitars: Vox standard model 24,Framus jumbo acoustic,
Crafter Telecaster copy,Crafter D-7 acoustic,
Samick les paul copy.
Dillion SG
Amps: Behringer GMX1200H, Epiphone valve jr.
Before I got my Tele I was convinced I was going to get a Strat. I went in one day and A-B'd a bunch with no wow factor, then I tried my Tele.. Like Eric said, it just is.
Just so the newcomers know, the butt-ugly comment wasn't done in a serious manner. Those that found the guitar unappealing and weren't drawn in commented about it being unattractive. Eventually it was commented that they are butt-ugly, but the desire to get one grows on you.
Now as for the Tele body style, I am surprised how comfortable it feels. I thought it would feel uncomfortable or awkward when compared to my other guitars, especially the Strat. I still feel it's a fun guitar and I grow comfortable in using the sound to it's fullest I see no reason to feel positive about it. Someday I may feel so positive I'll splurge on a G&L, but that's a long ways off.
Mark
* Loud is good, good is better!
This is the closest I have come to a tele. It was the Fender Tele FMT HH in Black Cherryburst. It was a sweet looking guitar Set neck with a 15 inch radius, medium jumbo frets, and two hbs with a push pull pot for single coil or hb modes. It was very light and very thin and was almost toylike. I eventually traded up to a 50 Anniversary Deluxe Strat. It was a very pretty color though.
http://i15.photobucket.com/albums/a3...elefmthh-1.jpg
The Blues is alright!
Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde
Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD
Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.
That must be why I love Strats so much. Only thing is that you don't get the same sounds out of a traditional Strat as you do on a Tele with the 2 pup combo, vintage bridge and string through back design on an ash body. Well you could but you'd have to modify a hardtail ash Strat I suppose.Originally Posted by wingsdad
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
Have you ever purchased a car and then suddenly you seem to notice that make and model everywhere.
Same is happening with the Tele. I hear more people talk about them, meeting more people that own them or hope to someday. The other day I received my copy of Guitar Player and read an article about stomp boxes. Today I was sitting at the kitchen table and grab something to eat. I grab that same mag and notice on the cover "Twang Seminar - Learn Some Burnin' Hot Tele Licks" Short history about the guitar and then lessons from various artists.
Here's a little something from the website.
http://truefiretv.com/index.html?req...twang/dbtintro
Mark
* Loud is good, good is better!
Teles - I love 'em. Funny thing is, I didn't appreciate how cool they were until a few years ago. Up until that point, it was all pointy guitars and tons of distortion all the time.
I guess I've matured a bit as a player. There's something about the design and the inherent "Tele-tone" that speaks to me. I also have fun playing Teles every time I pick one up.
Now if I could make one speak like Danny Gatton that would be something!:
Guitars:
Fender 2006 MIM Fender Stratocaster HSS in 3TS
Ibanez RG 570 with a bridge Invader
ESP M II Deluxe with a Tune-o-Matic bridge
Eleanor, the magical, mystical Road Worn wonder Tele
Blackstar HT Club 40
Here's a startOriginally Posted by Katastrophe
http://guitarplayer.com/article/10-t...u/Oct-07/31617
Mark
* Loud is good, good is better!