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Tele - Ugly or Beautiful?
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Thread: Tele - Ugly or Beautiful?

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  1. #1
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    Default Tele - Ugly or Beautiful?

    Since there were enough comments about the looks of the Tele, I thought the topic deserved it's own thread. The title BUG stirred a little opinion, so I figure let's discuss our view.

    Initially I didn't like the Tele, saw no attraction to it, not the looks or the sound. When started to find an interest in it, I still didn't think it was a pleasant looking guitar, but the more I read the threads and the more I saw pictures of it, my interest grew. CB went and bought hers and Wingsdad got that lovely G&L - the combination of the two took me over the top.

    They have a beauty in it's simplicity and I think because of the simplicity they tend not to be eye catching unless you start to learn the history of guitars and where the Tele fits in.

    If there is a study or was to be a study, I think you would find that the Tele style is ranks low as far as the style of someones first guitar. Chances are, althiugh there are a lot of Tele owners, the purchase was most likely at least the second guitar they purchased.

    So, tell us what you think about Tele's (from any manufacturer) and if you have one, post a pic with your comments.

    Not the best pic, but

    Mark
    * Loud is good, good is better!

  2. #2
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    It's probably neither. I like the Tele bridge sound and the middle sound, which are hard to reproduce on a Strat without some surgery. I don't mind the body look in general. My Charvel Model 7 (Tele-style) had a tummy cut which was very nice. When I play a Fender Tele I feel like I'm playing a big ol' plank o' wood.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
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    Quote Originally Posted by marnold
    When I play a Fender Tele I feel like I'm playing a big ol' plank o' wood.
    that was another one of my initial turn offs about the Tele. It needs to incorporated some of the Strat cuts, however I've grown use to the slab and I guess that's part of its character.
    Mark
    * Loud is good, good is better!

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    It is handsome in an eclectic way. Teles are not female to me. They strike me as a solid, not flashy, dependable friend.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

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    Is a hammer ugly or beautiful?
    "When I play, I express my feelings very fast." -Yomo Toro

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    Quote Originally Posted by Ro3b
    Is a hammer ugly or beautiful?
    That's a great way of looking at it. A hammer, is a hammer, but in the hands of someone that appreciates the tool and knows how different hammers provide different results, they can become a beautiful tool.

    If my statement about Tele's seldom being the first guitar is accurate, that may be the reason. You have to develop an understanding of the use of tone or at least recognize the difference.

    Ro3b, I hope you don't mind me using that in my sig.
    Mark
    * Loud is good, good is better!

  7. #7
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    Took you a while to come around, Strummy :

    "Beauty's Only Skin Deep (Yeah, Yeah, Yeah)"
    - The Temptations

    "You can't judge a book by its cover."

    I suppose one can either hate it or love it. Whatever floats one's boat.

    Plank of wood, indeed.

    When I ordered this ASAT Classic Bluesboy, I considered going for it as a solid body with back & front edge bindings or WITH an optional back body belly contour, like a Strat, to be less of slab, and thus with no back binding. But I ended up going for the chambered semi-hollow swamp ash body without an f-hole (to let the ash's grain show & go undisturbed, both for looks and for tonal quality) as much for lighter weight as for some acoustic resonance. Body contour and back binding is n/a on semi-hollows, although the body 'bindings' are actually just the top's wood left unstained along the edges.

    I went for the 'Classic' string-thru-body integrated bridge & slanted pickup assembly with brass barrel saddles, because THAT was Leo's design concept that produces that undeniably Tele clean, biting, snappy metallic twang with a ringing sustain, the slanted pup gathering some bottom end picking up the low strings vibes away from the bridge. Unlike the original Fender set polepieces, the G&L Magnetic Field Design bridge pup has adjustable polepieces (Leo's innovation to improve on his original design).

    I also opted for a glossed maple fretboard on a 7 1/2" radius to be true to the original Leo design to ease chording and multi-string bends (A 'true' Start has a flatter 12" radius, one reason why it works so well as a slide guitar), the slick surface easing sliding (slippery) chords and multi-step string bending, another factor in the 'Tele' sound, a guitar originally designed by George Fullerton & Leo (duh...G&L) to be a country-western lead guitar player's portable, standup answer to a steel guitar.

    I went for the Bluesboy to get a G&L Alnico V humbucker at the neck -- fairly bright because of that grade of Alnico, not prone to muddiness, like the 'typical' Tele lipstick single coil neck pup, and not as 'warm & fuzzy' as the optional Duncan 55N Seth Lover. (BTW: until Leo sold to CBS, that neck pup has/had a preset bassy tone, non-variable. CBS starting screwing around with the circuitry things around 1967).

    I was estimated it would take 14 weeks to build. It only took 5. All I hoped for was a Really Nice Piece Of Ash and a well-done Cherryburst finish over it.

    I got it. I don't think it's ugly. At all.


    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

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    Wingsdad, a couple of you guys own some very nice Tele's and the G&L's can make converts out of the people that are not Tele fans (I for one have fallen victim). After playing a couple of Fender and admiring your latest G&L, I wouldn't be surprised if the day will come when I will purchase a higher end Tele.

    The guitars I see posted here lead me to purchasing an inexpensive Tele. I like it and with a little more "tweaking" I think I will find myself playing it often.
    Mark
    * Loud is good, good is better!

  9. #9
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    Au contraire, Strum! The Tele was the guitar I always desired from the time I was a kid - when, many years later, I bought my first electric, it was a Squire Tele. However, as I mentioned somewhere else, I couldn't make it 'sing' (probably because it was my first electric!) and I no longer have it But I still love the looks!

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    Plumb 21 oz. sandpaper faced hammer; beautiful. A hammer is an example of the human mind creating a tool that with skill, exponentially expands the capabilities of the human form. Learn to swing it right, and you can drive a deck or framing nail in one hit, and not damage the wood. Beautiful.

    P.S. It usually takes me 2 to 4 hits. ;-)
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  11. #11
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    Tele = beautiful IMO.

    Someone mentioned above about Warlocks and Bichs...I think those are the most ridiculous looking things. That's just my opinion, of course...but WTF? Why, B.C. Rich, why?

    Oh, wait...here's one:


  12. #12
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    A hammer is an example of the human mind creating a tool that with skill, exponentially expands the capabilities of the human form.
    See, there you go. Change "hammer" to "tele" and that's about all that needs to be said.

    Strum, I'm honored.
    "When I play, I express my feelings very fast." -Yomo Toro

  13. #13
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    I have a limited edition G&L which is tele-shaped but with strat type pickup arrangement including a toggle switch to combine neck and bridge, or even neck, middle, and bridge.


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    younger brother plays a MIA tele and loves it.although he is straight up country whereas I am at the other end of the spectrum with embedded Rock roots.I tried to teach him rock style guitar but hey he plays.seems more comfy with acoustic and country or bluegrass but that's cool he makes music nevertheless
    Life is like a camera, just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot. ~ Anonymous


    Guitars: 1967(year they came out): Fender Coronado II Wildwood I ,Fullerton ST- 4 Fat Strat , Esteban Legacy acous/elec,99 MIA Standard Fender Strat
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    For me when I was younger I thought the Tele was a crap guitar and the Esquire was just cheap. I mean one pick up WTF is that all about. Fast foward 15-20 years. I bought two Teles both MIM Standards (Artic White and Chrome Red) and converted the red one into a Esquire to see what they were all about. I look back with regret now that I ever had those feelings. I sold the white Tele and kept the red Esquire. I lightly reliced the body and for a first timer and it being a poly body it looks fine to me. For me while the Tele is no slouch the Esquire is the best damn guitar ever made. The reason I like the Esquire so much I can concentrate more on playing then flipping the selector switch trying to get the sound I want the Esquire already does that for me.

    So to answer your question "If a tele is ugly or beautiful?" The Tele is beautiful but the Esquire is "Drop Dead Gorgeous.
    May you be a half an hour in Heaven before the Devil knows you're dead!

  16. #16
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    At the end of the day, I think that the Tele is the best design of all time as far as solid body electrics go. Leo's first was the best IMO.

    It's the model that I would choose if I could have only ONE guitar and no other, so that should tell you what I think of it's beauty.

    Wonderfully simple, yet immensely effective. What more can you ask for?

  17. #17
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    My only beef is the flat top. I wish they had a curved top like Strats. Curved back too. Hell more curves why don't you!

    They sound damn good though so my Tele's a keeper.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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  18. #18
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    you'll pry my tele from my cold, dead hands.
    2006 Washburn WD55SW Augusta, 2006 Washburn J28S12DL, Washburn EA20SDL,
    2008 American Standard Fender Telecaster
    2008 Rondo Limited Edition SST, G&L ASAT Semi-Hollow, Gibson LP Ultra

  19. #19
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    Quote Originally Posted by Childbride
    you'll pry my tele from my cold, dead hands.
    +1

    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

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