That's what early Tele players said, so they created the Strat. And added a 2nd cutaway, a 3rd pickup, more tone control and the misnomered but effectively revolutionary 'tremolo' integrated with bridge system.Originally Posted by Tone2TheBone
That's what early Tele players said, so they created the Strat. And added a 2nd cutaway, a 3rd pickup, more tone control and the misnomered but effectively revolutionary 'tremolo' integrated with bridge system.Originally Posted by Tone2TheBone
Last edited by wingsdad; May 25th, 2008 at 10:14 AM.
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
That must be why I love Strats so much. Only thing is that you don't get the same sounds out of a traditional Strat as you do on a Tele with the 2 pup combo, vintage bridge and string through back design on an ash body. Well you could but you'd have to modify a hardtail ash Strat I suppose.Originally Posted by wingsdad
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
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Have you ever purchased a car and then suddenly you seem to notice that make and model everywhere.
Same is happening with the Tele. I hear more people talk about them, meeting more people that own them or hope to someday. The other day I received my copy of Guitar Player and read an article about stomp boxes. Today I was sitting at the kitchen table and grab something to eat. I grab that same mag and notice on the cover "Twang Seminar - Learn Some Burnin' Hot Tele Licks" Short history about the guitar and then lessons from various artists.
Here's a little something from the website.
http://truefiretv.com/index.html?req...twang/dbtintro
Mark
* Loud is good, good is better!
Teles - I love 'em. Funny thing is, I didn't appreciate how cool they were until a few years ago. Up until that point, it was all pointy guitars and tons of distortion all the time.
I guess I've matured a bit as a player. There's something about the design and the inherent "Tele-tone" that speaks to me. I also have fun playing Teles every time I pick one up.
Now if I could make one speak like Danny Gatton that would be something!:
Guitars:
Fender 2006 MIM Fender Stratocaster HSS in 3TS
Ibanez RG 570 with a bridge Invader
ESP M II Deluxe with a Tune-o-Matic bridge
Eleanor, the magical, mystical Road Worn wonder Tele
Blackstar HT Club 40
Oh, I should mention the thing that I really don't like about Teles is the covered neck pickup. Blech. Thankfully my Model 7 didn't have one and the pup I was going to put in it wouldn't have had one either.
I know that having that opinion is grounds for homicide on the TDPRI.
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"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
Now this is a tele. I have tried to love them but the only one that felt good was this one, but at that price...ahhh no.
http://wildwoodguitars.com/electrics...58/se04958.php
And I know how much you guys all love the reilic thing.
http://wildwoodguitars.com/electrics...c873/jc873.php
The Blues is alright!
Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde
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[QUOTE=ZMAN]Now this is a tele. I have tried to love them but the only one that felt good was this one, but at that price...ahhh no.
http://wildwoodguitars.com/electrics...58/se04958.php
Save the cash and call Uncle Ike.
At $10,500, it's a steal!!!Originally Posted by ZMAN
Mark
* Loud is good, good is better!
Tele's are as much of a tool as a hammer....I have seen some like the one in Aolian's post that are raw wood grain with a clear coat that are beautiful....but most of the standard finishes are just plain.....but the twang that comes out is the real deal man.....if you want country or country blues that is the only axe to rock.....
Brad Paisley is the only artist that comes to mind that uses custom finished tele's and they are visually stunning.....and his playing style...and whatever is in his signal chain makes his tone very unique and about as impressive as it gets in country music....Brad is probably my favorite country guitar player.
ETA:
Brad's signature tone is as distinct as Zakk Wylde's albeit a completely different genre
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I think all of mine are Beautiful
Attachment 1551
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Best looking guitar ever.
Tele's rule!!!!
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The point has been made repeatedly about the beauty of the Tele being in it's simplicity, and I agree wholeheartedly. And I'm also onboard with the opinion about "pointy" guitars being the ugly ones. AFAIC, you can pretty much burn that entire BC Rich product line! Yeah, I'm a traditionalist!
Tele's are virtually instantly recognizable in look and tone, definitely one of the true all-time classics. While a Tele wasn't first or second on my personal "must have" list (that was a Strat and an LP, respectively), it was still w-a-a-a-y-y up there (4th). Here's mine, a Nashville 3-pickup model that I modified with a white MOTO pickguard, and also installed a compensated brass 3-saddle bridge:
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But my Bessie is sooo beautiful - and at the end of the day, because of her points, she is just as recognizable. Plus, there is common misconception with BC Richs, especially Warlocks - their shape is deliberate, in my opinion, for a simple reason - freedom of playing. When sitting, you can just as easily play in the classical position as you can the right-thigh position. Brilliant. The classical position is much better for your back and playing in general, as well.Originally Posted by duhvoodooman
But, it is all personal taste, at the end of the day.
<---is a Beast, but as close to Bessie as I'll get with a smilie. . .
Guitar: Gibson SG Standard Natural Burst, Squier CV 50's Tele, Hell Guitars No. 2, Squier CV 50's Strat, Reverend Club King 290, Taylor 522e 12-Fret mahogany,
Squier Vintage Modified Jaguar Bass Short Scale
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Right, I haven't read all the comments anyone has posted, so sorry if the topic has changed in the last two pages, but I am not so keen on Teles, either - but strum's point about it growing on you is true.
I've never really liked the look or feel of Teles, but their sound is unarguable. As with Strats. If you want that kind of sound, these guitars are your best bet.
Saying that - strum, I quite like the Tele you have. It's a bit sleeker and I like the cutaway a lot more than traditional Teles.
Anyways, Super Strats FTW!
I like Teles. To many people's way of thinking, they are not beautiful, but I don't like flash guitars with all sorts of figured wood or flame or quilt or abalone anyhow, so they are a good match for me.
I have 3 Teles. I like how they look.
Sorry about the crappy pic.
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That's the thing I liked about my Model 7. It was a Tele AND a pointy at the same time!
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
Hey Vood, how come you got away from the original 6 saddle bridge ?
Pros/cons ?
I've always thought I would leave my Nash bone stock but I could be persuaded.
thanks
Ted
DVM, I was curious about that too. I have the three saddle set up and I was thinking that setting intonation would be difficult since two strings occupy one saddle.
This being new to me, I was curious if I was missing something.
Mark
* Loud is good, good is better!