Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2968

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958
Tele - Ugly or Beautiful? - Page 2
Page 2 of 5 FirstFirst 1234 ... LastLast
Results 20 to 38 of 115

Thread: Tele - Ugly or Beautiful?

Hybrid View

  1. #1
    Join Date
    Sep 2007
    Location
    High & Dry, Southern California
    Posts
    1,483
    Post Thanks / Like

    Default

    Quote Originally Posted by Tone2TheBone
    My only beef is the flat top. I wish they had a curved top ..{EDIT}... Curved back too. Hell more curves why don't you!
    That's what early Tele players said, so they created the Strat. And added a 2nd cutaway, a 3rd pickup, more tone control and the misnomered but effectively revolutionary 'tremolo' integrated with bridge system.
    Last edited by wingsdad; May 25th, 2008 at 10:14 AM.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  2. #2
    Join Date
    Sep 2005
    Location
    Albuquerque, New Mexico, USA
    Posts
    6,009
    Post Thanks / Like

    Default

    Quote Originally Posted by wingsdad
    That's what early Tele players said, so they created the Strat. And added a 2nd cutaway, a 3rd pickup, more tone control and the misnomered but effectively revolutionary 'tremolo' integrated with bridge system.
    That must be why I love Strats so much. Only thing is that you don't get the same sounds out of a traditional Strat as you do on a Tele with the 2 pup combo, vintage bridge and string through back design on an ash body. Well you could but you'd have to modify a hardtail ash Strat I suppose.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  3. #3
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    Have you ever purchased a car and then suddenly you seem to notice that make and model everywhere.

    Same is happening with the Tele. I hear more people talk about them, meeting more people that own them or hope to someday. The other day I received my copy of Guitar Player and read an article about stomp boxes. Today I was sitting at the kitchen table and grab something to eat. I grab that same mag and notice on the cover "Twang Seminar - Learn Some Burnin' Hot Tele Licks" Short history about the guitar and then lessons from various artists.

    Here's a little something from the website.

    http://truefiretv.com/index.html?req...twang/dbtintro
    Mark
    * Loud is good, good is better!

  4. #4
    Join Date
    Nov 2005
    Location
    All over Texas...
    Posts
    4,071
    Post Thanks / Like

    Default

    Teles - I love 'em. Funny thing is, I didn't appreciate how cool they were until a few years ago. Up until that point, it was all pointy guitars and tons of distortion all the time.

    I guess I've matured a bit as a player. There's something about the design and the inherent "Tele-tone" that speaks to me. I also have fun playing Teles every time I pick one up.

    Now if I could make one speak like Danny Gatton that would be something!:
    Guitars:
    Fender 2006 MIM Fender Stratocaster HSS in 3TS
    Ibanez RG 570 with a bridge Invader
    ESP M II Deluxe with a Tune-o-Matic bridge
    Eleanor, the magical, mystical Road Worn wonder Tele
    Blackstar HT Club 40

  5. #5
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    Oh, I should mention the thing that I really don't like about Teles is the covered neck pickup. Blech. Thankfully my Model 7 didn't have one and the pup I was going to put in it wouldn't have had one either.

    I know that having that opinion is grounds for homicide on the TDPRI.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  6. #6
    Join Date
    Feb 2008
    Location
    North of the Equator: I am a Southerner, Southern Ontario!
    Posts
    2,041
    Post Thanks / Like

    Default

    Now this is a tele. I have tried to love them but the only one that felt good was this one, but at that price...ahhh no.
    http://wildwoodguitars.com/electrics...58/se04958.php
    And I know how much you guys all love the reilic thing.
    http://wildwoodguitars.com/electrics...c873/jc873.php
    The Blues is alright!

    Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
    Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde

    Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
    2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD

    Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.

  7. #7
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    [QUOTE=ZMAN]Now this is a tele. I have tried to love them but the only one that felt good was this one, but at that price...ahhh no.
    http://wildwoodguitars.com/electrics...58/se04958.php

    Save the cash and call Uncle Ike.


    Quote Originally Posted by ZMAN
    And I know how much you guys all love the reilic thing.
    http://wildwoodguitars.com/electrics...c873/jc873.php
    At $10,500, it's a steal!!!
    Mark
    * Loud is good, good is better!

  8. #8
    Join Date
    Dec 2007
    Location
    In The Middle Of The Arrpeggio
    Posts
    1,395
    Post Thanks / Like

    Default

    Tele's are as much of a tool as a hammer....I have seen some like the one in Aolian's post that are raw wood grain with a clear coat that are beautiful....but most of the standard finishes are just plain.....but the twang that comes out is the real deal man.....if you want country or country blues that is the only axe to rock.....

    Brad Paisley is the only artist that comes to mind that uses custom finished tele's and they are visually stunning.....and his playing style...and whatever is in his signal chain makes his tone very unique and about as impressive as it gets in country music....Brad is probably my favorite country guitar player.


    ETA:

    Brad's signature tone is as distinct as Zakk Wylde's albeit a completely different genre
    Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic

    Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT

    Effects: Rocktron Delay | BBE Free Fuzz | Big Muff Pi | Boss Flanger | Bad Monkey | Jekyll and Hyde | Cry Baby Wah | Boss EQ | Behrenger TU300 Tuner |



  9. #9
    Join Date
    Mar 2007
    Posts
    135
    Post Thanks / Like

    Default

    I think all of mine are Beautiful

    Attachment 1551
    "Life is not a journey to the grave with the intention of arriving safely in a
    pretty and well preserved body, but rather to skid in broadside, thoroughly
    used up, totally worn out, and loudly proclaiming--WOW--What a ride!!!"
    -Stuart Wilde-

    "If the only tool you have is a hammer, you tend
    to view every problem as a nail."
    -Maslow-

    "Religion is sitting in a church thinking about fishing.
    Spirituality is fishing and thinking about God."
    -Unknown-

  10. #10
    Join Date
    Jul 2007
    Posts
    158
    Post Thanks / Like

    Default

    Best looking guitar ever.

  11. #11
    Join Date
    Oct 2007
    Location
    DixieFried in BAMA!!!!
    Posts
    2,496
    Post Thanks / Like

    Default

    Tele's rule!!!!



    "I love being alive and I will be the best man I possibly can. I will take love wherever I find it and offer it to whoever will take it... seek knowledge from those wiser and teach those who wish to learn from me."
    "Develop your talent, man, and leave the world something. Records are really gifts from people. To think that an artist would love you enough to share his music with anyone is a beautiful thing."
    Duane Skydog Allman

    You come to a point in your life when you really don't care what people think about you, you just care what you think about yourself." - Evel Knievel

  12. #12
    Join Date
    Feb 2006
    Location
    Uppah Noo Yawk
    Posts
    7,407
    Post Thanks / Like

    Default

    The point has been made repeatedly about the beauty of the Tele being in it's simplicity, and I agree wholeheartedly. And I'm also onboard with the opinion about "pointy" guitars being the ugly ones. AFAIC, you can pretty much burn that entire BC Rich product line! Yeah, I'm a traditionalist!

    Tele's are virtually instantly recognizable in look and tone, definitely one of the true all-time classics. While a Tele wasn't first or second on my personal "must have" list (that was a Strat and an LP, respectively), it was still w-a-a-a-y-y up there (4th). Here's mine, a Nashville 3-pickup model that I modified with a white MOTO pickguard, and also installed a compensated brass 3-saddle bridge:

    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  13. #13
    Join Date
    May 2008
    Location
    London, England
    Posts
    916
    Post Thanks / Like

    Default

    Quote Originally Posted by duhvoodooman
    AFAIC, you can pretty much burn that entire BC Rich product line! Yeah, I'm a traditionalist!
    But my Bessie is sooo beautiful - and at the end of the day, because of her points, she is just as recognizable. Plus, there is common misconception with BC Richs, especially Warlocks - their shape is deliberate, in my opinion, for a simple reason - freedom of playing. When sitting, you can just as easily play in the classical position as you can the right-thigh position. Brilliant. The classical position is much better for your back and playing in general, as well.

    But, it is all personal taste, at the end of the day.

    <---is a Beast, but as close to Bessie as I'll get with a smilie. . .

  14. #14
    Join Date
    Oct 2008
    Location
    Clear Lake, Texas
    Posts
    5,413
    Post Thanks / Like
    Blog Entries
    1

    Default

    Quote Originally Posted by mrmudcat View Post
    Tele's rule!!!!

    Muddy, is that a koa Korean Tele on the right?
    Regardless, it's a beauty! How's it sound?
    Guitar: Gibson SG Standard Natural Burst, Squier CV 50's Tele, Hell Guitars No. 2, Squier CV 50's Strat, Reverend Club King 290, Taylor 522e 12-Fret mahogany,
    Squier Vintage Modified Jaguar Bass Short Scale
    Amp: Fender Super Champ X2 Head, Egnater Tweaker 15, Fender Mustang I, Acoustic B20 1x12 bass amp
    Pedal: Budda Budwah wah, Wampler Ego Compressor, Electro-Harmonix Soul Food, Voodoo Lab Sparkle Drive, Wampler Velvet Fuzz, Seven Sisters Eve Tremolo, TC Electronics Gravy Tri Chorus & Vibrato, Catalinbread Echorec, TC Electronic Alter Ego 2 Delay, Hardwire Supernatural Ambient Verb, MXR Carbon Copy, Catalinbread RAH, Big Muff Pi with Tone Wicker, BYOC Mouse 2.0 Distortion, BYOC Boost/OD-2

  15. #15
    Join Date
    May 2008
    Location
    London, England
    Posts
    916
    Post Thanks / Like

    Default

    Right, I haven't read all the comments anyone has posted, so sorry if the topic has changed in the last two pages, but I am not so keen on Teles, either - but strum's point about it growing on you is true.

    I've never really liked the look or feel of Teles, but their sound is unarguable. As with Strats. If you want that kind of sound, these guitars are your best bet.

    Saying that - strum, I quite like the Tele you have. It's a bit sleeker and I like the cutaway a lot more than traditional Teles.

    Anyways, Super Strats FTW!

  16. #16
    Join Date
    Apr 2007
    Location
    GVL FLA USA
    Posts
    4,323
    Post Thanks / Like

    Thumbs up

    I like Teles. To many people's way of thinking, they are not beautiful, but I don't like flash guitars with all sorts of figured wood or flame or quilt or abalone anyhow, so they are a good match for me.

    I have 3 Teles. I like how they look.



    Sorry about the crappy pic.

  17. #17
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    That's the thing I liked about my Model 7. It was a Tele AND a pointy at the same time!

    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  18. #18
    Join Date
    Jun 2006
    Location
    Ontario, Canada
    Posts
    2,080
    Post Thanks / Like

    Default

    Hey Vood, how come you got away from the original 6 saddle bridge ?
    Pros/cons ?
    I've always thought I would leave my Nash bone stock but I could be persuaded.

    thanks

    Ted

  19. #19
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    DVM, I was curious about that too. I have the three saddle set up and I was thinking that setting intonation would be difficult since two strings occupy one saddle.

    This being new to me, I was curious if I was missing something.
    Mark
    * Loud is good, good is better!

Page 2 of 5 FirstFirst 1234 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •