Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958
Tele - Ugly or Beautiful?
Page 1 of 7 123 ... LastLast
Results 1 to 19 of 115

Thread: Tele - Ugly or Beautiful?

  1. #1
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default Tele - Ugly or Beautiful?

    Since there were enough comments about the looks of the Tele, I thought the topic deserved it's own thread. The title BUG stirred a little opinion, so I figure let's discuss our view.

    Initially I didn't like the Tele, saw no attraction to it, not the looks or the sound. When started to find an interest in it, I still didn't think it was a pleasant looking guitar, but the more I read the threads and the more I saw pictures of it, my interest grew. CB went and bought hers and Wingsdad got that lovely G&L - the combination of the two took me over the top.

    They have a beauty in it's simplicity and I think because of the simplicity they tend not to be eye catching unless you start to learn the history of guitars and where the Tele fits in.

    If there is a study or was to be a study, I think you would find that the Tele style is ranks low as far as the style of someones first guitar. Chances are, althiugh there are a lot of Tele owners, the purchase was most likely at least the second guitar they purchased.

    So, tell us what you think about Tele's (from any manufacturer) and if you have one, post a pic with your comments.

    Not the best pic, but

    Mark
    * Loud is good, good is better!

  2. #2
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    It's probably neither. I like the Tele bridge sound and the middle sound, which are hard to reproduce on a Strat without some surgery. I don't mind the body look in general. My Charvel Model 7 (Tele-style) had a tummy cut which was very nice. When I play a Fender Tele I feel like I'm playing a big ol' plank o' wood.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  3. #3
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    Quote Originally Posted by marnold
    When I play a Fender Tele I feel like I'm playing a big ol' plank o' wood.
    that was another one of my initial turn offs about the Tele. It needs to incorporated some of the Strat cuts, however I've grown use to the slab and I guess that's part of its character.
    Mark
    * Loud is good, good is better!

  4. #4
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    It is handsome in an eclectic way. Teles are not female to me. They strike me as a solid, not flashy, dependable friend.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  5. #5
    Join Date
    Nov 2006
    Location
    Takoma Park, MD
    Posts
    420
    Post Thanks / Like

    Default

    Is a hammer ugly or beautiful?
    "When I play, I express my feelings very fast." -Yomo Toro

  6. #6
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Plumb 21 oz. sandpaper faced hammer; beautiful. A hammer is an example of the human mind creating a tool that with skill, exponentially expands the capabilities of the human form. Learn to swing it right, and you can drive a deck or framing nail in one hit, and not damage the wood. Beautiful.

    P.S. It usually takes me 2 to 4 hits. ;-)
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  7. #7
    Join Date
    Sep 2006
    Location
    Kentucky
    Posts
    271
    Post Thanks / Like

    Default

    Tele = beautiful IMO.

    Someone mentioned above about Warlocks and Bichs...I think those are the most ridiculous looking things. That's just my opinion, of course...but WTF? Why, B.C. Rich, why?

    Oh, wait...here's one:


  8. #8
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    Quote Originally Posted by Ro3b
    Is a hammer ugly or beautiful?
    That's a great way of looking at it. A hammer, is a hammer, but in the hands of someone that appreciates the tool and knows how different hammers provide different results, they can become a beautiful tool.

    If my statement about Tele's seldom being the first guitar is accurate, that may be the reason. You have to develop an understanding of the use of tone or at least recognize the difference.

    Ro3b, I hope you don't mind me using that in my sig.
    Mark
    * Loud is good, good is better!

  9. #9
    Join Date
    Nov 2006
    Location
    Takoma Park, MD
    Posts
    420
    Post Thanks / Like

    Default

    A hammer is an example of the human mind creating a tool that with skill, exponentially expands the capabilities of the human form.
    See, there you go. Change "hammer" to "tele" and that's about all that needs to be said.

    Strum, I'm honored.
    "When I play, I express my feelings very fast." -Yomo Toro

  10. #10
    Join Date
    Jan 2006
    Posts
    861
    Post Thanks / Like

    Default

    I have a limited edition G&L which is tele-shaped but with strat type pickup arrangement including a toggle switch to combine neck and bridge, or even neck, middle, and bridge.


  11. #11
    Join Date
    Sep 2007
    Location
    High & Dry, Southern California
    Posts
    1,483
    Post Thanks / Like

    Default

    Took you a while to come around, Strummy :

    "Beauty's Only Skin Deep (Yeah, Yeah, Yeah)"
    - The Temptations

    "You can't judge a book by its cover."

    I suppose one can either hate it or love it. Whatever floats one's boat.

    Plank of wood, indeed.

    When I ordered this ASAT Classic Bluesboy, I considered going for it as a solid body with back & front edge bindings or WITH an optional back body belly contour, like a Strat, to be less of slab, and thus with no back binding. But I ended up going for the chambered semi-hollow swamp ash body without an f-hole (to let the ash's grain show & go undisturbed, both for looks and for tonal quality) as much for lighter weight as for some acoustic resonance. Body contour and back binding is n/a on semi-hollows, although the body 'bindings' are actually just the top's wood left unstained along the edges.

    I went for the 'Classic' string-thru-body integrated bridge & slanted pickup assembly with brass barrel saddles, because THAT was Leo's design concept that produces that undeniably Tele clean, biting, snappy metallic twang with a ringing sustain, the slanted pup gathering some bottom end picking up the low strings vibes away from the bridge. Unlike the original Fender set polepieces, the G&L Magnetic Field Design bridge pup has adjustable polepieces (Leo's innovation to improve on his original design).

    I also opted for a glossed maple fretboard on a 7 1/2" radius to be true to the original Leo design to ease chording and multi-string bends (A 'true' Start has a flatter 12" radius, one reason why it works so well as a slide guitar), the slick surface easing sliding (slippery) chords and multi-step string bending, another factor in the 'Tele' sound, a guitar originally designed by George Fullerton & Leo (duh...G&L) to be a country-western lead guitar player's portable, standup answer to a steel guitar.

    I went for the Bluesboy to get a G&L Alnico V humbucker at the neck -- fairly bright because of that grade of Alnico, not prone to muddiness, like the 'typical' Tele lipstick single coil neck pup, and not as 'warm & fuzzy' as the optional Duncan 55N Seth Lover. (BTW: until Leo sold to CBS, that neck pup has/had a preset bassy tone, non-variable. CBS starting screwing around with the circuitry things around 1967).

    I was estimated it would take 14 weeks to build. It only took 5. All I hoped for was a Really Nice Piece Of Ash and a well-done Cherryburst finish over it.

    I got it. I don't think it's ugly. At all.


    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  12. #12
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    Wingsdad, a couple of you guys own some very nice Tele's and the G&L's can make converts out of the people that are not Tele fans (I for one have fallen victim). After playing a couple of Fender and admiring your latest G&L, I wouldn't be surprised if the day will come when I will purchase a higher end Tele.

    The guitars I see posted here lead me to purchasing an inexpensive Tele. I like it and with a little more "tweaking" I think I will find myself playing it often.
    Mark
    * Loud is good, good is better!

  13. #13
    Join Date
    Jul 2007
    Location
    Plymouth, MA USA
    Posts
    2,077
    Post Thanks / Like

    Default

    Au contraire, Strum! The Tele was the guitar I always desired from the time I was a kid - when, many years later, I bought my first electric, it was a Squire Tele. However, as I mentioned somewhere else, I couldn't make it 'sing' (probably because it was my first electric!) and I no longer have it But I still love the looks!

  14. #14
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    Quote Originally Posted by tjcurtin1
    Au contraire, Strum! The Tele was the guitar I always desired from the time I was a kid - when, many years later, I bought my first electric, it was a Squire Tele. However, as I mentioned somewhere else, I couldn't make it 'sing' (probably because it was my first electric!) and I no longer have it But I still love the looks!
    Did you ever buy another one? I'm not saying no one buys a Tele as their first guitar, but I think they tend to be an acquired taste after some playing on other guitars. IMHO I think of them more as a specialty guitar that really isn't suited for all types of music. Again, just my opinion.
    Mark
    * Loud is good, good is better!

  15. #15
    Join Date
    Jun 2006
    Location
    Humboldt, Saskatchewan, Canada
    Posts
    1,399
    Post Thanks / Like

    Default

    Quote Originally Posted by tjcurtin1
    However, as I mentioned somewhere else, I couldn't make it 'sing' (probably because it was my first electric!) and I no longer have it But I still love the looks!
    I think Tele's are very unforgiving and a bit tougher to wrangle out the tones you hear in your head, or from masters like Brent Mason or even Marty Stuart or Vince Gill. That distinct "Tele Twang", in my experience, is all in the hands. (I'm not implying that I am anywhere CLOSE to mastering this beautiful little slab of wood - far from it. But, like everything else, it's a work in progress )

    It's tone can be biting to the point of "ice-pick" and doesn't immediately lend itself to smooth tones you get from an LP, or even a Strat.

    Maybe that's why it's not a popular "first guitar" choice. That being said, I grew up on a steady diet of Buck and Don, Merle, Waylon etc. I think Tele's are beautiful to look at and beautiful to play or hear.

    Here's mine:


    KEEP ON TWANGIN AND BANGIN IN THE FREE WORLD :

    Trev
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


  16. #16
    Join Date
    Nov 2005
    Location
    central florida
    Posts
    4,577
    Post Thanks / Like

    Default

    i love my tele...i think it's been said a tele is the hardest guitar to play....not physically but it so raw that it exposes your every mistake (and i make a lot of them!)

    my tele gets equal playing time with my gibson lp special.

    here's mine....a mim 2005 agave blue standard (click for larger pics)

    ww

    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
    Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic

    Amps: Fender Super Champ XD

    Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
    Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah

  17. #17
    Join Date
    May 2008
    Posts
    49
    Post Thanks / Like

    Default

    My 2 cents...

    Teles are beautiful guitars. Like others have said: simplicity is the source of this beauty.
    I have to say though, I dont like variations on the original design. Different pickup configurations, different bridges and rosewood fretboards all take something away it IMO.

    Also, like I have said in the other thread, ugly for me is those disgusting, big, angular things like B.C. Rich, Washburn Dimebags, Gibson Explorers and the like.

  18. #18
    Join Date
    Jul 2007
    Location
    Plymouth, MA USA
    Posts
    2,077
    Post Thanks / Like

    Default

    Quote Originally Posted by t_ross33
    I think Tele's are very unforgiving and a bit tougher to wrangle out the tones you hear in your head, or from masters like Brent Mason or even Marty Stuart or Vince Gill. That distinct "Tele Twang", in my experience, is all in the hands.
    Trev
    You're absolutely right - two experienced guitar playing friends played my tele and immediately made it sound ways I couldn't get it to... and I could tell it was 'in the hands' - very frustrating, but at least it proved it wasn't the guitar. One of those buddies ended up taking it off my hands... Maybe someday I'll try again.

    As for ugly - that term doesn't fit the classic look of the telecaster. I agree with Tone E about the guitars I'd class as UGLY -

  19. #19
    Join Date
    May 2007
    Location
    Lake Worth, South Fl
    Posts
    800
    Post Thanks / Like

    Default

    younger brother plays a MIA tele and loves it.although he is straight up country whereas I am at the other end of the spectrum with embedded Rock roots.I tried to teach him rock style guitar but hey he plays.seems more comfy with acoustic and country or bluegrass but that's cool he makes music nevertheless
    Life is like a camera, just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot. ~ Anonymous


    Guitars: 1967(year they came out): Fender Coronado II Wildwood I ,Fullerton ST- 4 Fat Strat , Esteban Legacy acous/elec,99 MIA Standard Fender Strat
    Amph's Original Roland Cube 15,Drive 30 w/spring reverb

Page 1 of 7 123 ... LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •