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Thread: Action VS Intonation

  1. #1
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    Default Action VS Intonation

    I have been having an awful time trying to get my “G” string intonation just right. I must have adjusted it 20 or mores times. The other 5 strings are dead on.

    I was having a major problem with playing open chords. I would tune the “G” string to be in tune. When I strummed the open “C” chord, it would sound as it should. When I strummed the open “D” chord, the “G” string would be too high causing a terrible sounding chord..

    So now I would purposely tune down the “G” string to be slightly flat. When strumming the open “D” chord it would sound as it should. But when strumming the open “C” chord, well you know the out come.

    As mention above, I worked the “G” string intonation many times without success. A couple days ago was checking out my action. It was set a little higher than normal (between 6/64ths and 7/64ths). I am an aggressive player and low action gives me string buzz.

    So I decided to lower the action to 5/64ths. I went back to check all 6 string’s intonation. I was very shocked to find the “G” string with correct intonation.

    My question is, has anybody have experienced with high action causing intonation problems?

    I have also discovered that lowering the action improved the overall tone coming from the HB pups. The tone is cleaner than before when the action was slightly higher.
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

  2. #2
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    Tim, was your G-string sharp or flat at the twelve fret ? Did you run out of adjustment at the saddle?

    I've found that changing the action certainly changes the intonation given that one leaves the saddle adjustment fixed.
    Last edited by tot_Ou_tard; May 4th, 2006 at 06:18 PM.

  3. #3
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    Tim, maybe your guitar was originally intonated in that action? Whenever you raise/lower the action you need to intonate. I have a strob tuner so I usually intonate when I change strings. I always check the 12th & the 5th fret. For example if you intonate the high E string, you want to get as close as possible to E, but the 5th fret (A) can be a little flat.
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

  4. #4
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    I had a problem with my Fender where the G string would be fine open and also from the sixth fret up, but on the first five frets it would not be intonated properly. The problem was that my nut was cut incorrectly. Once the slot was lowered, the intonation problems went away.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  5. #5
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    Quote Originally Posted by SuperSwede

    .... I have a strob tuner so I usually intonate when I change strings. I always check the 12th & the 5th fret. For example if you intonate the high E string, you want to get as close as possible to E, but the 5th fret (A) can be a little flat.
    Maybe I need to invest in a strob tuner. I find them interesting to use.
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

  6. #6
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    What kind of guitar are you trying to configure? Does it have a floating bridge?

    Be sure to make very subtle adjustments when adjusting the length of the string. I used to get fustrated becuase I didn't realize the most subtle adjustments made such a difference.


    Anytime you adjust saddle height you more often than not will need to readjust your intonation as well.
    "It's funny the way most people love the dead. Once you are dead, you are made for life." - Jimi Hendrix

  7. #7
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    Quote Originally Posted by tremoloman

    Be sure to make very subtle adjustments when adjusting the length of the string. I used to get fustrated becuase I didn't realize the most subtle adjustments made such a difference.

    Anytime you adjust saddle height you more often than not will need to readjust your intonation as well.
    Thanks Tremolo,

    Welcome back to the Fret Net. Well missed you. Now we need to find Justaguy.

    The guitar is a Custom Tele. The strings come through the body. I found out the hard way to make very subtle adjustments. I was turning the screw drive one complete turn. After much time of frustration I discovered I was passing right through the proper place for the setting that was needed. Now I only do 1/8 to ¼ turns of the adjusting screw.
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

  8. #8
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    You'll never quite get the G string perfectly intonated up and down the neck. It's inherent in the way a guitar is designed and also because most electric sets of strings don't come with a wound G string as with acoustic sets. Buzz Feiten, Earvana and others have devised compensated nuts to deal with this issue. PRS guitars also incorporate this idea into their guitars. You can also tune your guitar via equal temperament tuning to help. It's still not perfect but it is a little better. It's the nature of the beast.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  9. #9
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    I brought this thread back to life to ask about fretter's experience with wound G-strings.

    I'm thinking about giving it a try, but am concerned that it might widen the groove in the nut.
    I pick a moon dog.

  10. #10
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    Yeah, welcome back tremoloman!

    And while we're on the subject, what ever happened to Nelskie?

  11. #11
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    Quote Originally Posted by Bloozcat
    Yeah, welcome back tremoloman!

    And while we're on the subject, what ever happened to Nelskie?
    Good question Bloozcat. Nelskie is know to sit back behind the stage curtains and watch us Fretters. When he speaks, he usually something good to share. March 31, 2008 was his last post.
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

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