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Okay, here we go...(if you could have just one guitar...)
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Thread: Okay, here we go...(if you could have just one guitar...)

  1. #1
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    Default Okay, here we go...(if you could have just one guitar...)

    QUESTION:


    If you could have ONE gutar, and ONE guitar only for the rest of your days, what would it be??????

    THE CATCH:

    Stick to brand name, production, unmodified models only...

    I think this would fit the bill nicely for me:

    http://www.rondomusic.net/ps924.html

    Dual humbuckers in the right places, with a coil tap for those spankin' single coil sounds. 24 frets for when I feel the need... the need fer speed. Set neck construction for good sustain. Quilt or flame maple over mahogany for looks. Wilky tremolo for gettin' whammified on da solos, without the complexity of a @#$@#$@#$!#$##$%%^%^&%& Floyd.

    What model of guitar would you have in your stable, if you were limited to one?

    P.S. Put in the General Guitar forum in the hopes that we can discuss all makes and models of guitfiddles... Post up, Gentlemen!
    Last edited by Katastrophe; May 10th, 2006 at 07:13 PM.
    Guitars:
    Fender 2006 MIM Fender Stratocaster HSS in 3TS
    Ibanez RG 570 with a bridge Invader
    ESP M II Deluxe with a Tune-o-Matic bridge
    Eleanor, the magical, mystical Road Worn wonder Tele
    Blackstar HT Club 40

  2. #2
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    I would get an old Fender Strat, the older the better!
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  3. #3
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    This would do it for me. Except I'd probably have to have two. One for a backup you know.
    http://www.musiciansbuy.com/parker_r...fsv_thkit.html
    Last edited by Spudman; May 11th, 2009 at 09:22 PM.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  4. #4
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    Hard... perhaps I would go with a Ibanez JS-1, coil tap and dual humbuckers on that one as well..
    http://www.ibanezregister.com/images...ibanez-js1.jpg
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

  5. #5
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    Quote Originally Posted by Robert
    I would get an old Fender Strat, the older the better!

    Me, too: a 50s strat in sunburst with maple neck, hm...

    In the moment I'm thinking of buing me a MIM Standard Stratocaster in that color.

    In 2006 they have changed the frets to medium jumbo, and I like it. So now I have to collect the 400 Euros.
    Greetings

    Christian

    Guitars: Fender Telecaster Standard, Squier Classic Vibe 50's Stratocaster, Yamaha Pacifica 412V, Dean Vendetta, J&D LS-1, Collins Stage Western

    Amp: Vox Valvetronix AD50VT, Fame GX60R

    Pedals: DIY Box of Rock Clone, DIY Linear Power Boster, Marshall Guv'nor Plus, Marshall Regenerator, Digitech Bad Monkey, Harley Benton OD-100, Harley Benton DD-2, Behringer Hellbabe HB01 Wah, Boss DS-1, Boss TU-2, Boss DD-7, EXH Small Clone

  6. #6
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    Well, I'm figuring that a lot of folks are going to mention models with dubious vintage credentials, others high $$ craftsmanship, and some with elite / custom bloodlines. My choice (and a very easy one at that) would be to give the nod to an old friend - one who has faithfully served my every every musical whim for the last (16) years. Yes, I need look no further than my very own studio to find six-stringed nirvana: my trusty '90 Epiphone Les Paul. To me, it embodies the very spirit of who I am as a player, and what music means to me. In my mind there isn't another guitar that would ever come close to this one - at any price.

    Yeah, just call me sentimental. But it's all I'll ever want, or need in a guitar.

  7. #7
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    This is a very tough question to answer ...

    I like different guitars for different things. I've also found that certain guitars bring out different things in my playing. My strat likes to be played a certain way. My Hamer Newport likes to be played in another way ... Sometimes I get tired of playing electric and messing with all the technology, then I reach for my acoustic and play that for a while.

    For electrics, I would have to say that my Newport would be the one I would keep. It's the one that I enjoy playing the most. It can be a pain sometimes since it doesn't have the sustain that my other guitars have, but it has a special tone and it's very versatile.

    But I would also have to have at least 1 acoustic. An that would be my Taylor 514CE. It's the nicest playing acoustic that I've ever had.

    -- Jim

  8. #8
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    '69 Strat Relic. That's the year I graduated from HS and the year of Woodstock and the best performance of the Star Spangled Banner that's ever been recorded. How could I pass up credentials like those??
    DVM's Ever-Expanding Gear List:

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  9. #9
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    Okay, I have a stoooopid question... What is it about vintage guitars that makes them so appealing?

    I've never played a "vintage" instrument, so I don't know the difference. I know and am in awe of some of the players of these "experienced" guitars, and can certainly appreciate the history behind guitars like Stevie's "No. 1," or Clapton's "Blackie," or the Cream era SG he played, but what makes them better?

    It's a question that plagues me, particularly when I see the astronomical prices that some of these guitars go for...
    Guitars:
    Fender 2006 MIM Fender Stratocaster HSS in 3TS
    Ibanez RG 570 with a bridge Invader
    ESP M II Deluxe with a Tune-o-Matic bridge
    Eleanor, the magical, mystical Road Worn wonder Tele
    Blackstar HT Club 40

  10. #10
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    Katatrophe,

    That's a great question. I wondered the same thing. I only had an encounter with some good vintage guitars a couple of times in my life. I asked that same question to a few people over the years. The answer is different depending on who you ask. What I'd heard is that the wood used in the classic era (50's-early60's) Fenders and Gibsons, etc, was much better quality than the wood available nowadays. Also, many of the guitars were handmade and varied from run-to-run at the factory, so you had some variation in neck thickness, etc.

    When I lived in the LA area I used to visit a guitar store called Voltage Guitar in the West LA area. They had a whole bunch of great vintage guitars there and you could try many of them if you asked. I played some '56 and '58 Strats and a few other really nice guitars. The main thing that I noticed about the older guitars is that the necks feel better because they are well worn and seen to have the comfortable feel like a pair of old blue jeans or something. With acoustic guitars, you can really tell the tonal differences in the older guitars because the tops are broken in and seem to vibrate more. I do think that vintage acoustic guitars are worth the extra $$.

    But I don't think that I could bring myself to pay 10-15K or more for a vintage guitar when I could spend less money have a custom made axe made.

    -- Jim

  11. #11
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    Fenders from the 50s sound much better than new ones. Plus, it's cool to have a vintage guitar! They are too expensive for me though. I go the cheap route.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  12. #12
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    Quote Originally Posted by Katastrophe
    Okay, I have a stoooopid question... What is it about vintage guitars that makes them so appealing?

    I've never played a "vintage" instrument, so I don't know the difference. I know and am in awe of some of the players of these "experienced" guitars, and can certainly appreciate the history behind guitars like Stevie's "No. 1," or Clapton's "Blackie," or the Cream era SG he played, but what makes them better?

    It's a question that plagues me, particularly when I see the astronomical prices that some of these guitars go for...
    Kat - Not better. Just one word. Mojo.

    Like Nel I love my Gibson so I would want either that or an original 1959 Gibson "Burst" Les Paul.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  13. #13
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    C'mon, you've got to give us a little leeway here. At least make it any one guitar.

    My choice would be my Lake Placid blue Strat clone that I made. If Clapton could cover his old Cream tones with his Strat, I know that mine will do a close enough approximation of a humbucker also.

    Besides, I just plain like Strat tone...
    Last edited by Bloozcat; May 15th, 2006 at 09:34 AM.

  14. #14
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    I don't play guitar, but ... I *loved* my dad's old Gibson - - I can't tell you the model or anything, but it was made in the 40's. He gave it to my brother who only barely "tinkers" with it - - but back in the day, dad sounded like Joe Pass on that thing.

    *sighs*

    I remember being a kid and going to sleep at night listening to him jamming with buddies in the living room on that thing. Oh what memories!
    "Upon us all a little rain must fall"
    ~ Led Zeppelin

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