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Thread: EQing Your Amp

  1. #1
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    Default EQing Your Amp

    Just something I thought I'd bring up as a discussion as well as to get some valued feedback from everyone.

    Alot of times, when I visit other forums to look at user patches for their amps, whether it is a Vox Valvetronix or even some of the user settings on Customtone.com for the Line 6 Flextone, I notice the following:

    Alot of folks are really CRANKING the bass on their EQ's, while not emphasizing much in mids or treble. I know tone is subjective, and I usually emphasize the mids and treble and roll back the bass as the amp volume goes up.

    Just wondering...does this make sense? My thought is if I wanted more bass, hey, I'll go play bass

    How do you EQ your amps?? I know too that every amp is different, but for example, on my AD50VT212 and Flextone III XL...the JCM 800 model is bassy enough, yet I see people diming the bass very often, and setting mids and treble at 12:00 or sometimes even lower.

    Any thoughts? Or what is your preference?
    Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.

    Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.

    Pedals: Digitech Bad Monkey.

  2. #2
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    Maybe they're playing at bedroom volumes. That might explain the need for more bottom end.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  3. #3
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    Quote Originally Posted by markb
    Maybe they're playing at bedroom volumes. That might explain the need for more bottom end.
    Exactly. That makes it sound full when turned down.

    Probably at a gig level it wouldn't be right. However, my Marshall JMP50 sounded best with the bass and mid cranked and the treble at 3 or 4. That was just the way the amp worked. The eq section can push the amp on that model. Maybe it can on others as well. If your models are true to form then they might work this way as well.

    You really just need to experiment to find what works. I'll use the same amp in different venues and eq it differently just because of the area's acoustics. So whatever it takes to sound good is my approach.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  4. #4
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    I find EQ'ing very confusing.

    Add pedals to the mix & you've got many places to adjust the EQ.

    I'm a basement player who is concentrating on country blues fingerstyle for the moment (I can only learn one thing at a time).

    I like the bottom strings to sound as much like bass strings as possible, that works well with the style. I just back the bass off from where they get ratty, flubby, or muddy.

    I'd use a totally different EQ for a different style.
    I pick a moon dog.

  5. #5
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    Quote Originally Posted by tot_Ou_tard
    I find EQ'ing very confusing.
    I find tone stacks on modlers to be voodoo like...I was dependant upon patches to get my mojo werkin.

    Now with my Deville, its pretty much set it and forget it, season to taste.

  6. #6
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    I set my amps fairly bright, then use the tone knob on my guitars to compensate. I am hardly an innovator though... look what I found while Googling:

    The tone settings on Jeff's amp were premarked on the face of the amp to allow for consistent settings by the setup crew and revealed some interesting information. Jeff uses no reverb, middle or bass on his amp settings. Only treble was used with the knob positioned at the one o'clock setting. Both volume setting knobs, ultra and classic gain, were positioned at eleven o'clock. The Deep switch and Tone Shift buttons (a Marshall amp feature) were also frequently employed by Jeff while playing.
    Source: http://www.ainian.com/jb6.html
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  7. #7
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    Quote Originally Posted by ShortBuSX
    I find tone stacks on modlers to be voodoo like...I was dependant upon patches to get my mojo werkin.

    Now with my Deville, its pretty much set it and forget it, season to taste.
    I have you beat with my Fender Champion 600, it has no tone controls whatsoever. I skip right over "set it" & move straight to "forget it".
    I pick a moon dog.

  8. #8
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    Quote Originally Posted by Robert
    I set my amps fairly bright, then use the tone knob on my guitars to compensate. I am hardly an innovator though... look what I found while Googling:


    Source: http://www.ainian.com/jb6.html
    That's my train of thought too...even at bedroom volumes, my amps are fairly bright sounding, depending on the model, etc. I like a fat midrangy sound, but also with some top end to it. I play either the neck pickup on my strat or either pickup on my Agiles.

    Maybe it's just individual preference or the style of music played.
    Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.

    Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.

    Pedals: Digitech Bad Monkey.

  9. #9
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    For the longest time I liked really bright amps. Now I don't like them as bright. I dial in the tone enough on both my amps so that some brightness is there and of course I still like a lot of bottom end.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  10. #10
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    Honestly, on the only real amph I own, I put bass, mid and treble all at 5. Once in a while, I dial back the mid, but really only because I have typically "scooped" the eq a bit on my stereos over the years. I think I like it better flat and using the guitar knobs.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


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