Cool as always. But you need to turn the track up a little.
And yes the challenge is to keep idea rolling. Try thinking thematically instead of riffmatically.
I finally got a few moments to hook up my Toneport for the first time to my MacBook Pro today. I haven't recorded anything for many months...
Here's a little groove I quickly jammed over:
http://www.box.net/shared/0jf1cimkzq
Gets boring to play over the same thing over and over - more than 2 minutes on this and I start to run out of ideas...
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.
Cool as always. But you need to turn the track up a little.
And yes the challenge is to keep idea rolling. Try thinking thematically instead of riffmatically.
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
Cool Robert!
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Is my guitar low volume, or the whole track?
I never think it terms of riffs, actually. Still, when the track is one static part like this, it can be hard to find interesting ideas.
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.
Originally Posted by Robert
I think just your guitar volume is low. Sounds great otherwise.
Sounds like a modern funkified version of the Meters Great tone Robert
Guitars:
1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings
Amps:
Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface
Nice track Robert!
The guitar could have been louder (and played through a real spankin plexi )
I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009
I find your guitar track flows perfectly into the backing track. Maybe volumes could be adjusted a little, but regarding playing, grooving and sound quality I give you 10 out of 10 points!
"A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)
Thanks! So the guitar tone is good, eh? It's the Toneport with my Strat, using the Super Lead 100 model with the stompbox distortion model added for extra gain. Since I don't have the real thing, I have to simulate!
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.
But a Marshall would StimulateOriginally Posted by Robert
Actually your guitar tone is awesome !
I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009
Tone and playing are awesome, as noted. Bit of boost on the lead track would help. Too bad that BT doesn't have a middle eight or something to change it up, it's a very cool groove. Your Strat at work here?
helliott in Hamilton
Guitars -- 2 PRS CE 24s 85/15 pups, PRS semi-hollow CE 22, Fender Baja Telecaster; Gibson Les Paul Standard; 80s Strat updated with custom 69 pups, Anniversary Strat with Fat 50s, Epiphone Sheraton re-issue; Yamaha 5-string bass; Yamaha TBS 6 and 12 string acoustics,Takamine acoustic, Fender nylon string acoustic
Amps -- Mesa Boogie Lone Star; Boss Katana 100, Peavey Blueamaster 2x10, Line 6 Helix
Pedals etc: Mosfet Full Drive 2; Ibanez Tube Screamer; Fairfield Barbershop OD, Diamond Compressor; Voodo Sparkledrive, Boss Digital Delay DD7; Boss TU2 Chromatic Tuner; Cry Baby wah
Thanks Helliot! Yes, it's the Strat with the Marshall Super Lead model in Gearbox. A bit of distortion stompbox modeling added in.
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.
I've got to pay more attention to the individual sections and stay away from the 'most recent' button a bit. It's too easy to miss great threads like this one and all the others posted here.
Sounds great Robert! Thanks for posting :
Gearlist:
Electric: Ibanez 'AS103', Fender Dlx Nash Pwr Tele, Fender Squier '62 JV Strat, Squier '51, Squier 60's Classic Vibe Strat, Epi Elite LP Studio, Hagstrom Swede Acoustic: Larrivee LV-03RE, A&L AMI, Yamaha FG340-T Bass: Yamaha BB 450 Amps: Roland JC-120, JC-50, Peavey Classic 30, Fender Super Champ XD Pedals: Marshall Guv'nor Plus, Danelectro Cool Cat Drive, Transparent Overdrive, Digitech Digiverb, Bad Monkey, Ibanez TS-9, Boss AC-2, CE-5, CS-2, DD-3, DF-2, DS-1, FV-100, GE-7, OC-2, PSM-5, SD-1, TU-2, DVM~BYOC 'Lush Puppy' Chorus
Thanks! Listening to it again, I think I should redo it! :
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.
Sounded great Robert it flows right in there. I hear the git on the left only maybe panning it to the right as well would bring it out enough, it don't need much. In my humble opinion of course
I'd missed this before too........sounds great!
Guitars
Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
Amps
Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
Pedals
Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal