Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958
This is going to sound ridiculous....
Results 1 to 11 of 11

Thread: This is going to sound ridiculous....

  1. #1
    Join Date
    Oct 2008
    Location
    West Texas
    Posts
    51
    Post Thanks / Like

    Default This is going to sound ridiculous....

    But since Im new to guitar, I really have no idea how a capo<sp?> is used & what it does. I see alot of players using them, but as a bass player, its completely alien to me. Please, regale me with your input...
    Thanks,

    Koy Carson
    West Texas

    **60th Anniversary American Strat
    **Carvin AC175 Thinline Acoustic
    **Ibanez EW20ZW Electric/Acoustic
    **Arbor AJ145CR Jazz
    **Fender Marcus Miller 5 String Bass
    **Fender Geddy Lee Signature Bass
    **Warwick Corvette 4 string Bass
    **Tradition Fretless Bass
    **Takamine Hollow body Bass

    http://www.myspace.com/k5koy


    The "PickKeeper" The ORIGINAL Guitar Accessory
    http://everythinglubbock.com/content...&item_id=64601
    Last edited by k5koy; October 12th, 2008 at 09:54 AM.

  2. #2
    Join Date
    Jul 2007
    Location
    La Plata, MD
    Posts
    110
    Post Thanks / Like

    Default

    Not ridiculous at all. Check this Wiki link...

    http://en.wikipedia.org/wiki/Capo

    Cheers and HTH,

    Bob

  3. #3
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    A capo is mainly used by acoustic guitarists to change the key of the guitar for a particular song. The capo basically becomes a new nut. So if you put the capo on the first fret and played an open E chord, it would sound like an F. I've never used one either, but that's my limited experience.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  4. #4
    Join Date
    Oct 2008
    Location
    West Texas
    Posts
    51
    Post Thanks / Like

    Default

    Ok, that explains what it is & how its used, but I more confused now.
    WHY? I guess would be the appropriate question here. I cant get my head around why you would want to do that.

    Koy Carson
    West Texas
    **60th Anniversary American Strat
    **Carvin AC175 Thinline Acoustic
    **Ibanez EW20ZW Electric/Acoustic
    **Arbor AJ145CR Jazz
    **Fender Marcus Miller 5 String Bass
    **Fender Geddy Lee Signature Bass
    **Warwick Corvette 4 string Bass
    **Tradition Fretless Bass
    **Takamine Hollow body Bass


    The "PickKeeper" The ORIGINAL Guitar Accessory
    http://everythinglubbock.com/content...&item_id=64601

  5. #5
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    To be able to play open chords in a different key is a common reason. Makes it easier to shift a song into a different key for singing purposes, etc., and still be able to play chords in an open fashion, rather than in some other formation.

    Because you have the capo essentially taking the place of the nut, you don't have to barre the chords father down the fretboard, and can play them open.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  6. #6
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    There was one song that I was trying to learn (it escapes me now) that was actually easier to play capoed on the first or second fret (can't remember which) simply because the chords were easier to play. It's hard to explain without giving you a specific example, but in this case it works.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  7. #7
    Join Date
    Oct 2007
    Posts
    797
    Post Thanks / Like

    Default

    A capo is mostly used as a tool to accomodate a singers vocal range. If a singer is most comfortable in D, but the fingering is easier in C, put the capo on the second fret and you are in business. A capo is a singer/guitar players best friend.

    Tonal changes are also a factor. Lyle Lovett plays "If I had a Boat" capoed way up, 7th. fret I think. The guitar has a really bright, treble heavy sound.

    You can also use a capo to fret just a few strings. I play a few tunes with a capo on the second fret and a partial capo (EADG only) on the fourth fret. Creates a alternate tuning only when those strings are open.
    "The music business is a cruel and shallow money trench, a long plastic
    hallway where thieves and pimps run free, and good men die like dogs.
    There's also a negative side."
    --Hunter S. Thompson

    Guitars: Dean Sweet Wood 00R, Martin D2R, Guild D60, Guild D35NT, Morgan Monroe M30, OS baritone Uke

  8. #8
    Join Date
    Oct 2008
    Location
    West Texas
    Posts
    51
    Post Thanks / Like

    Default

    Ok, now that makes sense! So just to be clear, If a singer likes D as you suggest, but C is a better choice for the guitarist, you stick it on 2nd fret and just play it like you normally would at the third fret?..Ok, that makes sense. Capos seem to be one of those items that there are a million different ones on the market. So, which one do I get?

    Thanks!

    Koy Carson
    West Texas

    **60th Anniversary American Strat
    **Carvin AC175 Thinline Acoustic
    **Ibanez EW20ZW Electric/Acoustic
    **Arbor AJ145CR Jazz
    **Fender Marcus Miller 5 String Bass
    **Fender Geddy Lee Signature Bass
    **Warwick Corvette 4 string Bass
    **Tradition Fretless Bass
    **Takamine Hollow body Bass

    http://www.myspace.com/k5koy


    The "PickKeeper" The ORIGINAL Guitar Accessory
    http://everythinglubbock.com/content...&item_id=64601

  9. #9
    Join Date
    Jul 2007
    Location
    La Plata, MD
    Posts
    110
    Post Thanks / Like

    Default

    I personally like Shubb capos...

    http://www.musiciansfriend.com/navigation?q=shubb&st=

    They all work well. Start with a cheap one and see how it goes.

    Here's a different type of capo...

    http://www.weaseltrap.com/

    I'll be getting one of these soon.

    Cheers,

    Bob

  10. #10
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    I got a shubb at the rec of my instructor and like it.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  11. #11
    Join Date
    Oct 2007
    Posts
    797
    Post Thanks / Like

    Default

    Schubb and Kyser are two popular capos. Kyser is nice for gigging players as you can clamp it on the headstock when not in use. Kyser has a tendency to pull the guitar out of tune a bit. Schubb you can tweak to adjust the pressure. I have both and tend to use the Schubb. The shorty capo I use is a Kyser.

    A new capo on the market is the g7 capo.

    http://www.g7th.com/

    Bunch of friends have it and love the thing.
    "The music business is a cruel and shallow money trench, a long plastic
    hallway where thieves and pimps run free, and good men die like dogs.
    There's also a negative side."
    --Hunter S. Thompson

    Guitars: Dean Sweet Wood 00R, Martin D2R, Guild D60, Guild D35NT, Morgan Monroe M30, OS baritone Uke

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •