Yes, I definitely think that one can many personal tones. I can think of one or two on the distortion side, and have already found one on the overdrive side I like a great deal that is new and different from the tones I used previously.
For consistency, I had the pedal set the same on every test clip, but each one could be varied a great deal. So far, the tone (filter) knob has been set to near neutral, but I could see getting a low, power chordy tone that just snarls for grungey/punky stuff, and one with more highs and bite for a different sound. Like I said, very versatile, and someone who really knew what they were doing could get much more out of it.
I aim to as I learn more. 
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Last edited by sunvalleylaw; December 12th, 2008 at 10:36 AM.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
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