I practiced the opening riff to 'message in a bottle' when I started getting back into guitar a couple of years ago a lot. It's a great stretch exercise which I've heard him (Andy Summers) describe as 'parallel fifth's'. He used the same pattern in a lot of his playing, and you can hear the same pattern in 'Every breath you take'
A while ago I was working on a little piece of my own and I found that using the parallel fifths I'd learned from him worked great into my piece as a forward progression to bridge two parts together.
The other day I was learning to play a Kim Mitchell tune (Rock and Roll Duty) and discovered that he used the same parallel fifths I'd learned from the Police tunes.
I don't think it's stealing, it's more about learning from multiple resources and hopefully coming up with your or sound or vibe.
Gearlist:
Electric: Ibanez 'AS103', Fender Dlx Nash Pwr Tele, Fender Squier '62 JV Strat, Squier '51, Squier 60's Classic Vibe Strat, Epi Elite LP Studio, Hagstrom Swede Acoustic: Larrivee LV-03RE, A&L AMI, Yamaha FG340-T Bass: Yamaha BB 450 Amps: Roland JC-120, JC-50, Peavey Classic 30, Fender Super Champ XD Pedals: Marshall Guv'nor Plus, Danelectro Cool Cat Drive, Transparent Overdrive, Digitech Digiverb, Bad Monkey, Ibanez TS-9, Boss AC-2, CE-5, CS-2, DD-3, DF-2, DS-1, FV-100, GE-7, OC-2, PSM-5, SD-1, TU-2, DVM~BYOC 'Lush Puppy' Chorus