Originally Posted by
Viking Power
Wow, I am blown away by the rampant use of "thick picks"!
My instructor has told me previously, "the thicker the better" and I have tended to disagree (mostly out of ignorance). My experimentation with pick thicknesses since picking up the guitar in January of this year are leading me to wander which pick is best for my current scenario. My lone axe at this point is a steel string acoustic and it SEEMS that the thicker picks produce a duller sound. Is this correct? Having said that the thinner picks I've tried .73 and under seem "floppy" though very quick on the attack.
Thanks for the interesting thread though guys!
: Always great to come here and read of new ideas, theories & experiences.
I prefer medium thickness to heavy thickness for acoustic playing and you can alter the brighter tones from the guitar by playing on the fat flatter end of the pick instead of the pointy end. Fat flatter end perpendicular to the strings when strummed make the guitar's brightness come through with shimmer.
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz