View Poll Results: OD or distortion best?

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  • Overdrive, no pedals!

    2 11.11%
  • Overdrive, with pedals!

    10 55.56%
  • Distortion!

    6 33.33%
Results 1 to 18 of 18

Thread: Driven sound preferences?

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  1. #1
    Join Date
    Nov 2006
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    It might be instructive to hear what kinds of music everybody is playing with their particular levels of OD and distortion.

    Me, I'm all about the snarl. For the splashy low-tech garage rock I'm into now, I usually have the drive knob on my OCD set at around 2:00, running into a fairly clean amp. A great thing about the OCD is that it can do pretty high levels of dirt without losing clarity and definition.

    If I'm using the Big Muff, I keep it set somewhere between "puree" and "rend asunder."
    "When I play, I express my feelings very fast." -Yomo Toro

  2. #2
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    Jul 2009
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    Quote Originally Posted by Ro3b
    It might be instructive to hear what kinds of music everybody is playing with their particular levels of OD and distortion.

    Me, I'm all about the snarl. For the splashy low-tech garage rock I'm into now, I usually have the drive knob on my OCD set at around 2:00, running into a fairly clean amp. A great thing about the OCD is that it can do pretty high levels of dirt without losing clarity and definition.

    If I'm using the Big Muff, I keep it set somewhere between "puree" and "rend asunder."
    Well I can offer a few clips here:

    http://www.myspace.com/crankenhaus

    - All of the songs (mine is the lead melodies/main rhythm guitar) I've played with an EL84 based 18W amp which is basically clean with a passive guitar, but with my EMG85 pickups and when playing hard/full chords it has a very convincing Powerage-era ACDC crunch. That I've on all these songs that have driven guitars boosted with a Marshall Jackhammer on OD setting with gain at about 0,3 i.e. very low and volume at a slight boost. That's it. Where ever it's cleaner still (Come December), I've just rolled off some volume on my guitar or simply played by picking very lightly, or when it's just crunchy not very driven it's just the 18W and the EMG (machinist girl).

    The other rhythm guitar/small licks/solos is an Ibanez w/original pickups and the amp is JCM900 on a slightly over half gain, no pedals.

    These days my sound is pretty much just the same, but instead of OD pedal I use a compressor set on boosting the amp a li'l. Downside is it's noisier, but even more definition.

    BTW I almost always use all 6 strings for chords - if I played these songs with just 2-3 string 'heavy' chords it'd sound wayyyy less driven...for me most of the crunch and drive comes from hitting all 6 strings so they hrmonize and cascade and hitting them hard.

    With any 'ultra' gain amp like my Pod Insane or some JCM2000 ultra gain etc. it all becomes simply a huge big mess and mush.
    Dee

    "When life's a biatch, be a horny dog"

    Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal

    Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.

  3. #3
    Join Date
    Jun 2008
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    Quote Originally Posted by Ro3b
    It might be instructive to hear what kinds of music everybody is playing with their particular levels of OD and distortion.

    Yep, one moment....Here are some samples with the hotcake, the tech21 XXL and the pure amph
    There's a difference between the left and right channel on those samples - I used a beam blocker on the left side..
    The FretKing-soundsample is also played with the hotcake...
    And here more of the tech21...

  4. #4
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    With the Germino, I prefer the natural distortion and drive of the amp, but I do use a Radial Tone Bone Trimode with it for small rooms where I can't get the amp to it's sweet spot.

    The Tone Bone can be set anywhere from clean overdrive to "split your atoms" gain. I prefer just enough distortion to add some growl, while retaining enough clarity to keep the amp punching and the sound present in the mix.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

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