rack setups?

[Suhnton]

BUT yeah, when you stand in front of the amp, there is no comparison for the responsiveness and punch of a real tube amp. None.

I agree.
Years ago, when racks were all the rage, I had an ADA preamp going into a Yamaha power amp (MOSFET). It sounded very cold. I changed the ADA out to a Lee Jackson tube preamp, same thing.
Nowadays I just use stompboxes into a Fender Twin (not mine, it's down at the rehearsal room), and it sounds MUCH better (either that or my hearing had deteriorated).

[Plank_Spanker]

I agree.
Years ago, when racks were all the rage, I had an ADA preamp going into a Yamaha power amp (MOSFET). It sounded very cold. I changed the ADA out to a Lee Jackson tube preamp, same thing.
Nowadays I just use stompboxes into a Fender Twin (not mine, it's down at the rehearsal room), and it sounds MUCH better (either that or my hearing had deteriorated).

Again, all I can say is that the Axe FX is changing all of that. I grew up playing tube amps, and own a very nice one now. I didn't jump into building a rack with the Axe FX lightly at all. It really does sound and respond like a real tube amp - no fizz, "can of bees", digital artifacts.....................cleans up when played soft or guitar volume dialed down, punchy like a real tube amp with plenty of thump, warm and vibrant, and infinitely tweakable to whatever pleases you.

I'm not saying it makes tube amps obsolete. I'm just saying that the Axe FX is not the fizz box that people normally assume with rack processors. Cliff Chase at Fractal Audio is changing the game.

[deeaa*]

I'd love to check out the AxeFX but they are VERY rare over here as of yet, never seen one, and they cost a lot of money as well.

It does seem to have some excellent sounds, I doubt not that it is the cutting edge of processors & that it sounds like a tube amp...

BUT the problem with them processors...and all rack gear etc...is they have so many options. Even the simple ones like my Peavey Rockmaster/60-60/4x12" rig had way too many options for the sound.

You play it and it's great, the next day it sounds not so good, tweak, play, tweak, play...listen to a track you recorded a week ago and wonder why you ditched THOSE settings it was best ever...

It's like being in a candyland when I use stuff like that. I get no playing done, because all the time goes into tweaking the gear. You get a GREAT sound and five minutes later you're like well, maybe it would work better like this...or this...and when we're talking digital menus and connection options...POD XT, GT-6 etc...I've spent countless hours tweaking 'em and gotten really good sounds too but...it's always just tweaking. The best sound is always just around the corner or it was the last piece of gear you had after all, not this new one.

What I've done for a good while now is I only use one type of guitar, always EMG85+SA and I use only one amp setting - I just got my Ceriatone volume where I want it to be and took off the knobs and screwed them back on at 12 o clock position so I never have to rememer how they were set...just make sure they're at 12 and go. NEVER change my sound or settings any more.

Same with my Tech-21...I have it on clean with high gain and the only thing I adjust on it is the reverb amount.

ALL the othe adjustments for sound I get from pedals, which I also adjust very little/rarely, and my guitar volume.

And you know what...it still sounds a bit different every single time I play but I just ignore it and play...and I've never been happier with my guitars sound for a looooog time now.

[Plank_Spanker]

Dee,

You are player who knows what he wants and knows how to get it..................not many can say that with confidence.

I'm not a "candy land" user of the Axe FX. I have nine patches that are set solid for gigs, and I stay pat with them. The Marshall and Vox models I have loaded sound excellent consistently - gig after gig.

If new tunes come up needing new sounds, I know I can make it happen with the Axe FX.....................but tinkering with it just to tinker is not something I do.

[deeaa*]

It's great if one can resist tinkering...it's really hard for me, if a possibility exists :-) certainly if different sounds are required, like in cover bands etc. that'd be a great machine I bet.

[tunghaichuan***]

One of the advantages of the Axe FX is that it is so flexible. It is a tweaker's wet dream.

However, as you've pointed out, P_S, you have it in "set and forget mode." It is also great in this regard. Just because it is flexible and you absolute power of adjustment over the parameters, doesn't mean you have to.

tung

Dee,

You are player who knows what he wants and knows how to get it..................not many can say that with confidence.

I'm not a "candy land" user of the Axe FX. I have nine patches that are set solid for gigs, and I stay pat with them. The Marshall and Vox models I have loaded sound excellent consistently - gig after gig.

If new tunes come up needing new sounds, I know I can make it happen with the Axe FX.....................but tinkering with it just to tinker is not something I do.

[Plank_Spanker]

One of the advantages of the Axe FX is that it is so flexible. It is a tweaker's wet dream.

However, as you've pointed out, P_S, you have it in "set and forget mode." It is also great in this regard. Just because it is flexible and you absolute power of adjustment over the parameters, doesn't mean you have to.

tung

It's great to have that power at my disposal with the Axe FX. If I need a new sound, I know I can get it. I'm not afraid to dig right into it looking for a new sound, but once I have it to my likings, I load a preset with it and move on.

It is fun to hook it up to my PC with the MIDI interface and play with the editor, though........................

[deeaa*]

I bet...if they were available here, I'd be very tempted...I need a good d/i machine---the tech21 is good but...