Robert, this is my first comment on your videos. Just to preface my comment, I have a surround sound system hooked up to my computer, and I have always thought your recordings were just OK. The playing was fine but they lacked body and depth. I think this is the best I have heard. The amp is great but I think your recording set up is best this way.
Remember this is constructive and I think it is what you wanted.
The line 6 seems like a good fit for your gigs and music selection.
While I was in Florida, I went to a Seafood Bar/restaurant, and there was a performer by himself, who was using the same amp, but he was running backing tracks and laying his guitar and vocals over them. I was amazed at the tone, and how good this guy sounded. All by himself. It really opened my eyes to these amps.
The Blues is alright!
Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde
Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD
Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.