OMG what have they done with the good old HC site??? I'm a user review section addict but the new site is impossible to navigate!
I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009
"Always go heavy on the effects and try to blind the audience with expensive gear." - hubberjub
I mean, no offense, but I don't really see why, like guitar players from Creed, or something like that, are on the cover of guitar magazines. Almost anybody can sit down and learn to play those songs.
Dweezil Zappa
A fair bit of outcry. I've heard that they're jumping ship over there, and some of them may end up here. I wonder why they had to mess up the site like that?
-Sean
Guitars: Lots.
Amphs: More than last year.
Pedals: Many, although I go straight from guitar to amp more often lately.
Well I cant say I blame them, worst web design ever.
I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009
I've seen some very, very badly designed websites, but that is definitely the hardest website I've seen to navigate.Originally Posted by SuperSwede
And even better, my bookmarks to the reviews there no longer work.
http://soundcloud.com/tarasque
Guitars: Encore Strat, No-Name Les Paul copy, Cort Acoustic, Vintage VRS100AW, Schecter Tempest Custom, Cort VX-4V, Dean Inferno V.
Amphs: Ashdown Fallen Angel FA 60 DSP, Harley-Benton GA5.
Pedals: Zoom G2.1U, Digitech Screamin' Blues, Electro-Harmonix Stereo Electric Mistress, Dunlop Crybaby 535Q Wah.
Ugh!
Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)
Acoustic: Guitar > microphone > audience
Ugh! is right.
_____
GUITARS - Carvin DC127M - Carvin Bolt kit
AMPS - Bogner Alchemist 112 - Blackheart Handsome Devil half stack
FXs - Roger Linn Adrenalinn III - Boss GT-10
_____
Evidently about the big sponsors making more and faster money. I can't see how! What a S**t site. Used to offer some decent info if you took it with a grain of salt, but this new thing is foolish, pitiful and ridiculous, not to mention an insult and an abomination.
They took a great site and destroyed it in order to give us garbage that has almost zero value and will have even less value as people stop using it.
My seaches showed up only individual hits on guitars and not the old full listing of reviews with a summary at the top and MF pricing and te Mfg link to their website.
Am I missing something or is this really F**k*d up?
Duffy
South Williamsport, Pa.
"So let us stop talking falsely now, the hour's getting late." (as by JH)
Yeah, it's weird -- I requested my password to be reset, but they never emailed it to me. I kind of gave up after that point. I might eventually figure out how to navigate the reviews, but right now it's pretty annoying.
In other news, I'm about to take my Tech 21 TM60 out of the house for the first time and let the world hear it. Wish me luck!
Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350Originally Posted by Spudman
Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner
Good luck, Eric!Originally Posted by Eric
-Sean
Guitars: Lots.
Amphs: More than last year.
Pedals: Many, although I go straight from guitar to amp more often lately.
Bummer about the reviews. I shopped the classifieds once in a while too. But I did not care for that discussion forum.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
How'd your real world test of the TM60 turn out?
My son, 19, came by today with his SWR Workingpro 15 he, much to my delight, collected from his old band he had been letting "use" it, along with other things. This, however, probably being the most valuable single item. I was VERY glad he got it. One of the band members called me up and tried to squash the move and I let him have it bluntly, telling him that the RICH and CHEAP parents of some of the band members should buy the band a decent PA of suitable durability and power, instead of relying on the assumed kindness of me, a retired and limitted income dude that originally bought the great equipment for myself and later my son, giving some of my best stuff to my son as I got new stuff, like my MIJ 80' vintage white Fender Jazz bass. I play a new Squire Jazz bass with modded Fender Noisless J Bass pickups, which are, as few are aware, incredibly awesome and fabulous sounding pups for a J bass.
He was grooving on his Epi Thunderbird Goth bass thru his little Vox T-20 I think it is; an old style NOS bass amp with the vintage grill cloth, and playing along with his friend from college in Pittsburg. His friend played my son's hot rodded Epi Studio ebony black "beauty" with duncan covered pups thru my new Peavey Classic 30, playing "Smoke on the Water" and a variety of other jams at rather high volume, sounding great. They got into the groove and my son smiled. I was touched, needlesstosay. Passion rekindled.
He said he is really going to get a smile on his face when he plugs into the SWR. I hope he puts his talent to profitable use and auditions for a few bands in Pittsburg, a major party town.
I am SO glad he got that amp back from them before they sold it or something. I think they were using it as sound reinforcement as a PA or something in their Screamo band. They still, unfortunately, are "using" my
80's Peavey TNT115 bass amp with the awesome black widow speaker in it, and my son's hard earned year old MikroKorg synthesizer keyboard, vocorder. "Using" is a pretty good word here, considering that the parents of a lot of the members of the band have BIG money and I'm retired and just trying to provide my talented son with some good sh&t like I never had as a youngster. I believe in good stuff.
Glad you got a great amp and hope it served you well, Eric.
Duffy
South Williamsport, Pa.
"So let us stop talking falsely now, the hour's getting late." (as by JH)
Went pretty well. I was having trouble on channel 2, as it had a tendency to get really muddy with the EQ at noon. That, along with the mid control, was something I didn't have a ton of time to mess with in the practice beforehand. Also, I couldn't get a lot of volume on the clean channel, as I was trying to keep the mids down and the clearance replacement pups I have in the guitar are 'vintage' (read: low output).Originally Posted by Duff
However, I spent some time with it later and think I found a way to get it to cut through better by turning up the highs with the EQ. It takes time to find the sweet spots with each guitar and amp, but I'm starting to get a feel for it. There are a lot of nice tones in this amp.
Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350Originally Posted by Spudman
Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner
Back in the old days some of my friends recommended using at least a 100 watt or close amp, such as an 80 watt for playing decent size clubs to make it thru the mix.
Amps were mostly tube amps back then, so to have a margin of available power a 200 or larger solid state will probably be a good idea to have some clean headroom and some reserve power, to make it in a good sized club.
Sounds like a lot of watts, but it isn't really.
As you said, mess with the pickup height on the low outputers, try to tweak the EQ. Tweaking the EQ might take your sound in the opposite direction from which you want to go, however.
Another option would be to put a strong booster in front of the amp to increase the signal going to the preamp. Whether these are detrimental to the preamp is questionable. On tube preamps I think it is more important that you don't turn up the level too high or it can have a negative effect on the tube preamp. Solid state may or may not be more forgiving.
Plus if others in your band have heavy equipment, and a slammer drummer, you are already going to have a challenge to cut thru the mix, expecially if they are insistent in having the "who is the loudest" power struggle.
Hey, the amp quest is never over. An extension cab of the right ohms would probably help a lot if it will use an extension speaker without muting the internal speaker or possibly improve things even if it does mute the internal speaker. They can probably be had cheaply and even can be hand built to unproven outcome, but plans can be downloaded for basic designs.
Good luck.
Maybe try some cheap GFS hot pups, like the Little Killer Bridge pup if you have a strat type, or the calibrated set. I have a strat with all 15 to 16 ohm Seymour Duncan humbucking single coil sized pups that really drive the preamp. So much so that the preamp on some amps goes into distortion very early in the sweep of the knob, causing less than beautiful distortion; power tube distortion being the best distortion, in my opinion, on my type amps. Or to economize, just get one super high output pup and put it in the bridge or somewhere for when you want that ability to hit the amp hard.
Hope this helps.
Duffy
South Williamsport, Pa.
"So let us stop talking falsely now, the hour's getting late." (as by JH)
I've never been a big user of the HC site, but I do go there from time to time for the gear reviews. Maybe I just got lucky, but I went to the main page, clicked on the "Products & Reviews" link, and it takes you to a page where you fill in a filter field (by category or brand) and then select from the filtered list. Got me right to where I wanted to be. Didn't look as good as it used to, but the info I was looking for was there....
DVM's Ever-Expanding Gear List:
Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE
Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue
Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!
DVM's Gear Photos
Visit MY WEBSITE!
Yeah, but it's phony. My review of my Wilburn is now credited to J-buoy, although it's my words. I've checked, and it seems like they've kept reviews, but they're hard to tell who actually wrote 'em. Here's the link.
http://www.harmonycentral.com/products/115084
Guitars
Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
Amps
Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
Pedals
Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal
Well, Versatare's summary was hilarious! haha!Originally Posted by oldguy
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.