WOW ENVY GUITAR ENVY I HAVE.............. great collection!!!!!
Since I hadn't taken a proper group shot since 2005, I wasted a few hours last night with this:
Slightly closer up of the top row:
Closer up of the bottom row:
Unobscured shots of the amps:
I originally planned to include acoustics, but ran out of space. As it was, for the top row I had to construct a platform out of some boxes lying about in order to get the last two up there.
Any questions gladly answered, including those regarding my sanity.
WOW ENVY GUITAR ENVY I HAVE.............. great collection!!!!!
Thanks MF! It's a little out of hand, but it did take me 40 years to amass it.
Mass drool! Such a cool collection, full of variety. Not a turd in the bunch!
Oh, and the floor electrical outlets are a bonus.
Holy smokes! What was that I just posted about Spud and his guitars?? Krash, you are definitely in the running here I think! Nice collection!
Awesome collection B! Just keeps getting better with time!
Thanks Ronnie Beth (and TJ)!
It's more an "assemblage of things I stumbled into" rather than a "collection" proper. The latter implies waaaay more planning and thought than what I've put into this motley crew.
WOW.......dude........that is some serious tune-age. AWESOME!!
Couple of questions, as usual....what are the 2nd from right, top row (pale blue/royal blue git).......and 2nd from right, bottom row (red git that somehow reminds me of a Billy-Bo). I'd like brand/pups for both and how often/what reason do you play them at certain times.
BTW.......damn......that is an awesome law library you have too.
I think O.M.G. covers my reaction
Nice "law library"!
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Thanks!
The blue one is in fact named "Ol' Blue," and is an early '70's Ovation Breadwinner. It was my first gigworthy electric guitar and was my main electric all through the '80's:
That said, I don't play it much any more, for a variety of reasons. First, it was the very first large production-run electric guitar with active electronics, which makes it fairly noisy [although the pickups are the same size as HB's, they are in fact "toroidal" (whatever that means!) single-coil pickups], especially with high-volume and distortion engaged. Second, since it's active, it has a couple 9-volts, and I don't wanna lose power in the middle of a gig or have to be replacing them all the time. Third, the controls are very quirky and anti-intuitive. One thing about that is that the toggle positions are not the usual neck, N+B, bridge arrangement; plus, instead of using treble all the way up as one's default and backing off some as necessary, with a Breadwinner you have to essentially do the opposite-- begin with them set all the way to bassy and then bring up treble as necessary. TONS of high end in the tone circuit. Last, the "sunken" bridge design makes string changes a huge PITA. Here's a pic from my first show evah:
The red one is my DeArmond Jet Star, Ruby. The Jet Star model is based on the old '60's Guild Thunderbird (the DeArmond is not only the same shape, but also has the same Thunderbird headstock inlay). Despite being an inexpensive Korean-made guitar, it's one of my faves. One reason being how distinctive it looks, but also I've played it at lots of shows and it's just a sweet guitar. The pickups are DeArmond-branded "GoldTone" humbuckers, which are a PAF-type HB with a little more brightness than most. They are thus a perfect pairing with the slab mahogany body of the Jet Star, since unlike a Les Paul there's no maple cap to brighten the sound. Although the guitar was built in Korea, the pickups were made in the US Fender plant. The overall effect is very Les Paulish, with maybe a smidge of SG.
Oh and here's a list of the what's-what:
Top Row (L-R): MIJ Squier P-bass, USA Peavey Fury 1 bass, Fender '52 RI Telecaster, USA Peavey T-60, my first electric guitar (now a wall ornament painted checkerboard), Brownsville Choirboy, Danelectro Hodad, USA Peavey Predator Strat, Frankentele built by formerly-local DIY luthier Shawn Spencer, 1960 Fender Duo-Sonic, Ovation Breadwinner, Rickenbacker 620
Bottom Row (L-R): Epiphone Thunderbird bass, USA Peavey T-40, Aria MIJ Mosrite bass copy, Fender Jazz bass, Daisy Rock Retro-H 12-string, Gibson Les Paul Studio Doublecut, Fender Telecaster Special, USA Hamer Special, Gibson Les Paul Classic, Gretsch Electromatic Special Jet, Epiphone Casino, Fernandes Ravelle Deluxe, Schecter Tempest Special, DeArmond Jet Star, Epiphone WildKat
Last edited by Brian Krashpad; July 23rd, 2012 at 03:01 PM.
Awesome assemblage! I like the old Kustom half stack. I have an Earth Sound Research G2000 head with identical tuck and roll.
Thanks! That ol' Kustom 100 was my '80's amp, later supplanted by the 2-cab modded '66 Super Reverb. I bought that Kustom from the same pawn I bought the blue Ovation at, iirc. An all-blue rig! The two clashed horribly, however.
I still use that Kustom head almost daily-- my office computer's sound system is connected to it, and then into a big bass cab, haha.
So, my "office stereo" is actually an office "mono."
What a cool collection! I do like the variety.
That Ravelle shape continues to grow on me the more photos I see. BTW, with the Kustom, you have the coolest computer sound rig ever.
Thanks, I know what you mean about the Ravelle. Obviously I don't mind non-standard shapes. It's about as close to "pointy" as I'd like to get, but I like it a lot. It came with Seymour Duncan Jazz/JB pickups stock and is actually in my "top tier" for players for big shows despite its Asian pedigree.
Heavy SOB though, that's the only downside, which I don't really mind.
With that Kustom head, it's solid state and too tinny for my tastes for guitar, so when part of the sound system, the bass control stays cranked all the way up, 24/7, with the treble anywhere from zero to one quarter of the way up (usually the former). And into a bass cab to offset the tinny-ness. The net result actually works.
DUDE!! I can't believe you left out the Peavey T-40 bass Bottom Row second from the left! Thats just wrong!! ;-P
Awesome! What can I say? I'm partial to the Peaveys.