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GFS Pedals
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Thread: GFS Pedals

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  1. #1
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    Just as a reminder, our thread starter here was asking about the GFS pedals, not the Line 6 multi-effects modelers.

    I'm not personally familiar with the GFS pedals, which definitely appear to be rebranded BiYang pedals. Plenty of sound clips available on the GFS site, though. Certainly nicely priced. No idea what the build quality is like. You might want to rummage through the Harmony Central reviews and see how people like 'em.
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  2. #2
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    Quote Originally Posted by duhvoodooman
    Just as a reminder, our thread starter here was asking about the GFS pedals, not the Line 6 multi-effects modelers.

    ...
    Sorry voodoo, got a little carried away.
    "...and I am outta here!"
    Scott

    Guitars:
    Dean EVO Exotic Burl, EVO Special, Vendetta 1000 FR, Stagg Les Paul copy, Squier Standard Telecaster, Squier MIK Stratocaster
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    Washburn LSESLD, LSBOD
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    Behringer EM300, VP1, PH9
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  3. #3
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    No problem, guys--we all wander off topic here from time to time. Just trying to make sure the original question got some attention....
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  4. #4
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    Quote Originally Posted by DeanEVO_Dude
    Sorry voodoo, got a little carried away.
    I had no problem with the deviation either, although I appreciate Voodoo's intervention. I actually welcome alternate opionions especially when I am seeking advice that seems to be zeroing in on a specific ending.

    Even though I am a Line6 amp owner, I had not considered other options from their product line. In fact, the post made me see if I could run my Spider Jam into my Blues Junior and use the effects on board the Spider Jam along with my FBV Shortboard.

    The only way I can see doing it easily would be to use the headphone out on the Spider Jam. Is this possible? I can't seem to find any information on doing that. Then again, all that would acomplish is move the Spider Jam tone from it's speaker to the BJ
    2009 Standard Strat SSS Brown Sunburst
    2009 Fender Blues Junior Tweed NOS
    2007 Line 6 Spider Jam

  5. #5
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    Quote Originally Posted by Goose
    I had no problem with the deviation either, although I appreciate Voodoo's intervention. I actually welcome alternate opionions especially when I am seeking advice that seems to be zeroing in on a specific ending.

    Even though I am a Line6 amp owner, I had not considered other options from their product line. In fact, the post made me see if I could run my Spider Jam into my Blues Junior and use the effects on board the Spider Jam along with my FBV Shortboard.

    The only way I can see doing it easily would be to use the headphone out on the Spider Jam. Is this possible? I can't seem to find any information on doing that. Then again, all that would acomplish is move the Spider Jam tone from it's speaker to the BJ
    Well, that is an interesting idea... Typically, the way you use part (preamp) of one amp with part (power amp) of another is thru an effects loop, somtimes called line-in and line-out (such as on my Hughes & Kettner). There might be an impedance miss-match using a headphone output into an instrument input. Alass, I am no expert, though I have put the line-out on my H & K into my Marshall... didn't like the tone much, though.

    If budget is your concern, Behringer makes many, many stompers modeled after more famous incarnations with low pricing. I personally have the VP1 (Small Stone Phaser clone), EM600 (Echo Park clone), PH9 (Phase 90 clone), and have had the TM300 (Sansamp GT-2 clone), UM300 (Ultra Metal clone), and DM100 (DS1/Distortion+/Rat clone). The BiYang/GFS pedals are more robust (made from metal instead of plastic) and feature "true-bypass" and all, so it kinda makes them a little more attractive due to the durability. Plus, with the "generic" form factor the cases have, if you "grow out of it", you can alway gut it and make something else with all the build-your-owns available out there (I personally like Tonepad.com). Just some thoughts...
    "...and I am outta here!"
    Scott

    Guitars:
    Dean EVO Exotic Burl, EVO Special, Vendetta 1000 FR, Stagg Les Paul copy, Squier Standard Telecaster, Squier MIK Stratocaster
    Amps:
    Fender Princeton 65 (solid state), Vox AD15VT, Peavey Windsor Studio, Crate Vintage Club 50 2x12
    Pedals:
    DOD FX40B (x2), FX50, FX52, FX55, FX65, FX67, FX80
    Washburn LSESLD, LSBOD
    BBE Free Fuzz
    Behringer EM300, VP1, PH9
    Dunlop GCB-95
    ProCo Rat II "The Rat"
    DigiTech Bad Monkey, RP90
    Rockman Soloist
    and many, many, many more!

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