My experience with the Timmy is that it is very articulate. I only use it in the boost/low gain/crunch realm. When I want a little more going on harmonically but I don't want to kill the dynamics or string definition. It's known to be a gritty rather than a smooth violiny overdrive.Originally Posted by markb
Don't be afraid to kill a lot of treble &/or bass at higher gain settings. If it works like the Timmy that is what the bass/treble cut knobs are for. You can keep your highs & lows at low gain settings & back them off as needed as the gain rises.