Originally Posted by warren0728
+ 1
Originally Posted by warren0728
+ 1
"I love being alive and I will be the best man I possibly can. I will take love wherever I find it and offer it to whoever will take it... seek knowledge from those wiser and teach those who wish to learn from me."
"Develop your talent, man, and leave the world something. Records are really gifts from people. To think that an artist would love you enough to share his music with anyone is a beautiful thing."
Duane Skydog Allman
You come to a point in your life when you really don't care what people think about you, you just care what you think about yourself." - Evel Knievel
I must agree that used is the best way to go. Gibsons hold their value better than some brands. If you do go new stay away from the specialty or niche model Les Pauls (Gothic, Mayhem or whatever) as they will be more likely to depreciate quickly. Gibson quality is hit or miss so play as many as you can to get a sense for how a good one should feel. You'll know when you've found a good one.
Patrick
At the risk of insulting some folks here, I don't buy into the widely parroted Gibson QC story - and that story isn't "recent". I don't see Gibson turning out clunkers at a higher number than any other mass produced brand. Gibson, it seems, is held to an impossibly high quality standard compared to other brands. Sure, they turn out clunkers, just as any other mass producer does.
The best way to avoid that is to play before you buy. Look the guitar over very well and be sure you're happy with it before you hand over the money...............................just like you should with every guitar, regardless of brand.
I own three flawless Gibsons that put a smile on my face every time I play them.
All of that said, there are a bunch of Les Paul models to choose from, with widely different feel, sound, and looks. Your best bet is to get out and play as many as you can. You'll know the right one when you play it. Tune out the internet noise and be your own judge.
Good luck on your quest.
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.
Thank you!
Plank I agree,I just dont dig the chambered bodies these days.I know they have been doing "weight relieve" holes for awhile the chambering is a hunk of wood: Other than my mid 80's explorers and 90 something sg I bought one of those L.P. specials. I put a rsguitarworks kit in and dressed the fret ends (rough) and it is a player!!!!Originally Posted by Plank_Spanker
Disclaimer: I guess I am just a solid mahog kinda of guy The above is just my opinion:
I am after a darkburst flame top but trying to find the right one under $3000 has been hard
"I love being alive and I will be the best man I possibly can. I will take love wherever I find it and offer it to whoever will take it... seek knowledge from those wiser and teach those who wish to learn from me."
"Develop your talent, man, and leave the world something. Records are really gifts from people. To think that an artist would love you enough to share his music with anyone is a beautiful thing."
Duane Skydog Allman
You come to a point in your life when you really don't care what people think about you, you just care what you think about yourself." - Evel Knievel
i've got a 98 lp special...which rs kit did you put in yours....i am thinking of putting one in mine....Originally Posted by mrmudcat
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Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TROriginally Posted by just strum
Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic
Amps: Fender Super Champ XD
Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah
Hey warren ill pm you so the thread stays on topic
"I love being alive and I will be the best man I possibly can. I will take love wherever I find it and offer it to whoever will take it... seek knowledge from those wiser and teach those who wish to learn from me."
"Develop your talent, man, and leave the world something. Records are really gifts from people. To think that an artist would love you enough to share his music with anyone is a beautiful thing."
Duane Skydog Allman
You come to a point in your life when you really don't care what people think about you, you just care what you think about yourself." - Evel Knievel
It's all good, man. LP's aren't for everyone, and there's nothing wrong with not caring for them. What raises my hackles are the parrots that don't own, have never played, nor intend to own a Gibson jumping on the tired old saw of "Gibson QC". There's also a good bit of corksniffer cachet attached to the brand, and that just fuels the fire. Some Gibson owners have a tendency to look down their noses at all other brands, declaring their particular guitar the be all and end all of guitars.Originally Posted by mrmudcat
Even though I have my preferences, I'll never bag on any other brand of guitar and I'll never look down my nose at other player's guitars. If a guitar sets your hair on fire and inspires you to play your butt off, who cares who makes it?
******OFF RANT******
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.