I'll echo this open-minded, cover-all-bases notion...
Originally Posted by
progrmr
A full hollow
A semi-hollow
A Strat
A metal/shred machine
A vintage guitar of some flavor
A two-humbucker guitar
An acoustic
A tele
And a claasical guitar
... although with a good semi-hollow in the fold, I think one could get by without a full hollow, and personally, I'd have no use for 'a metal/shred machine'. As for the acoustic, make it a good solid spruce top acoustic/electric, and make the nylon string an a/e, too. If the rhythm chair is your main bag, as it is for me, I'd add an acoustic/electric 12 and an Rick 12 to the must-have list. Add a P-Bass or a short-scale bass (easier to adapt to if not your main thing) and you're set.
That said, it took me quite a while and a series of buys, sells & trades to get there, but I've managed to finally put such a quiver together, with minimal duplication and a few oddballs thrown in for good measure.
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.