Now that is the rack setup of doom. : :
tung
Originally Posted by Plank_Spanker
Now that is the rack setup of doom. : :
tung
Originally Posted by Plank_Spanker
Thanks, Tung!Originally Posted by tunghaichuan
I absolutely LOVE the sounds I get from it. The Axe FX is amazing!
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.
Originally Posted by tunghaichuan
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
I have owned a buch of different rack rigs over the years. My favorite preamps are
#1 the Carvin Tone Navigator
surprisingly it's a SS unit but sounds and feels REAL like a good tube amp. It does have built in effects but they are pretty basic and primitive it's more or less just a KILLER stand alone midi pre. Right now Carvin is blowing the last of these out on ebay for $270 + $30 shipping!!
#2 Marshall JMP-1
#3 Peavy Rock Master
Mostly I have found the best tones with stand alone preamps and not the full boat effects laden rigs.
With a pre power amp set up a GOOD TUBE POWER AMP IS ESSENTIAL FOR REAL AMP TONES!!!!
Guitars
Washburn's
Chicago Custom Shop USA's 1995 MG 122,100,102,120, 1994 MG-122, one off 1994 Prototype, 1999 WM-4, 200 3-ST Stealth
Carvins 1990 Pearl Pink reverse headstock X220C, 1991 Sapphire Blue Flame V220R.
Accoustics
LTD 88 Takamine
Amps
Fender Prosonic combo
100 watt custom one off Prosonic head
Fender 2/12 cab
2 Avatar 2/12 cabs- Blond Oxblood with 75's and Red with Black Vin 30's
Yamaha 4/12
Thanks for the heads up on the Tone Navigator. I've been lusting after one of those since they came out. $300 shipped is a killer deal for one of those. BTW, have you ever tried Carvin's SX-300R? Carvin blew a bunch of those out about 2 years ago, dirt cheap. They still sell the SX-300H, which is the 100w head version which uses that preamp.Originally Posted by Ascension
I agree 100%. Nothing but tubes sound like tubes. However, I will say that the Tube Works MosValve power amps sound very good, especially if when on a budget.Originally Posted by Ascension
tung
Hmm...that's an interesting issue to me.Originally Posted by tunghaichuan
I agree nothing works like tube for the _player_ when they're playing the amp...they can pry my Ceriatone from my cold fingers...BUT on record, it matters very little what amp is used.
I once created a poll test where I had like two dozen amp samples I recorded using about six different amps, half of them SS and half all tube, some even D/I and got about forty people, all guitarists, to guess which were which type...and aside from a couple very obvious ones (like the POD) nobody could tell them apart. Nobody.
I wish I had the vid clip I made a long time ago here somewhere...I played on camera so that it looked like I was playing a 2204 Marshall, when actually the sound came from a completely D/I SS system...it got a LOT of comments like 'only a 2204 can sound so good etc.'...people hear what they see & think must be good in many a case. I'm sure if I recorded the 2204 and made it look like I was playing a Valve Jr. people would comment it sucks.
I know a LOT of great sounds and records were actually recorded with even tiny SS amps...for most part when I record guitars, I will also rather use my 10W SS Tech-21 than mike up my Ceria...and it even sounds better in many cases...it's interesting.
BUT yeah, when you stand in front of the amp, there is no comparison for the responsiveness and punch of a real tube amp. None.
Dee
"When life's a biatch, be a horny dog"
Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal
Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.
I agree.Originally Posted by deeaa
Years ago, when racks were all the rage, I had an ADA preamp going into a Yamaha power amp (MOSFET). It sounded very cold. I changed the ADA out to a Lee Jackson tube preamp, same thing.
Nowadays I just use stompboxes into a Fender Twin (not mine, it's down at the rehearsal room), and it sounds MUCH better (either that or my hearing had deteriorated).
Guitars: Epiphone SG-400 Custom; Epiphone Firebird V; 1996 Gibson LP Standard; Avion 4; Yamaha FG-301B acoustic
FX: TS-808; Big Muff (Triangle Version); Red Llama; Green Ringer Octave Up (Clones); Maxon Phaser; Maxon Compressor; Tremulus Lune Tremolo; Line 6 POD II
Amp: (Somewhere in another country) Hiwatt 100W head, Marshall 4x12 cab
My noise here
Again, all I can say is that the Axe FX is changing all of that. I grew up playing tube amps, and own a very nice one now. I didn't jump into building a rack with the Axe FX lightly at all. It really does sound and respond like a real tube amp - no fizz, "can of bees", digital artifacts.....................cleans up when played soft or guitar volume dialed down, punchy like a real tube amp with plenty of thump, warm and vibrant, and infinitely tweakable to whatever pleases you.Originally Posted by Suhnton
I'm not saying it makes tube amps obsolete. I'm just saying that the Axe FX is not the fizz box that people normally assume with rack processors. Cliff Chase at Fractal Audio is changing the game.
Last edited by Plank_Spanker; July 22nd, 2009 at 12:26 PM.
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.
Well I must second this post except I haven't seen a Carvin Tone Navigator.Originally Posted by Ascension
My rack setup for several years was a Marshall Jmp-1 which I ran direct to PA via the emulated outs and to a Samson 120W poweramp > 4x10" cab...very versatile, very portable rig which despite being mostly SS was VERY good indeed. (I never was afraid of using also SS rigs; I get some of my best sounds from SS systems and it really makes little difference to me what the rig is...I think always sound more or less the same if I play thru a JCM800 or a 10W Behringer amp once I set it the way I like with pedals I like.
On the JMP-1 I usually mostly used the 'classic clean' channel which I ran at 20 gain 20 vol when it crunched real well, and sent it over the edge with hot pickups and an OD pedal at times. Here's a live recording (direct to board from the JMP-1) on a 'bluesy setting' and for the lead I kick in a Tubescreamer (my trio band, I sing and play guitar): http://deeaa.pp.fi/Pelko.mp3
Here's another lengthy vid where I play the JMP-1 now with a 60/60 tube poweramp/4x12"...also some comparison to the VJr head I modded...just the vidcam mic used but you still get an idea how they sounded.
I always thought the JMP-1 was THE preamp for most any Marshall type sound and a very good basis to build a rig around.
I also played my Rockmaster rig (that also had a 60/60 classic poweramp - el84's) for a good while live...I LOVED the setup as well...perhaps even better than JMP especially for more metal sounds.
One clip from that: http://www.youtube.com/watch?v=d7t86...eature=related - I play the lead melody but not the solos.
I'd be very interested trying that Carvin seeing you like similar preamps I do...
Dee
"When life's a biatch, be a horny dog"
Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal
Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.
Haven't experienced the Axe FX yet, have you?Originally Posted by Ascension
I don't want to get into a full blown discussion on preamps / processors here on the general guitar forum, but the Axe FX is an entirely new paragigm and has raised the bar for preamp / processors sky high.
My rig plays and sounds like a real tube rig.
Robert, mods - Why don't we move this thread to the amp forum where we can engage in a proper spirited discussion?
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.
haha awesome. I havent seen invader zim in a long timeOriginally Posted by marnold