-
August 4th, 2009, 03:05 PM
#2
Very good, jpf! I'd also suggest "building" your phrasing from slower, shorter stuff at the beginning of a solo, at the nut end of the neck, and moving towards the higher frets, faster phrases and end w bends and combos (double stops and triads). In other words, save the showier stuff for last - or, build up to it, climax, and end w some slower short phrases that bring the lead back down and "cap" it.
bigG
Guitars:
Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic
Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65
Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb
www.swartamps.com
www.ericjosephelectricguitars.com
Carpe diem, brother, cause you don't know how many diems you have left to carpe.
Posting Permissions
- You may not post new threads
- You may not post replies
- You may not post attachments
- You may not edit your posts
-
Forum Rules