BACKGROUND
I’m one of those addicted guitar collectors – it’s not like I need another guitar, but they’re so darn attractive! Others are into cars... I'm into guitars. Recently I’ve vowed to restrict my collection to quality, high-end instruments, and this decision has pursued a particular direction – hand-built guitars by an experienced luthier and then hand-carved by a skilled artisan. Let me tell you, the end result can be stunning if you know what you want. Think about it... the shape and build, neck action, electronics, etc., all to your specs, then having the body carved into further unique shapes and designs that make the instrument a truly one-of-a-kind that stimulates the collector's passion as a musician.

A year back I had a carver, Mark ‘Gig’ Goldstein develop an axe with an Alien (H.R. Giger) theme. This was a trial run, and one that went extremely well; his work was impeccable. Seeing his craft on YouTube was one thing, but holding one of his carvings is quite something else. And, now, for the next project, but what should it be?

Just about every guitarist is influenced by Jimi Hendrix; even if not into his stylings a person certainly can appreciate Jimi’s abilities. I never found anyone so ‘organic’ on the guitar, as though it was part of him as his emotion melded into the strings. He undoubtedly was and still is a wonder to behold. Likewise, if anyone deserved a unique tribute guitar, one that is ‘organic’ in constitution, then it has to be Jimi.

I wanted to take this project to the max, and have several artisans cooperate in developing their ideas into my fantasy guitar gear package. I gave direction, but the credit must be given to this special group:

1. Casper Guitar Technologies (Stephen Casper) developed the guitar and all the electronics and neck design.
2. Mark ‘Gig’ Goldstein carved and painted the body of the guitar once received from Stephen.
3. Nick Koukotas of Double Treble straps, who initially picked up the guitar due to his admiration for Mr. Hendrix, crafted one of the guitar straps.
4. Garry Merola of Legacy Straps developed a guitar strap of a different persuasion and to stimulate my senses in a more traditional direction.
5. Scott Ouderkirk, who has his hands in several artistic endeavors, came to my interest with his attention-grabbing artwork on guitar cases.



Some viewers may find this axe and its accessories a bit garish or ostentatious; however, there is a method to the guitar’s madness. This project was meant to be more than a standard looking Strat with certain 60s specs, only to be called a Hendrix tribute (enough of those floating around). Rather, the idea was to take it to the extremes, just like Big Daddy Ross’s Rat Fink dragsters, the painted buses at Woodstock, Jimi’s ‘pimped out’ clothing, or the psychedelic and eye-numbing artwork on Axis: Bold as Love.

Every part of the guitar has something about Jimi, from the Star Spangled Banner strap locks to the embedded pick in the headstock; and the package was coordinated further with a two guitar straps and hardshell case that did not attempt to re-create what already existed among Hendrix memorabilia, but to compliment a new creation as myself and other artisans visualized the project.

And least we not forget, as we Keep on Truckin’ Mr. Crumb, just how colourful and sometimes outlandish the 60s were... its style and presentation far different than what it is today, as we now tend to be more at home with the sleek and modern space-age-looking metals and mirrors that slowly are burying the legacy of the Age of Aquarius. No, this guitar is not meant to reflect the tastes of today, of flame-topped maple and ‘active’ pickups, but represents the 60s in concept and form that would have been celebrated along with the hand-made clothes, beaded necklaces and analog recordings that nearly seem as much in the past and ‘illusionary’ to the younger generation as the Roaring 20s, the Great Depression, and Leave it to Beaver. Moreover, this guitar reflects the ‘man-machine’ concept, merging the two into one homogenous entity (in that regard, seeing Jimi play was and continues to be profound, as his guitar became a mere extension of his fingers – the fluidity of his musicianship demonstrated clearly how both Jimi and his axe were one indivisible unit.

Few people, musicians or not, deserve an ever-lasting legacy, and the Voodoo Child tribute guitar is but a small contribution to reminding people the importance and influence that Jimi Hendrix had on the world, an unfortunate realization that existed only after his untimely demise.

THE GUITAR
Developed by master luthier Stephen Casper (of Casper Guitar Technologies, www.casper-gt.com), this 25.5 inch scale guitar matches near exact (with a few modifications to suit my playing tastes) a mid- to late 1960s Fender Stratocaster. The ‘Goldilockian’ body is solid alder to produce a sound characterized best as not being too dark or too bright – but just right.

Stephen incorporated an Oaks Grisby 5-way switch, ideal for any guitar with 3 single coils. It functions just like a Strat’s 5-way, with the exception that in the middle position it combines the neck and bridge in parallel, rather than selecting the middle pickup:

• Position 1: Bridge pickup
• Position 2: Bridge and middle pickups in parallel
• Position 3: Bridge and neck pickups in parallel
• Position 4: Neck and middle pickups in parallel
• Position 5: Neck pickup

Positions 1, 2, 4, 5 are stock Strat, only position 3 is different, and so the switch is very intuitive to use. For the electronics Stephen used CTS 250k pots and Sprague Orange Drop capacitors, very standard fare in high-end instruments.
My main concern was the choice of pickups, as I wanted something that was authentic for its time, but with a slight modern twist to give it more of a heavy Jimi vibe – a Strat with a bit of edge. Selected were Porter 60's Classics with a steel base plate on the bridge pickup, which feature staggered AlNiCo 5 magnets and are wound with the same spec dark purple 42 AWG wire used on vintage 60s pickups. Stephen likes Porters due to their ability to duplicate exactly the original design, materials and patterns used in a lot of the classic designs – modern materials to the specs of a Strat’s 1967-1972 era tones. Moreover, Stephen had these pups special wound to give a bit extra growl as per my desires.



Added to the tribute guitar is the Wilkinson VS100G bridge system, selected for its exceptional performance and enhanced tremolo block design, which adds mass as well as enhancing the sustain and overall tone. This bridge features height-adjustable saddles that lock to a hardened steel base plate, for better tuning stability, string energy transfer and note sustain.

One other bit of electronics added was a Radio Frequency Identification Device (RFID) from www.snagg.com; a well-hidden (within the wood of the body) micro-chip used for purposes of theft deterrence and asset recovery, in the event that it is stolen. With this one-of-a-kind hand-made instrument, the RFID was a no-brainer as a very inexpensive add-on.

With the lack of spider fingers, I prefer a thin neck, and Stephen definitely delivers in this regard. His ‘wizard’ neck has a 12” (348 mm) radius made from maple with a rosewood fingerboard and a Double HotRod heel accessible neck rod. Stephen prefers a dual truss rod setup (common with Rickenbackers) as the neck is more stable and less affected by seasonal climate changes.

Inlayed between medium-jumbo nickel (.100" x .040") frets, the ‘Hendrix’ name is made of laminate shell, using the same font style as found on Jimi’s first album, ‘Are You Experienced.’ And at the 12th fret is a dragonfly, an ode to one of Jimi’s most played songs in concert, Spanish Castle Magic... “It’s very far away, it takes about a half a day to get there, if we travel by my uh, dragon-fly.”



The guitar’s headstock also is of a late 1960s to early 1970s size and shape, with slight modification (a few mm displacement of the machine head to fit an embedded guitar pick with Jimi’s image). The headstock also has Jimi’s date of birth and passing: November 27, 1942 – September 18, 1970. Stephen used one of the industry standards in quality machine heads, the Gotoh M-6s.



To finish off the guitar, Grover-Trophy Custom Designed chrome ‘star’ strap buttons were added (to commemorate Jimi’s take on the Star Spangled Banner), as well as Jimi Hendrix guitar strings, by Dean Markley. I have preferences toward specific guitar string manufacturers, but I could not pass up these nickel plated steel strings, as they reflect a similar type used by Hendrix in his later career.