black all the way! looks awesome.. i don't like the black pickups with the gold guard and then the red guitar. not working for me..
What do you think?
The gold one sort of becomes the focal point, the black one makes the red pop.
Thoughts?
Mark
* Loud is good, good is better!
black all the way! looks awesome.. i don't like the black pickups with the gold guard and then the red guitar. not working for me..
Guitars: Epiphone Elitist LP Custom, Ibanez Talman TC420, Guitar built by yours truly
Pedals: Digitech DF7, Digitech EX7, Ibanez WH10, ZVEX Fuzz Factory, EHX The Worm, Arion DDM-1, Digitech XBW
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Black looks good ...
My SoundClick -- Rubber Band -- Jazz Trio
--Quebec made 1978 Norman B-30 , Martin Dc 15E , Suzuki Archtop
-- Fender Start Reissue 57 , Ibanez AR 300 , Peavy Falcon ,Xaviere Xv600,
-- Fender Telecaster , Charvel_Jackson , Framus Lapsteel
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I'm kind of surprised to say that I think I actually like the gold better in that context.
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I think it's the flow with the maple neck. I'm undecided, plus I can't locate a black pearloid pickguard at a decent price (GFS pricing).Originally Posted by marnold
Mark
* Loud is good, good is better!
Canadian price
http://www.guitarpartscanada.com/pro...products_id=41 Click to enlarge
My SoundClick -- Rubber Band -- Jazz Trio
--Quebec made 1978 Norman B-30 , Martin Dc 15E , Suzuki Archtop
-- Fender Start Reissue 57 , Ibanez AR 300 , Peavy Falcon ,Xaviere Xv600,
-- Fender Telecaster , Charvel_Jackson , Framus Lapsteel
--Rc boost,Ts9 ,Coolcat-ToD,GGG Fuzz Face, Boss Ce2 , Rc Booster ,Tone driver , Boss dd2 , Boss Gt8 (effects _effects loop)
--Amp:Traynor Ycv40 wr -- Blackstar HT5-- Car :Toyota Tercel 1999..
/ `--'(
< [] []////////|:::-)
\_.--.(
I vote gold. I think the black/grey guard makes the guitar look kind of gloomy.
Guitars: Epiphone SG-400 Custom; Epiphone Firebird V; 1996 Gibson LP Standard; Avion 4; Yamaha FG-301B acoustic
FX: TS-808; Big Muff (Triangle Version); Red Llama; Green Ringer Octave Up (Clones); Maxon Phaser; Maxon Compressor; Tremulus Lune Tremolo; Line 6 POD II
Amp: (Somewhere in another country) Hiwatt 100W head, Marshall 4x12 cab
My noise here
I like the gold, and agree that it's the flow with the neck - and just more pizzazz than the black.
"GAS never sleeps" - Gil Janus
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Gear: Epiphone Sheraton II, Epiphone Wildkat, Epiphone Emperor Joe Pass, Fender MIM Strat, Tacoma DR-14, Johnson JR-200 resonator; Fender Super Champ XD amp
I vote for the gold guard also.
Guitars (All Lefty): Fender MIM Wine Red Telecaster
Washburn D10SCELHBK
Greg Bennett (Samick) Avion AV3/LH/CS
Franken-Strat (Maple Neck / Black Body & Pickguard / 2-Point Tremolo / GFS Alnico Single-coil Pups / Gold Hardware)
2 Fullerton Standard Strats; Sunburst w/ GFS Overwound P'ups and Black w/ GFS Lil Killer Rail 'Buckers
Fullerton Deluxe Dreadnought
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Crate V18-112 (Goodsell RGM Speaker / Accutronics Tank / Switch R4 - R10 Mod)
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S.D. Pickup Booster
Ibanez CF7 Chorus/Flanger
Alesis NanoVerb
ART Tube MP Studio (OPA2604 Op Amps) (On Champion 30)
Behringer NR100 & OD100
Well in my opinion I like the gold it goes really well with the neck contrasting with the red body and the black plastic/hardware/and pups pop off of that.
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I've been waiting for you to chime in. I know you have a soft spot in your heart for Strats and I figured it was only a matter of a short time before I heard from you.Originally Posted by mrmudcat
Mark
* Loud is good, good is better!
black = :
5 = gold
3 = black
Mark
* Loud is good, good is better!
Make it "6 = gold"! :Originally Posted by just strum
Ronnie
Guitars: Washburn WI64DL Idol, Yamaha Pacifica 112, Yamaha EG112C, Washburn House of Blues Electric, Washburn G30 Acoustic
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I am going with the gold in this context. Flows well, pops well, and is just different than many you see.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
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I like the gold also,like you said the contrast with the maple.Sumi
Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic
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Line 6 M13
I like the black. It goes well with all the other black items....the gold...not so much.
Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic
Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT
Effects: Rocktron Delay | BBE Free Fuzz | Big Muff Pi | Boss Flanger | Bad Monkey | Jekyll and Hyde | Cry Baby Wah | Boss EQ | Behrenger TU300 Tuner |
It surprises me a little to say, but for me it's gold without hesitation. I just find that combination more visually appealing.
Between those 2 choices, chalk up another vote for Gold, as that's what I see, too. Also pops all the black hardware on the body instead of burying it.Originally Posted by just strum
Any thought to not-pearloid....like Creme w/ black/c/b edges?