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Thread: Early 60's Fender Concert, Brown

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  1. #1
    Join Date
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    I have a Blues Junior in that Brown Tolex with a Wheat front. I like it because it isn't your every day black tolex BJ. It was a special edition with a Jensen speaker. I really like the look of that concert.
    Interesting that it has a tremelo and no reverb. A little delay would be cool with that amp.
    I once owned one of the early blackface Super reverbs, It has a 4/10, and was a wonderful amp. Not easy to move around but amazing tone.
    I sold it in the about 1970, but wish I still had it of course.
    I think that concert is a great score. I have heard that they go for around 800+ in good shape, so it depends on how much the guy owed you if it was a good deal.
    The Blues is alright!

    Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
    Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde

    Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
    2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD

    Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.

  2. #2
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    Plug in a Strat and it's a match made in............well, if not heaven, then at least Fullerton.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

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  4. #3
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    Quote Originally Posted by oldguy
    Plug in a Strat and it's a match made in............well, if not heaven, then at least Fullerton.
    You bet, that is what I plugged in. Nice!

    I really like the sounds. And it does sound really good opened up a bit. I thought it sounded good at low volume, and it does, but after playing it opened up and going back down to low volume, you certainly miss that extra ooomph.

    The 4x10 speaker set up on the Concert gives a nice tightness that I noticed, and I think it is clearer in the high end than the Peavey. Lots of mid range warmth too. You can tell it is an "in between" transitional design between the Tweeds and the BF amphs. That nice tight bottom end can spank and move some air.

    My instructor Chip, who owns a Vibrolux, and owns a Bassman head, and has owned a number of vintage Fender amphs states the following, has the tight bottom like the BFs, not as much chime, and a good chunk of Tweed growl, though not all the way dialed up on the growl dial like a tweed. I like the sound, and he tends to as well. Nice and quiet, without many of the hisses, pops, snarls and other various noises he is used to from his vintage Fenders. Condition seems amazingly well preserved. He says the tone reminds him of his vibrolux when his amph tech has tightened things up a bit for him.

    The Vibrato is very reminiscent of a roto vibe to his ear, and we both think it is darned cool. The thing to think about is whether it is practical as my main amph. I don't have to decide now, and can just play with it a while. So that is as far as I am thinking on it tonight. But if it stays, the Peavey might have to go. Hmm. The Peavey is a lot of amph in small, more modern box. Ok, not gonna worry about that now.
    Last edited by sunvalleylaw; February 4th, 2016 at 10:40 PM.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

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