Black.
Just curious....
On an Orange'ish or Red'ish sunburst Les Paul, would you prefer....
1) A BLACK pickguard
2) A WHITE pickguard
3) NO pickguard
THANKS!
Black.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Black on the red-ish and remove it to see which way you like it best. The pup rings count too; black would be black or black chrome rings.
This would be my preference for the red one.
The orangish one I would probably go without a pickguard and let that sunshine through.
I took the white guard off of my deep wine burgundy red birdseye maple LP Epi std and put in SD JB bridge and 59 neck and replaced the white rings with black rings. The chrome screws around the open coil pups give it a nice machine head look and the body looks fantastic without the guard.
My white Xavier XV500 LP tribute doesn't have a pickguard stock and looks great, also sounds and plays like a guitar costing hundreds of dollars more; three quarter inch thick maple cap on mahogany body w mahogany set neck and Crunchy PAF GFS pups stock. Body woods visually verified in cavity.
Duffy
South Williamsport, Pa.
"So let us stop talking falsely now, the hour's getting late." (as by JH)
#3.
Electrics: '07 Gibson Les Paul Classic Antique, Oscar Schmidt OE40N Hollowbody aka. "Fat Girl"
Acoustic: Ibanez AEL20E-TRS
Bass: Ibanez GIO GSR200
Amplification: Marshall TSL JCM 2000 head & 1960a cab, Fender Hotrod Deluxe Silverface, Ibanez Soundwave SWX65
Effects: Boss Chorus, Bad Monkey, BSIABII, Rabid Rodent, Crybaby GCB-95, Rocktron Talk Box
Apparently everyone in AC/DC is a gnome too. - Reverend Rawk
DOUBLETAP - 'Northern Maine's Premier Blues Band'.
no pickguard
Interesting: I have owned all three and all look pretty good. I guess pictures are in order.
Actually creme not white.
The Blues is alright!
Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde
Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD
Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.
Mine came with a pick guard, not installed. I couldn't bring myself to a) screw into the wood; and b) cover up any of that really beautiful (and expensive) nitro-cellulose finish..
Electrics: '07 Gibson Les Paul Classic Antique, Oscar Schmidt OE40N Hollowbody aka. "Fat Girl"
Acoustic: Ibanez AEL20E-TRS
Bass: Ibanez GIO GSR200
Amplification: Marshall TSL JCM 2000 head & 1960a cab, Fender Hotrod Deluxe Silverface, Ibanez Soundwave SWX65
Effects: Boss Chorus, Bad Monkey, BSIABII, Rabid Rodent, Crybaby GCB-95, Rocktron Talk Box
Apparently everyone in AC/DC is a gnome too. - Reverend Rawk
DOUBLETAP - 'Northern Maine's Premier Blues Band'.
This is one of the things that I like about electric guitars. Unlike acoustic guitars, its fairly easy to "personalise" your electric guitar. There are things you can easilly change to suit your personal preferance.
Pickguards, tuning knobs, pickups and pickup rings, etc.
For example, I recently picked up a like new black Epiphone Les Paul for next to nothing at a pawn shop. It played and sounded GREAT, but being all black it seemed to be kinda missing something.
I simply put a slightly off white(sort of beige) pickguard on it and...
(((WOWZA!!!)))
Talk about SHARP looking!
I'm allover the cream pickguard on a cherryburst Gib
I've always figured whenever I get one, the guard comes off.
http://i816.photobucket.com/albums/z...71/guitars.jpg
heres my trans amber and faded cherry without pickguards
I would go cream for an understated look, or no pickguard at all depending on what the wood looked like.
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.
No pickguard.
Guitars
Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
Amps
Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
Pedals
Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal